Roy Baird

What are Roy Baird's films like?

Across their 13 Motif titles with a thematic analysis, their films lean Self and Power.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Roy Baird's films?

As of October 24, 2026, 8 of their 20 Motif titles stream on a subscription or free service.

• The Criterion Channel3 titles, browse their movies on this service
  • Quadrophenia (1979) · producer
  • Mahler (1974) · producer
  • Lisztomania (1975) · producer
• Tubi3 titles, browse their movies on this service
  • Quadrophenia (1979) · producer · free
  • The Leather Boys (1964) · assistant director · free
  • Code 7, Victim 5 (1964) · assistant director · free
• The Roku Channel2 titles, browse their movies on this service
  • Quadrophenia (1979) · producer · free
  • The Leather Boys (1964) · assistant director · free
• HBO Max1 title, browse their movies on this service
  • Quadrophenia (1979) · producer
• MGM+1 title, browse their movies on this service
  • The Music Lovers (1971) · producer

Subscription and free streaming for Roy Baird's titles on Motif; rent and buy are not counted. Titles are listed by Motif score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

24 credits, 20 with a Motif page; 2 appearances as themselves are hidden until asked for.

• 

  Lenin: The Train(1988)

  Producer

  Motif score: 70th percentile of all films70^th
• 

  Quadrophenia(1979)

  Producer

  Motif score: 89th percentile of all films89^th
• 

  Lisztomania(1975)

  Producer

  Motif score: 57th percentile of all films57^th
• 

  Stardust (not in the Motif catalog yet)(1974)

  Executive Producer
• 

  Mahler(1974)

  Producer

  Motif score: 79th percentile of all films79^th
• 

  The Final Programme(1973)

  Executive Producer

  Motif score: 31st percentile of all films31^st
• 

  That'll Be the Day(1973)

  Executive Producer

  Motif score: 65th percentile of all films65^th
• 

  Henry VIII and His Six Wives(1972)

  Producer

  Motif score: 68th percentile of all films68^th
• 

  The Devils(1971)

  Associate Producer

  Motif score: 94th percentile of all films94^th
• 

  The Music Lovers(1971)

  Executive Producer

  Motif score: 85th percentile of all films85^th
• 

  Spring and Port Wine(1970)

  Executive Producer

  Motif score: 78th percentile of all films78^th
• 

  Women in Love(1969)

  Associate Producer

  Motif score: 85th percentile of all films85^th
• 

  If....(1968)

  Executive Producer

  Motif score: 90th percentile of all films90^th
• 

  Our Mother's House(1967)

  Associate Producer

  Motif score: 88th percentile of all films88^th
• 

  Casino Royale(1967)

  Assistant Director

  Motif score: 14th percentile of all films14^th
• 

  The Sandwich Man(1966)

  Assistant Director

  Motif score: 39th percentile of all films39^th
• 

  Morgan!(1966)

  Production Manager

  Motif score: 65th percentile of all films65^th
• 

  Four in the Morning(1965)

  Production Manager

  Motif score: 47th percentile of all films47^th
• 

  The Collector(1965)

  Assistant Director

  Motif score: 93rd percentile of all films93^rd
• 

  Code 7, Victim 5(1964)

  Assistant Director

  Motif score: 16th percentile of all films16^th
• 

  Just for You (not in the Motif catalog yet)(1964)

  Assistant Director
• 

  The Leather Boys(1964)

  Assistant Director

  Motif score: 80th percentile of all films80^th
• 

  The Break (not in the Motif catalog yet)(1963)

  Assistant Director
• 

  Girl on Approval (not in the Motif catalog yet)(1961)

  Assistant Director

Career shape

A full career of 23 titles from 1961 to 1979.

Biggest box office

Quadrophenia (1979)

$2.8K worldwide

Highest rated

The Devils (1971)

Motif 94^th

How do Roy Baird's films land?

Their typical Motif film has a Motif score in the 74^th percentile, the median of all 20; across their 13 films with reception data, the typical film sits in the 79^th percentile for acclaim.

Shape of the crowd

10 of their 20 titles are Crowd Pleasers.

4106

• Universally Loved4
• Crowd Pleaser10
• Mixed6

Most divisive · producer

Lisztomania (1975)

63^rd percentile spread · 19% rated it 4 or lower

Most loved · producer

The Devils (1971)

Motif 94^th · 82% liked

Percentiles are each film's standing among all films on Motif; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Motif score bands, the shape of the crowd and the two cards count their Motif titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Roy Baird's work okay for kids?

Across up to 6 Motif titles with content scores, sex & nudity runs heavier than most films.

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Roy Baird work with?

People who share at least 2 of Roy Baird's Motif titles, grouped by what they did on them; Ken Russell shares the most, 5.