
Glenda Jackson
Actor · Died June 15, 2023, aged 87 · Wirral, England, UK
Glenda May Jackson CBE (9 May 1936, Birkenhead, Cheshire – 15 June 2023) was an English actress and politician. She was one of the few artists to achieve the Triple Crown of Acting, having won two Academy Awards, three Emmy Awards and a Tony Award. She was made a CBE by Queen Elizabeth II in 1978. She won the Academy Award for Best Actress twice: for her roles in Women in Love (1970) and A Touch of Class (1973). She won the BAFTA Award for Best Actress in a Leading Role for Sunday Bloody Sunday (1971). Her other notable roles include Mary, Queen of Scots (1971), Hedda (1975), The Incredible Sarah (1976) and Hopscotch (1980). She won two Primetime Emmy Awards for her role as Elizabeth I in the BBC series Elizabeth R (1971). She received the British Academy Television Award for Best Actress for her role in Elizabeth Is Missing (2019). Jackson studied at the Royal Academy of Dramatic Art (RADA). She made her Broadway debut in Marat/Sade (1966). She received five Laurence Olivier Award nominations for her West End roles in Stevie (1977), Antony and Cleopatra (1979), Rose (1980), Strange Interlude (1984) and King Lear (2016), the later being her first role after a 25 year absence from acting, which she reprised on Broadway in 2019. She won the Tony Award for Best Actress in a Play for her role in the revival of Edward Albee's Three Tall Women (2018). Jackson took a hiatus from acting to take on a career in politics from 1992 to 2015, and was elected as the Labour Party MP for Hampstead and Highgate in the 1992 general election. She served as a junior transport minister from 1997 to 1999 during the government of Tony Blair, later becoming critical of Blair. After constituency boundary changes, she represented Hampstead and Kilburn from 2010. At the 2010 general election, her majority of 42 votes, confirmed after a recount, was the narrowest of that parliament. Jackson stood down at the 2015 general election and returned to acting.
Read moreShow less
Biography from TMDB.
- May 9, 1936
- June 15, 2023 (aged 87)
- Wirral, England, UK
- Actor
- 31 on MovieCove · 61 credits in all
What are Glenda Jackson's films like?
Across their 27 MovieCove titles with a thematic analysis, their films lean Self and Bonds.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 1 · Wry 3 · Earnest 21
A split, not a type: Light 10 · Serious 5 · Dark 11
A split, not a type: Grounded 13 · Stylized 8 · Heightened 5
Gentle 4 · Charged 15 · Intense 7
A split, not a type: Steady 12 · Shifting 11 · Whiplash 3
A split, not a type: Straight-faced 17 · Some laughs 4 · Funny 5
Slow burn 19 · Even-paced 7 · Relentless 0
Casual 9 · Engaged 12 · Full focus 5
A split, not a type: Easy watch 7 · Affecting 7 · Heavy 12
A split, not a type: Resolved 13 · Open-ended 5 · Ambiguous 8
Roles they play
Usually the Hero: 6 of 20 analyzed roles.
Show the 20 rolesHide the roles
- Allyas Charlotte Corday in Marat/Sade (1967)
- Shapeshifteras Vivien in Negatives (1968)
- Tricksteras Gudrun Brangwen in Women in Love (1969)
- Heroas Queen Elizabeth I in Elizabeth R (1971)
- Shadowas Queen Elizabeth in Mary, Queen of Scots (1971)
- Heroas Alice in The Triple Echo (1972)
- Shadowas Lady Hamilton in The Nelson Affair (1973)
- Shapeshifteras Vickie Allessio in A Touch of Class (1973)
- Shadowas Sister Geraldine in The Devil Is a Woman (1974)
- Shapeshifteras Solange in The Maids (1975)
- Heroas Conor MacMichael in The Class of Miss MacMichael (1978)
- Shapeshifteras Ann Atkinson in House Calls (1978)
- Heroas Stevie in Stevie (1978)
- Heraldas Isobel von Schönenberg in Hopscotch (1980)
- Heroas Patricia Neal in The Patricia Neal Story (1981)
- Shapeshifteras Charlotte in Beyond Therapy (1987)
- Allyas Lady Alice in Salome's Last Dance (1988)
- Heraldas Ailsa Brimley in A Murder of Quality (1991)
- Heroas Maud in Elizabeth Is Missing (2019)
- Shadowas Dementia in Elizabeth Is Missing (2019)
Moods and endings
- Happy5
- Bittersweet10
- Tragic5
- Ambiguous7
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Glenda Jackson's films?
As of October 24, 2026, 17 of their 31 MovieCove titles stream on a subscription or free service, most on Tubi (7).
- BritBox
Subscription and free streaming for Glenda Jackson's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
61 credits, 31 with a MovieCove page; 30 appearances as themselves are hidden until asked for.

Love Left the Masquerade: Peter Medak's Cinema of Pretenders (not in the MovieCove catalog yet)(2025)

The Great Escaper(2023)
Midcredits score: 82nd percentile of all films
Mothering Sunday(2021)
Midcredits score: 43rd percentile of all films
Midcredits score: 62nd percentile of all films (provisional, few ratings)
Elizabeth Is Missing(2019)
Midcredits score: 92nd percentile of all films
A Wave of Passion: The Life of Alexandra Kollontai (not in the MovieCove catalog yet)(1994)

The Secret Life of Arnold Bax (not in the MovieCove catalog yet)(1992)

The House of Bernarda Alba (not in the MovieCove catalog yet)(1991)

A Murder of Quality(1991)
Midcredits score: 55th percentile of all films
King of the Wind(1989)
Midcredits score: 61st percentile of all films
The Real Story of Humpty Dumpty (not in the MovieCove catalog yet)(1990)

The Rainbow(1989)
Midcredits score: 53rd percentile of all films
Doombeach (not in the MovieCove catalog yet)(1989)

Salome's Last Dance(1988)
Midcredits score: 64th percentile of all films
Strange Interlude (not in the MovieCove catalog yet)(1988)

Beyond Therapy(1987)
Midcredits score: 11th percentile of all films
Business as Usual (not in the MovieCove catalog yet)(1987)

Turtle Diary (not in the MovieCove catalog yet)(1985)

Sakharov (not in the MovieCove catalog yet)(1984)
Midcredits score: 62nd percentile of all films
Giro City (not in the MovieCove catalog yet)(1982)

American Playhouse (not in the MovieCove catalog yet)(1982)

The Patricia Neal Story(1981)
Midcredits score: 62nd percentile of all films
Hopscotch(1980)
Midcredits score: 87th percentile of all films
HealtH (not in the MovieCove catalog yet)(1980)

Lost and Found (not in the MovieCove catalog yet)(1979)
Midcredits score: 41st percentile of all films
Stevie(1978)
Midcredits score: 76th percentile of all films
House Calls(1978)
Midcredits score: 67th percentile of all films
Nasty Habits (not in the MovieCove catalog yet)(1977)

The Incredible Sarah (not in the MovieCove catalog yet)(1976)

Hedda (not in the MovieCove catalog yet)(1975)
Midcredits score: 45th percentile of all films
The Maids(1975)
Midcredits score: 57th percentile of all films
The Devil Is a Woman(1974)
Midcredits score: 34th percentile of all films
A Touch of Class(1973)
Midcredits score: 61st percentile of all films
The Nelson Affair(1973)
Midcredits score: 54th percentile of all films
The Triple Echo(1972)
Midcredits score: 59th percentile of all films
Mary, Queen of Scots(1971)
Midcredits score: 79th percentile of all films
The Boy Friend(1971)
Midcredits score: 83rd percentile of all films
Sunday Bloody Sunday(1971)
Midcredits score: 77th percentile of all films
Elizabeth R(1971)
Midcredits score: 95th percentile of all shows
The Music Lovers(1971)
Midcredits score: 84th percentile of all films
Women in Love(1969)
Midcredits score: 85th percentile of all films
ITV Saturday Night Theatre (not in the MovieCove catalog yet)(1969)

Negatives(1968)
Midcredits score: 31st percentile of all filmsLet's Murder Vivaldi (not in the MovieCove catalog yet)(1968)

Tell Me Lies (not in the MovieCove catalog yet)(1968)
Which of These Two Ladies Is He Married To? (not in the MovieCove catalog yet)(1967)

Half Hour Story (not in the MovieCove catalog yet)(1967)

Marat/Sade(1967)
Midcredits score: 88th percentile of all films
Opus (not in the MovieCove catalog yet)(1967)

BBC Play of the Month (not in the MovieCove catalog yet)(1965)
Midcredits score: 92nd percentile of all shows
Horror of Darkness (not in the MovieCove catalog yet)(1965)

The Wednesday Play (not in the MovieCove catalog yet)(1964)

This Sporting Life(1963)
Midcredits score: 92nd percentile of all films
World in Action (not in the MovieCove catalog yet)(1963)

Armchair Theatre (not in the MovieCove catalog yet)(1956)

The Extra Day (not in the MovieCove catalog yet)(1956)

Midnight Men: A John Schlesinger and Michael Childers Story (not in the MovieCove catalog yet)
Career shape
Star power in the 98th percentile of 239,109 people with a billed film role, over a full career of 61 titles, 60 of them dated from 1956 to 2025; peak year 2020.

Biggest box office
House Calls (1978)

Highest rated
Elizabeth R (1971)

Most popular right now
Mothering Sunday (2021)
Film career
Peak 2020 · at the high point of their film career. Top draw in 7 MovieCove titles. Film roles by billing, audience size and rating; 25+ votes. A show carries a single first-air date, so shows are not on the curve.
- 1963Screen debut· This Sporting Life
- 1972First top-billed film· The Triple Echo
- 2019Career best· Elizabeth Is Missing
Billing
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored. Billing is TMDB cast order for roles with 25+ votes, billed in the top 30; the columns are the share of top-billed roles in each era, 5-year spans from the year on the label, merged until each holds at least 5 roles.
How do Glenda Jackson's films land?
Their typical MovieCove film has a Midcredits score in the 62nd percentile, the median of all 29; across their 26 films with reception data, the typical film sits in the 62nd percentile for acclaim.
- 75th and up13
- 50th to 74th12
- 25th to 49th5
- Below 25th1
Shape of the crowd
14 of their 31 titles are Crowd Pleasers.
- Universally Loved6
- Cult Classic1
- Crowd Pleaser14
- Mixed10
Reviewers score the acting 78/100 in their films, across 26 reviewed titles; fans 85, detractors 54. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Glenda Jackson's work okay for kids?
Across up to 9 MovieCove titles with content scores, sex & nudity runs heavier than most films and violence & gore lighter.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.
Who does Glenda Jackson work with?
People who share at least 2 of Glenda Jackson's MovieCove titles, grouped by what they did on them; Ken Russell shares the most, 4.
Directors
- Ken RussellShared titles: The Rainbow (1989), Salome's Last Dance (1988), The Music Lovers (1971), Women in Love (1969)See all 4 shared titles with Ken Russell

Writers
- D.H. LawrenceShared titles: The Rainbow (1989), Women in Love (1969)See all 2 shared titles with D.H. Lawrence

- Vivian RussellShared titles: The Rainbow (1989), Salome's Last Dance (1988)See all 2 shared titles with Vivian Russell
- Hugh WhitemoreShared titles: The Return of the Soldier (1982), Stevie (1978)See all 2 shared titles with Hugh Whitemore
Actors
- Christopher GableShared titles: The Rainbow (1989), The Music Lovers (1971), Women in Love (1969)See all 3 shared titles with Christopher Gable

- Kenneth ColleyShared titles: The Rainbow (1989), The Triple Echo (1972), The Music Lovers (1971)See all 3 shared titles with Kenneth Colley

- Oliver ReedShared titles: The Class of Miss MacMichael (1978), The Triple Echo (1972), Women in Love (1969)See all 3 shared titles with Oliver Reed

- John StandingShared titles: The Great Escaper (2023), The Class of Miss MacMichael (1978)See all 2 shared titles with John Standing

Composers, cinematographers and editors
- Billy WilliamsShared titles: The Rainbow (1989), Sunday Bloody Sunday (1971), Women in Love (1969)See all 3 shared titles with Billy Williams

- Stanley MyersShared titles: A Murder of Quality (1991), The Class of Miss MacMichael (1978)See all 2 shared titles with Stanley Myers

- Peter TannerShared titles: Stevie (1978), The Maids (1975)See all 2 shared titles with Peter Tanner
- Douglas SlocombeShared titles: The Maids (1975), The Music Lovers (1971)See all 2 shared titles with Douglas Slocombe

Producers
- Dan IrelandShared titles: The Rainbow (1989), Salome's Last Dance (1988)See all 2 shared titles with Dan Ireland

- Ronaldo VasconcellosShared titles: The Rainbow (1989), Salome's Last Dance (1988)See all 2 shared titles with Ronaldo Vasconcellos
- William J. QuigleyShared titles: The Rainbow (1989), Salome's Last Dance (1988)See all 2 shared titles with William J. Quigley
- Judd BernardShared titles: The Class of Miss MacMichael (1978), Negatives (1968)See all 2 shared titles with Judd Bernard



