
Wendy Barrie
Actor · Died February 2, 1978, aged 65 · Hong Kong, British Crown Colony [now China]
Wendy Barrie was a British actress who worked in British and American films. Barrie was born in London to English parents. Her father, Francis Charles John Graigoe Jenkin KC (1883 – 1936), was an employee of Great Western (according to the 1901 census), who then joined the Royal Fusiliers in 1902. Her mother was Ellen McDonagh. Hollywood gave her a more exotic parentage with her father being a King's Counsel and her mother a Russian-Jewish actress who had performed in the world's first professional Yiddish-language theater troupe. She received her education at a convent school in England and a finishing school in Switzerland. In 1932, Barrie made her screen debut in the film Threads, which was based upon a play. She went on to make a number of motion pictures for London Films under the Korda brothers, Alexander and Zoltan, the best known of which is 1933's The Private Life of Henry VIII, in which she portrayed Jane Seymour. In 1934, she appeared in Freedom of the Seas and was contracted by Fox Film Corporation for a film directed by Scott Darling that was made in Britain. The following year, she moved to the United States and made her first Hollywood film for Fox opposite Spencer Tracy in the romantic comedy It's a Small World, followed by Under Your Spell with Lawrence Tibbett. Loaned to MGM, Barrie starred opposite James Stewart in the 1936 film Speed. In 1939 she starred with Richard Greene and Basil Rathbone in the 20th Century Fox version of The Hound of the Baskervilles, and with Lucille Ball in RKO's Five Came Back. During 1939 and the early 1940s, Barrie made several of The Saint and The Falcon mystery films with George Sanders. She made her final motion picture in 1954. With the dawn of television, in the late 1940s, Barrie turned to roles in that medium. In 1956, she had a disc jockey program, the Wendy Barrie Show, on WMGM in New York City. She also hosted a widely syndicated radio interview show into the mid-1960s. After appearances in more than 15 films in Britain and more than 30 in Hollywood, Barrie's contribution to the industry was recognized with a motion pictures star on the Hollywood Walk of Fame at 1708 Vine Street, near the corner of Hollywood and Vine. Her star was dedicated February 8, 1960. Barrie became a naturalized American citizen in 1942. She was reportedly engaged to and had a daughter named Carolyn with the infamous gangster Benjamin "Bugsy" Siegel, and at one time was married to textile manufacturer David L. Meyer. She died in Englewood, New Jersey, in 1978, aged 65, following a stroke that had left her debilitated for several years. She was buried in the Kensico Cemetery in Valhalla, New York.
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Biography from TMDB.
- April 18, 1912
- February 2, 1978 (aged 65)
- Hong Kong, British Crown Colony [now China]
- Actor
- 15 on MovieCove · 53 credits in all
What are Wendy Barrie's films like?
Across their 12 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 12
Light 7 · Serious 4 · Dark 1
Grounded 11 · Stylized 1 · Heightened 0
Gentle 2 · Charged 9 · Intense 1
Steady 6 · Shifting 6 · Whiplash 0
Straight-faced 4 · Some laughs 4 · Funny 4
Slow burn 1 · Even-paced 8 · Relentless 3
Casual 8 · Engaged 4 · Full focus 0
Easy watch 9 · Affecting 2 · Heavy 1
Resolved 12 · Open-ended 0 · Ambiguous 0
Roles they play
Usually the Ally: 3 of 5 analyzed roles.
- Allyas Paula Gilbert in Love on a Bet (1936)
- Allyas Jane Forbes in Ticket to Paradise (1936)
- Shapeshifteras Val Travers in The Saint Strikes Back (1939)
- Shapeshifteras Ruth Summers in The Saint Takes Over (1940)
- Allyas Ann Patterson in Submarine Alert (1943)
Moods and endings
- Happy7
- Bittersweet5
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Wendy Barrie's films?
As of October 24, 2026, 7 of their 15 MovieCove titles stream on a subscription or free service, most on Tubi (4).
Subscription and free streaming for Wendy Barrie's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
53 credits, 15 with a MovieCove page; 2 appearances as themselves are hidden until asked for.

It Should Happen to You(1954)
Midcredits score: 87th percentile of all films
Your Show of Shows (not in the MovieCove catalog yet)(1950)

Submarine Alert(1943)
Midcredits score: 14th percentile of all films
Follies Girl (not in the MovieCove catalog yet)(1943)

Forever and a Day(1943)
Midcredits score: 78th percentile of all films
Eyes of the Underworld (not in the MovieCove catalog yet)(1942)

A Date with the Falcon(1942)
Midcredits score: 60th percentile of all filmsGangs Of The City (not in the MovieCove catalog yet)(1941)

The Gay Falcon (not in the MovieCove catalog yet)(1941)

Repent at Leisure (not in the MovieCove catalog yet)(1941)

The Saint In Palm Springs (not in the MovieCove catalog yet)(1941)

Who Killed Aunt Maggie? (not in the MovieCove catalog yet)(1940)

Men Against the Sky (not in the MovieCove catalog yet)(1940)

Cross-Country Romance (not in the MovieCove catalog yet)(1940)

The Saint Takes Over(1940)
Midcredits score: 65th percentile of all films
Women in War (not in the MovieCove catalog yet)(1940)

Day-time Wife (not in the MovieCove catalog yet)(1939)

The Witness Vanishes (not in the MovieCove catalog yet)(1939)

Five Came Back(1939)
Midcredits score: 81st percentile of all films
Midcredits score: 91st percentile of all films
The Saint Strikes Back(1939)
Midcredits score: 49th percentile of all films
Pacific Liner (not in the MovieCove catalog yet)(1939)

Newsboys' Home (not in the MovieCove catalog yet)(1938)

I Am the Law(1938)
Midcredits score: 67th percentile of all films
Prescription for Romance (not in the MovieCove catalog yet)(1937)

A Girl with Ideas (not in the MovieCove catalog yet)(1937)

Dead End(1937)
Midcredits score: 87th percentile of all films
What Price Vengeance (not in the MovieCove catalog yet)(1937)

Wings Over Honolulu (not in the MovieCove catalog yet)(1937)

Breezing Home (not in the MovieCove catalog yet)(1937)

Under Your Spell (not in the MovieCove catalog yet)(1936)

Ticket to Paradise(1936)
Midcredits score: 38th percentile of all films
Speed(1936)
Midcredits score: 29th percentile of all films
Love on a Bet(1936)
Midcredits score: 75th percentile of all films
Millions in the Air (not in the MovieCove catalog yet)(1935)

A Feather in Her Hat(1935)
Midcredits score: 53rd percentile of all films
The Big Broadcast of 1936 (not in the MovieCove catalog yet)(1935)

College Scandal (not in the MovieCove catalog yet)(1935)

It's A Small World (not in the MovieCove catalog yet)(1935)

There Goes Susie (not in the MovieCove catalog yet)(1935)

Freedom of the Seas (not in the MovieCove catalog yet)(1934)
Give Her a Ring (not in the MovieCove catalog yet)(1934)
It's a Boy (not in the MovieCove catalog yet)(1934)
This Acting Business (not in the MovieCove catalog yet)(1933)

The House of Trent (not in the MovieCove catalog yet)(1933)

Cash (not in the MovieCove catalog yet)(1933)
Midcredits score: 78th percentile of all films
Where Is This Lady? (not in the MovieCove catalog yet)(1932)
The Barton Mystery (not in the MovieCove catalog yet)(1932)

Wedding Rehearsal (not in the MovieCove catalog yet)(1932)

Collision (not in the MovieCove catalog yet)(1932)
The Callbox Mystery (not in the MovieCove catalog yet)(1932)
Threads (not in the MovieCove catalog yet)(1932)
Career shape
Star power in the 87th percentile of 239,109 people with a billed film role, over a full career of 53 titles from 1932 to 1954.
Film career
- 1933Screen debut· The Private Life of Henry VIII
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored. Billing is TMDB cast order for roles with 25+ votes, billed in the top 30.
How do Wendy Barrie's films land?
Their typical MovieCove film has a Midcredits score in the 67th percentile, the median of all 15; across their 12 films with reception data, the typical film sits in the 65th percentile for acclaim.
- 75th and up7
- 50th to 74th4
- 25th to 49th3
- Below 25th1
Shape of the crowd
None of their 15 titles divides audiences: 10 are Crowd Pleasers.
- Universally Loved1
- Crowd Pleaser10
- Broadly Agreed3
- Mixed1
Reviewers score the acting 71/100 in their films, across 12 reviewed titles; fans 79, detractors 51. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Wendy Barrie work with?
People who share at least 2 of Wendy Barrie's MovieCove titles, grouped by what they did on them; Allen Jenkins shares the most, 3.
Directors
- John FarrowShared titles: Five Came Back (1939), The Saint Strikes Back (1939)See all 2 shared titles with John Farrow

Writers
- Frank FentonShared titles: A Date with the Falcon (1942), The Saint Takes Over (1940)See all 2 shared titles with Frank Fenton
- Lynn RootShared titles: A Date with the Falcon (1942), The Saint Takes Over (1940)See all 2 shared titles with Lynn Root
- Leslie CharterisShared titles: The Saint Takes Over (1940), The Saint Strikes Back (1939)See all 2 shared titles with Leslie Charteris

- Nathanael WestShared titles: Five Came Back (1939), Ticket to Paradise (1936)See all 2 shared titles with Nathanael West
Actors
- Allen JenkinsShared titles: A Date with the Falcon (1942), Five Came Back (1939), Dead End (1937)See all 3 shared titles with Allen Jenkins

- George SandersShared titles: A Date with the Falcon (1942), The Saint Takes Over (1940), The Saint Strikes Back (1939)See all 3 shared titles with George Sanders

- Jack CarrShared titles: Submarine Alert (1943), A Date with the Falcon (1942)See all 2 shared titles with Jack Carr
- Marc LawrenceShared titles: Submarine Alert (1943), I Am the Law (1938)See all 2 shared titles with Marc Lawrence

Cinematographers and editors
- Harry MarkerShared titles: A Date with the Falcon (1942), Five Came Back (1939)See all 2 shared titles with Harry Marker
- Robert De GrasseShared titles: A Date with the Falcon (1942), Love on a Bet (1936)See all 2 shared titles with Robert De Grasse
- Desmond MarquetteShared titles: The Saint Takes Over (1940), Love on a Bet (1936)See all 2 shared titles with Desmond Marquette
- Frank RedmanShared titles: The Saint Takes Over (1940), The Saint Strikes Back (1939)See all 2 shared titles with Frank Redman
Producers
- Howard BenedictShared titles: A Date with the Falcon (1942), The Saint Takes Over (1940)See all 2 shared titles with Howard Benedict
- Lee S. MarcusShared titles: The Saint Takes Over (1940), Love on a Bet (1936)See all 2 shared titles with Lee S. Marcus
- Robert SiskShared titles: Five Came Back (1939), The Saint Strikes Back (1939)See all 2 shared titles with Robert Sisk
- Everett RiskinShared titles: I Am the Law (1938), A Feather in Her Hat (1935)See all 2 shared titles with Everett Riskin
Mixed roles
- Jack HivelyShared titles: The Saint Takes Over (1940), The Saint Strikes Back (1939)See all 2 shared titles with Jack Hively




