- Producer and writer
- 7 on MovieCove
What are Alberto Barsanti's films like?
Across their 7 MovieCove titles with a thematic analysis, their films lean Power and Morality.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 1 · Wry 1 · Earnest 5
A split, not a type: Light 2 · Serious 2 · Dark 3
Grounded 0 · Stylized 5 · Heightened 2
Gentle 0 · Charged 5 · Intense 2
Steady 3 · Shifting 3 · Whiplash 1
A split, not a type: Straight-faced 3 · Some laughs 4 · Funny 0
Slow burn 4 · Even-paced 3 · Relentless 0
Casual 2 · Engaged 5 · Full focus 0
Easy watch 2 · Affecting 3 · Heavy 2
Resolved 4 · Open-ended 1 · Ambiguous 2
Moods and endings
- Happy3
- Bittersweet1
- Tragic1
- Ambiguous2
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Alberto Barsanti's films?
As of October 24, 2026, 4 of their 7 MovieCove titles stream on a subscription or free service, most on Tubi (4).
Subscription and free streaming for Alberto Barsanti's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
7 credits, 7 with a MovieCove page.
Black Sabbath(1963)
Midcredits score: 84th percentile of all films
Ro.Go.Pa.G.(1963)
Midcredits score: 79th percentile of all films
Erik the Conqueror(1961)
Midcredits score: 45th percentile of all films
The Long Absence(1961)
Midcredits score: 78th percentile of all films
The Battle of Austerlitz(1960)
Midcredits score: 54th percentile of all films
The Giants of Thessaly(1960)
Midcredits score: 10th percentile of all films
The Giant of Marathon(1959)
Midcredits score: 18th percentile of all films
Career shape
Across their 7 MovieCove titles from 1959 to 1963.
How do Alberto Barsanti's films land?
Their typical MovieCove film has a Midcredits score in the 54th percentile, the median of all 7; across their 7 films with reception data, the typical film sits in the 60th percentile for acclaim.
- 75th and up3
- 50th to 74th1
- 25th to 49th1
- Below 25th2
Shape of the crowd
None of their 7 titles divides audiences: 3 are Crowd Pleasers.
- Crowd Pleaser3
- Broadly Agreed1
- Mixed3
Reviewers score the dialogue 46/100 and the plot and story 49/100 in their films, across 7 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Alberto Barsanti work with?
People who share at least 2 of Alberto Barsanti's MovieCove titles, grouped by what they did on them; Mario Serandrei shares the most, 4.
Directors
- Mario BavaShared titles: Black Sabbath (1963), Erik the Conqueror (1961), The Giant of Marathon (1959)See all 3 shared titles with Mario Bava
Writers
- Ennio De ConciniShared titles: The Giants of Thessaly (1960), The Giant of Marathon (1959)See all 2 shared titles with Ennio De Concini
Actors
- Orson WellesShared titles: Ro.Go.Pa.G. (1963), The Battle of Austerlitz (1960)See all 2 shared titles with Orson Welles
Composers and editors
- Mario SerandreiShared titles: Black Sabbath (1963), Erik the Conqueror (1961), The Battle of Austerlitz (1960), The Giant of Marathon (1959)See all 4 shared titles with Mario Serandrei
- Roberto NicolosiShared titles: Black Sabbath (1963), Erik the Conqueror (1961), The Giant of Marathon (1959)See all 3 shared titles with Roberto Nicolosi
- Carlo RustichelliShared titles: Ro.Go.Pa.G. (1963), The Giants of Thessaly (1960)See all 2 shared titles with Carlo Rustichelli
Producers
- Lionello SantiShared titles: Black Sabbath (1963), Erik the Conqueror (1961)See all 2 shared titles with Lionello Santi