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Roberto Nicolosi

Composer · Died April 4, 1989, aged 74 · Genova, Italy

Born
November 16, 1914
Died
April 4, 1989 (aged 74)
From
Genova, Italy
Works as
Composer
Titles
12 on MovieCove · 37 credits in all
TMDB popularity, last 38 days to Oct 27Down 29% in 30 days

What are Roberto Nicolosi's films like?

Across their 12 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.

What they feel like to watch

their average across 12 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Grounded 1 · Stylized 4 · Heightened 7

Gentle 2 · Charged 7 · Intense 3

Steady 5 · Shifting 7 · Whiplash 0

Straight-faced 9 · Some laughs 2 · Funny 1

Slow burn 6 · Even-paced 6 · Relentless 0

Casual 4 · Engaged 8 · Full focus 0

Resolved 9 · Open-ended 3 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
7
Dread
4
Melancholic
5
Romantic
5
Thrilling
2
Other
5

How their films end · 4 with a twist

  • Happy4
  • Bittersweet5
  • Tragic1
  • Ambiguous2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Roberto Nicolosi's films?

As of October 24, 2026, 11 of their 12 MovieCove titles stream on a subscription or free service, most on Tubi (10).

Subscription and free streaming for Roberto Nicolosi's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

37 credits, 12 with a MovieCove page.

  • Eye in the Labyrinth(1972)

    Composer

    Midcredits score: 35th percentile of all films
  • Ischia operazione amore (not in the MovieCove catalog yet)(1966)

    Composer

  • Il treno del sabato (not in the MovieCove catalog yet)(1964)

    Composer

  • War of the Zombies (not in the MovieCove catalog yet)(1964)

    Composer

  • The Reunion (not in the MovieCove catalog yet)(1963)

    Composer

  • Black Sabbath(1963)

    Composer

    Midcredits score: 84th percentile of all films
  • Thor and the Amazon Women (not in the MovieCove catalog yet)(1963)

    Composer

  • Russia sotto inchiesta (not in the MovieCove catalog yet)(1963)

    Composer

  • 38-24-36 (not in the MovieCove catalog yet)(1963)

    Composer

  • The Evil Eye(1963)

    Composer

    Midcredits score: 77th percentile of all films
  • Beach Casanova (not in the MovieCove catalog yet)(1962)

    Composer

  • Attack of the Normans (not in the MovieCove catalog yet)(1962)

    Composer

  • Benito Mussolini (not in the MovieCove catalog yet)(1962)

    Composer

  • Erik the Conqueror(1961)

    Composer

    Midcredits score: 45th percentile of all films
  • Blood Feud (not in the MovieCove catalog yet)(1961)

    Composer

  • Midcredits score: 8th percentile of all films
  • Revenge of the Barbarians (not in the MovieCove catalog yet)(1960)

    Composer

  • Letters of a Novice (not in the MovieCove catalog yet)(1960)

    Composer

  • Esther and the King(1960)

    Composer

    Midcredits score: 28th percentile of all films
  • Midcredits score: 3rd percentile of all films
  • Black Sunday(1960)

    Composer

    Midcredits score: 85th percentile of all films
  • The Giant of Marathon(1959)

    Composer

    Midcredits score: 18th percentile of all films
  • Midcredits score: 39th percentile of all films
  • The White Warrior (not in the MovieCove catalog yet)(1959)

    Composer

  • Wild Cats on the Beach (not in the MovieCove catalog yet)(1959)

    Composer

  • Non perdiamo la testa (not in the MovieCove catalog yet)(1959)

    Composer

  • La spada e la croce(1958)

    Composer

    Midcredits score: 7th percentile of all films
  • The Pirate of the Black Hawk (not in the MovieCove catalog yet)(1958)

    Composer

  • The Warrior and the Slave Girl (not in the MovieCove catalog yet)(1958)

    Composer

  • The Mighty Crusaders (not in the MovieCove catalog yet)(1957)

    Composer

  • El Alamein(1957)

    Composer

    Midcredits score: 15th percentile of all films (provisional, few ratings)
  • Manos sucias (not in the MovieCove catalog yet)(1957)

    Composer

  • The Black Devil (not in the MovieCove catalog yet)(1957)

    Composer

  • The Violent Patriot (not in the MovieCove catalog yet)(1956)

    Composer

  • The Screwball (not in the MovieCove catalog yet)(1956)

    Composer

  • A Woman Alone (not in the MovieCove catalog yet)(1955)

    Composer

  • The Sixth Continent (not in the MovieCove catalog yet)(1954)

    Composer

Career shape

A full career of 37 titles from 1954 to 1972.

By role

only this rolewith another role
Music37 of 37: 37 only music, 0 with another role · typical Midcredits score32nd

By decade

1950s16 · crew1960s20 · crew1970s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Roberto Nicolosi's films land?

Their typical MovieCove film has a Midcredits score in the 32nd percentile, the median of all 12; across their 12 films with reception data, the typical film sits in the 39th percentile for acclaim.

Acclaim · how much people like their films

39thpercentile
Typical film, the median of 12

Approval · how many liked their films

26thpercentile
Typical film, the median of 12

Reach · how many have seen their films

56thpercentile
Typical film, the median of 12

Midcredits score across 12 titles, by percentile

  • 75th and up3
  • 25th to 49th4
  • Below 25th5

Reviewers score the sound and music 59/100 in their films, across 12 reviewed titles; fans 68, detractors 44. The element that speaks to their work as a composer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Roberto Nicolosi's work okay for kids?

Across a limited sample of up to 4 MovieCove titles with content scores.

Their medianMedian of all films
Sex & Nudity4 titlesmedian 14 · minimalMedian of all films: 32

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Roberto Nicolosi work with?

People who share at least 2 of Roberto Nicolosi's MovieCove titles, grouped by what they did on them; Mario Bava shares the most, 7.

Directors

Writers

Actors

Editors

Producers

Mixed roles