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Sy Bartlett

Writer and producer · Died May 29, 1978, aged 77 · Mykolaiv, Ukraine

From Wikipedia, the free encyclopedia Sy Bartlett (July 10, 1900 – May 29, 1978) was an American author and screenwriter/producer of Hollywood films. Born Sacha Baraniev in Ukraine, he immigrated to the United States at the age of four and adopted the name Sidney Bartlett. Bartlett died in Hollywood on May 29, 1978, aged 77, from cancer. Sy Bartlett was born on July 10, 1900 in the Black Sea seaport of Mykolaiv in southern Ukraine. His parents immigrated to the United States in 1904, settling in Chicago. Bartlett attended Northwestern University and was trained at the Medill School of Journalism. He worked as a newspaper reporter before moving to Hollywood to become a screenwriter. His first credited work was for RKO Studios in 1933 and he wrote 28 screenplays from 1933 to 1969. In the 1950s he became interested in producing films, and with film star Gregory Peck founded Melville Productions in 1956. Bartlett enjoyed being a Hollywood socialite in the 1930s and was well known for the Sunday barbecues he frequently hosted. He was sometimes connected by tabloids to scandals on occasion, and married three times, each time to Hollywood actresses – Alice White, Ellen Drew, and Patricia Owens. Of Jewish descent, Bartlett was understandably strongly anti-Nazi, once striking an employee of the German consulate in the face during a nightclub argument. Following World War II, Bartlett returned to Hollywood and joined 20th Century Fox as a writer. In 1946, he began a collaboration with Beirne Lay which resulted in the 1948 publication of the novel Twelve O'Clock High (Harper & Brothers), and in December 1949, the release of the film based on the same story (work on production began a year before publication).

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Biography from TMDB.

Born
July 10, 1900
Died
May 29, 1978 (aged 77)
From
Mykolaiv, Ukraine
Works as
Writer and producer
Titles
14 on MovieCove · 30 credits in all

What are Sy Bartlett's films like?

Across their 14 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.

What they feel like to watch

their average across 14 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 4 · Serious 4 · Dark 6

Grounded 7 · Stylized 7 · Heightened 0

Gentle 3 · Charged 6 · Intense 5

Steady 7 · Shifting 7 · Whiplash 0

A split, not a type: Straight-faced 10 · Some laughs 1 · Funny 3

Slow burn 4 · Even-paced 9 · Relentless 1

A split, not a type: Casual 7 · Engaged 6 · Full focus 1

Resolved 12 · Open-ended 1 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
8
Melancholic
6
Joyful
3
Thrilling
3
Dread
2
Other
14

How their films end · 1 with a twist

  • Happy5
  • Bittersweet6
  • Tragic3

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Sy Bartlett's films?

As of October 24, 2026, 4 of their 14 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Sy Bartlett's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

30 credits, 14 with a MovieCove page; 1 appearance as themselves is hidden until asked for.

  • Che!(1969)

    Producer · Story

    Midcredits score: 19th percentile of all films
  • In Enemy Country (not in the MovieCove catalog yet)(1968)

    Story

  • A Gathering of Eagles(1963)

    Producer · Story

    Midcredits score: 50th percentile of all films
  • Cape Fear(1962)

    Producer

    Midcredits score: 97th percentile of all films
  • The Outsider(1961)

    Producer

    Midcredits score: 82nd percentile of all films
  • Beloved Infidel(1959)

    Screenplay

    Midcredits score: 46th percentile of all films
  • Pork Chop Hill(1959)

    Producer

    Midcredits score: 82nd percentile of all films
  • The Big Country(1958)

    Screenplay

    Midcredits score: 97th percentile of all films
  • Suspicion (not in the MovieCove catalog yet)(1957)

    Show 1 episode · Script

  • The Last Command(1955)

    Story

    Midcredits score: 57th percentile of all films
  • That Lady (not in the MovieCove catalog yet)(1955)

    Producer · Screenplay

  • The Red Beret (not in the MovieCove catalog yet)(1953)

    Adaptation

  • Twelve O'Clock High(1949)

    Novel · Screenplay

    Midcredits score: 95th percentile of all films
  • Down to the Sea in Ships(1949)

    Screenplay · Story

    Midcredits score: 89th percentile of all films
  • 13 Rue Madeleine(1947)

    Screenplay

    Midcredits score: 72nd percentile of all films
  • Midcredits score: 72nd percentile of all films
  • Two Yanks in Trinidad (not in the MovieCove catalog yet)(1942)

    Screenplay · Story

  • Road to Zanzibar(1941)

    Story

    Midcredits score: 74th percentile of all films
  • Sandy Gets Her Man (not in the MovieCove catalog yet)(1940)

    Writer

  • The Amazing Mr. Williams(1939)

    Screenplay · Story

    Midcredits score: 66th percentile of all films
  • Cocoanut Grove (not in the MovieCove catalog yet)(1938)

    Screenplay

  • Sergeant Murphy (not in the MovieCove catalog yet)(1938)

    Story

  • Danger Patrol (not in the MovieCove catalog yet)(1937)

    Screenplay

  • The Man Who Cried Wolf (not in the MovieCove catalog yet)(1937)

    Screenplay

  • Under Your Spell (not in the MovieCove catalog yet)(1936)

    Story

  • Boulder Dam (not in the MovieCove catalog yet)(1936)

    Screenplay

  • The Murder of Dr. Harrigan (not in the MovieCove catalog yet)(1936)

    Screenplay

  • Going Highbrow (not in the MovieCove catalog yet)(1935)

    Screenplay

  • Kansas City Princess (not in the MovieCove catalog yet)(1934)

    Screenplay · Story

  • The Big Brain (not in the MovieCove catalog yet)(1933)

    Screenplay · Story

Career shape

A full career of 29 titles from 1933 to 1969.

By role

only this rolewith another role
Writing26 of 29: 23 only writing, 3 with another role · typical Midcredits score72ndProducing5 of 29: 2 only producing, 3 with another roleOther crew1 of 29: 1 only other crew, 0 with another role

29 titles, 3 with more than one role — writing and producing overlap on 3 of them.

By decade

1930s11 · crew1940s7 · crew1950s7 · crew1960s4 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Sy Bartlett's films land?

Their typical MovieCove film has a Midcredits score in the 73rd percentile, the median of all 14; across their 14 films with reception data, the typical film sits in the 68th percentile for acclaim.

Acclaim · how much people like their films

68thpercentile
Typical film, the median of 14

Approval · how many liked their films

78thpercentile
Typical film, the median of 14

Reach · how many have seen their films

56thpercentile
Typical film, the median of 14

Midcredits score across 14 titles, by percentile

  • 75th and up6
  • 50th to 74th6
  • 25th to 49th1
  • Below 25th1

Reviewers score the dialogue 59/100 and the plot and story 53/100 in their films, across 14 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Sy Bartlett's work okay for kids?

Across a limited sample of up to 3 MovieCove titles with content scores.

Their medianMedian of all films
Violence & Gore3 titlesmedian 53 · moderateMedian of all films: 44
Sex & Nudity3 titlesmedian 14 · minimalMedian of all films: 32

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Sy Bartlett work with?

People who share at least 2 of Sy Bartlett's MovieCove titles, grouped by what they did on them; Gregory Peck shares the most, 5.

Directors

Writers

Actors

Composers and cinematographers

Producers