James R. Webb
Writer · Died September 27, 1974, aged 63 · Denver, Colorado, USA
- October 4, 1910
- September 27, 1974 (aged 63)
- Denver, Colorado, USA
- Writer
- 31 on Motif · 34 credits in all
What are James R. Webb's films like?
Across their 30 Motif titles with a thematic analysis, their films lean Morality and Bonds.
Genres
Their Motif films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 1 · Earnest 29
Light 10 · Serious 11 · Dark 9
Grounded 14 · Stylized 14 · Heightened 1
Gentle 1 · Charged 20 · Intense 9
Steady 10 · Shifting 18 · Whiplash 2
Straight-faced 22 · Some laughs 6 · Funny 2
Slow burn 8 · Even-paced 21 · Relentless 1
A split, not a type: Casual 14 · Engaged 13 · Full focus 3
Easy watch 10 · Affecting 14 · Heavy 6
Resolved 27 · Open-ended 3 · Ambiguous 0
Moods and endings
- Happy12
- Bittersweet15
- Tragic2
- Cyclical1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch James R. Webb's films?
As of October 24, 2026, 19 of their 31 Motif titles stream on a subscription or free service, most on Tubi (14).
- The Big Country (1958) · writer · free
- Pork Chop Hill (1959) · writer · free
- Vera Cruz (1954) · writer · free
- Trapeze (1956) · writer · free
- Apache (1954) · writer · free
- Kings of the Sun (1963) · writer · free
- The Hawaiians (1970) · writer · free
- They Call Me Mister Tibbs! (1970) · writer · free
- The Organization (1971) · writer · free
- Bad Man of Deadwood (1941) · writer · free
- The Big Trees (1952) · writer · free
- Jesse James at Bay (1941) · writer · free
- +2 more
- The Big Country (1958) · writer · free
- Pork Chop Hill (1959) · writer · free
- Vera Cruz (1954) · writer · free
- Trapeze (1956) · writer · free
- They Call Me Mister Tibbs! (1970) · writer · free
- The Organization (1971) · writer · free
- Bad Man of Deadwood (1941) · writer · free
- The Big Trees (1952) · writer · free
Subscription and free streaming for James R. Webb's titles on Motif; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
34 credits, 31 with a Motif page.

Cape Fear(2026)
Midcredits score: 36th percentile of all shows
Smash Cuts! Super Sci-Fi Shorts Fest (not in the Motif catalog yet)(2001)

Cape Fear(1991)
Midcredits score: 91st percentile of all films
The Organization(1971)
Midcredits score: 38th percentile of all films
Midcredits score: 39th percentile of all films
The Hawaiians(1970)
Midcredits score: 46th percentile of all films
Alfred the Great(1969)
Midcredits score: 47th percentile of all films
Sinful Davey(1969)
Midcredits score: 24th percentile of all films
Guns for San Sebastian(1968)
Midcredits score: 68th percentile of all films
Cheyenne Autumn(1964)
Midcredits score: 71st percentile of all films
Kings of the Sun(1963)
Midcredits score: 48th percentile of all films
How the West Was Won(1962)
Midcredits score: 81st percentile of all films
Cape Fear(1962)
Midcredits score: 97th percentile of all films
Pork Chop Hill(1959)
Midcredits score: 82nd percentile of all films
The Big Country(1958)
Midcredits score: 97th percentile of all films
Trapeze(1956)
Midcredits score: 74th percentile of all films
Illegal(1955)
Midcredits score: 79th percentile of all films
Vera Cruz(1954)
Midcredits score: 81st percentile of all films
Apache(1954)
Midcredits score: 51st percentile of all films
Midcredits score: 36th percentile of all films
Midcredits score: 49th percentile of all films
The Iron Mistress(1952)
Midcredits score: 49th percentile of all films
Operation Secret(1952)
Midcredits score: 48th percentile of all films
The Big Trees(1952)
Midcredits score: 28th percentile of all films
Close to My Heart(1951)
Midcredits score: 57th percentile of all films
Raton Pass(1951)
Midcredits score: 38th percentile of all films
Montana(1950)
Midcredits score: 47th percentile of all films
South of St. Louis(1949)
Midcredits score: 41st percentile of all films
California Firebrand (not in the Motif catalog yet)(1948)

South of Santa Fe(1942)
Midcredits score: 24th percentile of all films
Jesse James at Bay(1941)
Midcredits score: 25th percentile of all films
Bad Man of Deadwood(1941)
Midcredits score: 33rd percentile of all films
Rags to Riches (not in the Motif catalog yet)(1941)

Nevada City(1941)
Midcredits score: 25th percentile of all films
Career shape
A full career of 34 titles from 1941 to 2026.

Biggest box office
Cape Fear (1991)

Highest rated
Cape Fear (1962)

Most popular right now
Cape Fear (1991)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on Motif, shown from 5 scored.
How do James R. Webb's films land?
Their typical Motif film has a Midcredits score in the 48th percentile, the median of all 30; across their 30 films with reception data, the typical film sits in the 49th percentile for acclaim.
- 75th and up7
- 50th to 74th5
- 25th to 49th17
- Below 25th2
Shape of the crowd
None of their 31 titles divides audiences: 14 are Crowd Pleasers.
- Universally Loved2
- Crowd Pleaser14
- Broadly Agreed9
- Mixed6
Reviewers score the dialogue 48/100 and the plot and story 49/100 in their films, across 30 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on Motif; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their Motif titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is James R. Webb's work okay for kids?
Across up to 6 Motif titles with content scores, profanity runs lighter than most films.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.
Who does James R. Webb work with?
People who share at least 2 of James R. Webb's Motif titles, grouped by what they did on them; Max Steiner shares the most, 6.
Directors
- Joseph KaneShared titles: South of Santa Fe (1942), Bad Man of Deadwood (1941), Jesse James at Bay (1941), Nevada City (1941)See all 4 shared titles with Joseph Kane

- Gordon DouglasShared titles: They Call Me Mister Tibbs! (1970), The Charge at Feather River (1953), The Iron Mistress (1952)See all 3 shared titles with Gordon Douglas

- John FordShared titles: Cheyenne Autumn (1964), How the West Was Won (1962)See all 2 shared titles with John Ford

- J. Lee ThompsonShared titles: Kings of the Sun (1963), Cape Fear (1962)See all 2 shared titles with J. Lee Thompson

Writers
- John D. MacDonaldShared titles: Cape Fear (1991), Cape Fear (1962)See all 2 shared titles with John D. MacDonald

- John BallShared titles: The Organization (1971), They Call Me Mister Tibbs! (1970)See all 2 shared titles with John Ball
- Borden ChaseShared titles: Vera Cruz (1954), Montana (1950)See all 2 shared titles with Borden Chase

- Harold MedfordShared titles: Phantom of the Rue Morgue (1954), Operation Secret (1952)See all 2 shared titles with Harold Medford
Actors
- Gregory PeckShared titles: Cape Fear (1991), Cape Fear (1962), How the West Was Won (1962), Pork Chop Hill (1959), The Big Country (1958)See all 5 shared titles with Gregory Peck

- Karl MaldenShared titles: Cheyenne Autumn (1964), How the West Was Won (1962), Phantom of the Rue Morgue (1954), Operation Secret (1952)See all 4 shared titles with Karl Malden

- George 'Gabby' HayesShared titles: South of Santa Fe (1942), Bad Man of Deadwood (1941), Jesse James at Bay (1941), Nevada City (1941)See all 4 shared titles with George 'Gabby' Hayes

- Roy RogersShared titles: South of Santa Fe (1942), Bad Man of Deadwood (1941), Jesse James at Bay (1941), Nevada City (1941)See all 4 shared titles with Roy Rogers

Composers, cinematographers and editors
- Max SteinerShared titles: Illegal (1955), The Charge at Feather River (1953), The Iron Mistress (1952), Close to My Heart (1951), Raton Pass (1951), South of St. Louis (1949)See all 6 shared titles with Max Steiner

- Clarence KolsterShared titles: Operation Secret (1952), The Big Trees (1952), Close to My Heart (1951), South of St. Louis (1949)See all 4 shared titles with Clarence Kolster

- J. Peverell MarleyShared titles: Illegal (1955), Phantom of the Rue Morgue (1954), The Charge at Feather River (1953)See all 3 shared titles with J. Peverell Marley
- Murray SeldeenShared titles: South of Santa Fe (1942), Jesse James at Bay (1941), Nevada City (1941)See all 3 shared titles with Murray Seldeen
Producers
- Walter MirischShared titles: The Organization (1971), The Hawaiians (1970), They Call Me Mister Tibbs! (1970), Sinful Davey (1969)See all 4 shared titles with Walter Mirisch

- Harold HechtShared titles: Trapeze (1956), Apache (1954), Vera Cruz (1954)See all 3 shared titles with Harold Hecht
- Henry BlankeShared titles: Phantom of the Rue Morgue (1954), Operation Secret (1952), The Iron Mistress (1952)See all 3 shared titles with Henry Blanke
- Sy BartlettShared titles: Cape Fear (1962), Pork Chop Hill (1959), The Big Country (1958)See all 3 shared titles with Sy Bartlett



