Daniela Beauvais
- Editor
- 3 on Motif
What are Daniela Beauvais' films like?
Across a limited sample of 3 Motif titles with a thematic analysis, their films lean Power and Morality.
Themes
What they feel like to watch
Ironic 0 · Wry 1 · Earnest 2
A split, not a type: Light 2 · Serious 0 · Dark 1
Grounded 1 · Stylized 2 · Heightened 0
Gentle 1 · Charged 2 · Intense 0
Steady 0 · Shifting 2 · Whiplash 1
A split, not a type: Straight-faced 2 · Some laughs 1 · Funny 0
A split, not a type: Slow burn 1 · Even-paced 2 · Relentless 0
Casual 2 · Engaged 1 · Full focus 0
Easy watch 2 · Affecting 1 · Heavy 0
Resolved 2 · Open-ended 1 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Daniela Beauvais' films?
As of October 29, 2026, none of Daniela Beauvais' 3 Motif titles is streaming on a subscription or free service.
Subscription and free streaming for Daniela Beauvais' titles on Motif; rent and buy are not counted.
Filmography
3 credits, 3 with a Motif page.
Death Train(2005)
Motif score: 9th percentile of all films
Motif score: 1st percentile of all films
Mario and the Magician(1994)
Motif score: 23rd percentile of all films
Career shape
Across a limited sample of 3 Motif titles from 1994 to 2005.
How do Daniela Beauvais' films land?
Their typical Motif film has a Motif score in the 9th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 11th percentile for acclaim.
- Below 25th3
Shape of the crowd
3 of their 3 titles are Mixed.
- Mixed3
Reviewers score the pacing 27/100 in their films, across 3 reviewed titles; fans 48, detractors 22. The element that speaks to their work as an editor.
Percentiles are each film's standing among all films on Motif; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Motif score bands, the shape of the crowd and the two cards count their Motif titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Daniela Beauvais work with?
People who share at least 2 of Daniela Beauvais' Motif titles; Kay Skerra shares the most, 2.
- Kay SkerraShared titles: Death Train (2005), Shark Attack in the Mediterranean (2004)See all 2 shared titles with Kay Skerra
- Hermann JohaShared titles: Death Train (2005), Shark Attack in the Mediterranean (2004)See all 2 shared titles with Hermann Joha