Kay Skerra
- Composer
- 4 on MovieCove
What are Kay Skerra's films like?
Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.
What they feel like to watch
Ironic 0 · Wry 1 · Earnest 3
Light 3 · Serious 1 · Dark 0
Grounded 3 · Stylized 1 · Heightened 0
Gentle 2 · Charged 2 · Intense 0
Steady 0 · Shifting 3 · Whiplash 1
A split, not a type: Straight-faced 2 · Some laughs 1 · Funny 1
A split, not a type: Slow burn 1 · Even-paced 3 · Relentless 0
Casual 3 · Engaged 1 · Full focus 0
Easy watch 3 · Affecting 0 · Heavy 1
Resolved 3 · Open-ended 1 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Kay Skerra's films?
As of October 29, 2026, none of Kay Skerra's 4 MovieCove titles is streaming on a subscription or free service.
Subscription and free streaming for Kay Skerra's titles on MovieCove; rent and buy are not counted.
Filmography
4 credits, 4 with a MovieCove page.
Missing(2007)
Midcredits score: 4th percentile of all films (provisional, few ratings)
Good Girl, Bad Girl(2006)
Midcredits score: 7th percentile of all films
Death Train(2005)
Midcredits score: 9th percentile of all films
Midcredits score: 1st percentile of all films
Career shape
Across a limited sample of 4 MovieCove titles from 2004 to 2007.
Biggest box office
Death Train (2005)
Highest rated
Shark Attack in the Mediterranean (2004)
Most popular right now
Good Girl, Bad Girl (2006)
Counts over their MovieCove titles; a title counts in every role they held on it.
How do Kay Skerra's films land?
Their typical MovieCove film has a Midcredits score in the 6th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 6th percentile for acclaim.
- Below 25th4
Shape of the crowd
4 of their 4 titles are Mixed.
- Mixed4
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Kay Skerra work with?
People who share at least 2 of Kay Skerra's MovieCove titles, grouped by what they did on them; Hermann Joha shares the most, 3.
Directors
- Jorgo PapavassiliouShared titles: Missing (2007), Shark Attack in the Mediterranean (2004)See all 2 shared titles with Jorgo Papavassiliou
Actors
- Julia StinshoffShared titles: Good Girl, Bad Girl (2006), Shark Attack in the Mediterranean (2004)See all 2 shared titles with Julia Stinshoff
Editors
- Daniela BeauvaisShared titles: Death Train (2005), Shark Attack in the Mediterranean (2004)See all 2 shared titles with Daniela Beauvais
Producers
- Hermann JohaShared titles: Good Girl, Bad Girl (2006), Death Train (2005), Shark Attack in the Mediterranean (2004)See all 3 shared titles with Hermann Joha
- Axel BärShared titles: Good Girl, Bad Girl (2006), Death Train (2005)See all 2 shared titles with Axel Bär
- Rolant HergertShared titles: Good Girl, Bad Girl (2006), Death Train (2005)See all 2 shared titles with Rolant Hergert