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MovieCove

Alain Belmondo

Producer

Works as
Producer
Titles
7 on MovieCove

What are Alain Belmondo's films like?

Across their 7 MovieCove titles with a thematic analysis, their films lean Morality and Power.

Genres

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Morality
36%
Power
23%
Bonds
20%
Self
14%
Survival
8%

What they feel like to watch

their average across 7 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Ironic 1 · Wry 2 · Earnest 4

A split, not a type: Light 3 · Serious 2 · Dark 2

Grounded 2 · Stylized 4 · Heightened 1

A split, not a type: Gentle 2 · Charged 2 · Intense 3

Steady 2 · Shifting 4 · Whiplash 1

A split, not a type: Straight-faced 3 · Some laughs 2 · Funny 2

Slow burn 2 · Even-paced 4 · Relentless 1

A split, not a type: Casual 4 · Engaged 2 · Full focus 1

Resolved 4 · Open-ended 2 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
4
Thrilling
4
Joyful
2
Melancholic
2
Contemplative
1
Other
4

How their films end · 1 with a twist

  • Happy3
  • Bittersweet2
  • Tragic1
  • Ambiguous1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Alain Belmondo's films?

As of October 24, 2026, 1 of their 7 MovieCove titles stream on a subscription or free service, on The Criterion Channel (1).

Subscription and free streaming for Alain Belmondo's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

7 credits, 7 with a MovieCove page.

  • Indochine(1992)

    Producer

    Midcredits score: 81st percentile of all films
  • Chocolat(1988)

    Producer

    Midcredits score: 89th percentile of all films
  • Hold-Up(1985)

    Producer

    Midcredits score: 58th percentile of all films
  • Happy Easter(1984)

    Producer

    Midcredits score: 49th percentile of all films
  • The Vultures(1984)

    Producer

    Midcredits score: 42nd percentile of all films
  • The Outsider(1983)

    Producer

    Midcredits score: 58th percentile of all films
  • The Professional(1981)

    Producer

    Midcredits score: 90th percentile of all films

Career shape

Across their 7 MovieCove titles from 1981 to 1992.

By role

only this rolewith another role
Producing7 of 7: 7 only producing, 0 with another role · typical Midcredits score58th

By decade

1980s6 · crew1990s1 · crew

Counts over their MovieCove titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.

How do Alain Belmondo's films land?

Their typical MovieCove film has a Midcredits score in the 58th percentile, the median of all 7; across their 7 films with reception data, the typical film sits in the 66th percentile for acclaim.

Acclaim · how much people like their films

66thpercentile
Typical film, the median of 7

Approval · how many liked their films

54thpercentile
Typical film, the median of 7

Reach · how many have seen their films

76thpercentile
Typical film, the median of 7

Midcredits score across 7 titles, by percentile

  • 75th and up3
  • 50th to 74th2
  • 25th to 49th2

Shape of the crowd

None of their 7 titles divides audiences: 5 are Crowd Pleasers.

  • Universally Loved1
  • Crowd Pleaser5
  • Broadly Agreed1

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Alain Belmondo work with?

People who share at least 2 of Alain Belmondo's MovieCove titles, grouped by what they did on them; Jean-Paul Belmondo shares the most, 6.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers