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Gérard Crosnier

Producer

Works as
Producer
Titles
15 on MovieCove · 19 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)

Known for

TMDB popularity, last 38 days to Oct 27Down 29% in 30 days

What are Gérard Crosnier's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Survival and Bonds.

Themes

share of theme weight
Survival
25%
Bonds
23%
Power
20%
Self
19%
Morality
13%
Romantic love2 titles, browse their movies with this themeGrief2 titles, browse their movies with this theme

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category
Dark: How heavy the subject matter and outlook get. Browse their dark movies.
Tone · Weight
lightdark

Light 0 · Serious 1 · Dark 3

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

A split, not a type: Grounded 1 · Stylized 1 · Heightened 2

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 1 · Charged 2 · Intense 1

Steady: How much it swings between very different feelings. Browse their steady movies.
Feel · Swings
steadyswings

Steady 2 · Shifting 2 · Whiplash 0

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 4 · Some laughs 0 · Funny 0

Slow burn: How fast it moves from scene to scene. Browse their slow burn movies.
Demand · Pace
slowrelentless

Slow burn 3 · Even-paced 1 · Relentless 0

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 1 · Engaged 2 · Full focus 1

Heavy: How much it costs you emotionally; whether you need recovery time. Browse their heavy movies.
Demand · Emotional cost
easyheavy

Easy watch 0 · Affecting 1 · Heavy 3

Open-ended: How much is left for you to interpret. Browse their open-ended movies.
Demand · Resolution
resolvedambiguous

Resolved 0 · Open-ended 3 · Ambiguous 1

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Melancholic
3
Dread
2
Romantic
2
Contemplative
1
Tense
1
Other
2

How their films linger

Haunting3 titles, browse their movies with this aftertasteBittersweet2 titles, browse their movies with this aftertasteThought-provoking2 titles, browse their movies with this aftertaste

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Gérard Crosnier's films?

As of October 24, 2026, 6 of their 15 MovieCove titles stream on a subscription or free service.

Also on these channels

Subscription and free streaming for Gérard Crosnier's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

19 credits, 15 with a MovieCove page.

  • A French Woman (not in the MovieCove catalog yet)(1995)

    Executive Producer

  • Giorgino(1994)

    Producer

    Midcredits score: 81st percentile of all films

  • Indochine(1992)

    Producer

    Midcredits score: 81st percentile of all films

  • Tom and Lola (not in the MovieCove catalog yet)(1990)

    Producer

  • Chocolat(1988)

    Producer

    Midcredits score: 89th percentile of all films

  • Our History(1984)

    Production Manager

    Midcredits score: 58th percentile of all films

  • The Party 2(1982)

    Production Manager

    Midcredits score: 58th percentile of all films

  • Memoirs of a French Whore (not in the MovieCove catalog yet)(1979)

    Production Manager

  • Adoption (not in the MovieCove catalog yet)(1979)

    Producer

  • Black and White in Color(1976)

    Production Manager

    Midcredits score: 67th percentile of all films

  • Special Section(1975)

    Executive Producer

    Midcredits score: 93rd percentile of all films

  • Last Tango in Paris(1972)

    Production Manager

    Midcredits score: 71st percentile of all films

  • The Confession(1970)

    Unit Production Manager

    Midcredits score: 97th percentile of all films

  • The Sicilian Clan(1969)

    Unit Manager

    Midcredits score: 93rd percentile of all films

  • The Road to Corinth(1967)

    Unit Manager

    Midcredits score: 14th percentile of all films

  • Woman Times Seven(1967)

    Unit Manager

    Midcredits score: 38th percentile of all films

  • King of Hearts(1966)

    Production Manager

    Midcredits score: 87th percentile of all films

  • Mademoiselle(1966)

    Location Manager

    Midcredits score: 80th percentile of all films

  • The Fire Within(1963)

    Location Manager

    Midcredits score: 97th percentile of all films

Career shape

A full career of 18 titles from 1963 to 1995.

Biggest box office

Indochine (1992)

$5.6M worldwide

Highest rated

Special Section (1975)

Midcredits 93rd

Most popular right now

Indochine (1992)

By role

only this rolewith another role
Producing6 of 18: 6 only producing, 0 with another roleOther crew12 of 18: 12 only other crew, 0 with another role · typical Midcredits score71st

By decade

1960s6 · crew1970s6 · crew1980s3 · crew1990s3 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Gérard Crosnier's films land?

Their typical MovieCove film has a Midcredits score in the 81st percentile, the median of all 15; across a limited sample of 4 films with reception data, the typical film sits in the 85th percentile for acclaim.

Acclaim · how much people like their films

85thpercentile
Typical film, the median of 4

Approval · how many liked their films

83rdpercentile
Typical film, the median of 4

Reach · how many have seen their films

76thpercentile
Typical film, the median of 4

Midcredits score across 15 titles, by percentile

  • 75th and up9
  • 50th to 74th4
  • 25th to 49th1
  • Below 25th1

Shape of the crowd

8 of their 15 titles are Crowd Pleasers.

  • Universally Loved4
  • Crowd Pleaser8
  • Broadly Agreed2
  • Mixed1

Most divisive · producer

Giorgino (1994)

62nd percentile spread · 12% rated it 4 or lower

Most loved · producer

Special Section (1975)

Midcredits 93rd · 82% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Gérard Crosnier work with?

People who share at least 2 of Gérard Crosnier's MovieCove titles; Alain Belmondo shares the most, 2.