Mauro Berardi
Producer · Born May 7, 1943 (83) · Rome, Lazio, Italy
- May 7, 1943 (83)
- Rome, Lazio, Italy
- Producer
- 6 on MovieCove · 22 credits in all
What are Mauro Berardi's films like?
Across their 6 MovieCove titles with a thematic analysis, their films lean Bonds and Society.
Themes
What they feel like to watch
Ironic 0 · Wry 3 · Earnest 3
A split, not a type: Light 3 · Serious 0 · Dark 3
Grounded 2 · Stylized 2 · Heightened 2
Gentle 2 · Charged 3 · Intense 1
Steady 5 · Shifting 0 · Whiplash 1
A split, not a type: Straight-faced 2 · Some laughs 1 · Funny 3
Slow burn 3 · Even-paced 3 · Relentless 0
Casual 4 · Engaged 2 · Full focus 0
Easy watch 3 · Affecting 2 · Heavy 1
Resolved 5 · Open-ended 0 · Ambiguous 1
Moods and endings
- Happy2
- Bittersweet2
- Ambiguous2
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Mauro Berardi's films?
As of October 24, 2026, 1 of their 6 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Mauro Berardi's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
22 credits, 6 with a MovieCove page; 2 appearances as themselves are hidden until asked for.
Midcredits score: 95th percentile of all films
La seconda volta non si scorda mai (not in the MovieCove catalog yet)(2008)
The Roses of the Desert (not in the MovieCove catalog yet)(2006)
Ti lascio perché ti amo troppo (not in the MovieCove catalog yet)(2006)
Non chiamarmi Omar (not in the MovieCove catalog yet)(1992)
Vogliamoci troppo bene (not in the MovieCove catalog yet)(1989)
Cavalli si nasce (not in the MovieCove catalog yet)(1989)
The Little Devil(1988)
Midcredits score: 80th percentile of all films
The Ways of the Lord are Finite (not in the MovieCove catalog yet)(1987)
Hotel Colonial(1987)
Midcredits score: 5th percentile of all films
The Moro Affair (not in the MovieCove catalog yet)(1986)
Midcredits score: 96th percentile of all films
Sorry for the Delay (not in the MovieCove catalog yet)(1983)
No Thanks, Coffee Makes Me Nervous (not in the MovieCove catalog yet)(1982)
I'm Starting from Three (not in the MovieCove catalog yet)(1981)
Arrivano i bersaglieri (not in the MovieCove catalog yet)(1980)
Womanlight(1979)
Midcredits score: 53rd percentile of all films
Two Pieces of Bread (not in the MovieCove catalog yet)(1979)
Beach House(1977)
Midcredits score: 51st percentile of all films
Puttana galera! (not in the MovieCove catalog yet)(1977)
The Flower with Petals of Steel (not in the MovieCove catalog yet)(1973)
The Last Hours of a Virgin (not in the MovieCove catalog yet)(1972)
Career shape
A full career of 22 titles from 1972 to 2023.
Biggest box office
Somebody Down There Likes Me (2023)
Highest rated
Nothing Left to Do but Cry (1984)
Most popular right now
Womanlight (1979)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Mauro Berardi's films land?
Their typical MovieCove film has a Midcredits score in the 67th percentile, the median of all 6; across their 6 films with reception data, the typical film sits in the 65th percentile for acclaim.
- 75th and up3
- 50th to 74th2
- Below 25th1
Shape of the crowd
2 of their 6 titles are Universally Loved.
- Universally Loved2
- Universally Panned1
- Crowd Pleaser2
- Mixed1
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Mauro Berardi work with?
People who share at least 2 of Mauro Berardi's MovieCove titles, grouped by what they did on them; Nino Baragli shares the most, 4.
Directors
- Roberto BenigniShared titles: The Little Devil (1988), Nothing Left to Do but Cry (1984), Womanlight (1979)See all 3 shared titles with Roberto Benigni
Writers
- Giuseppe BertolucciShared titles: The Little Devil (1988), Nothing Left to Do but Cry (1984)See all 2 shared titles with Giuseppe Bertolucci
- Vincenzo CeramiShared titles: The Little Devil (1988), Beach House (1977)See all 2 shared titles with Vincenzo Cerami
Actors
- Massimo TroisiShared titles: Hotel Colonial (1987), Nothing Left to Do but Cry (1984)See all 2 shared titles with Massimo Troisi
Composers, cinematographers and editors
- Nino BaragliShared titles: The Little Devil (1988), Hotel Colonial (1987), Nothing Left to Do but Cry (1984), Beach House (1977)See all 4 shared titles with Nino Baragli
- Giuseppe RotunnoShared titles: Hotel Colonial (1987), Nothing Left to Do but Cry (1984)See all 2 shared titles with Giuseppe Rotunno
- Pino DonaggioShared titles: Hotel Colonial (1987), Nothing Left to Do but Cry (1984)See all 2 shared titles with Pino Donaggio
Producers
- Gaetano DanieleShared titles: Somebody Down There Likes Me (2023), Nothing Left to Do but Cry (1984)See all 2 shared titles with Gaetano Daniele