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Nino Baragli

Nino Baragli

Editor · Died May 29, 2013, aged 87 · Rome, Kingdom of Italy [now Italy]

Nino Baragli (1 October 1925 – 29 May 2013) was an Italian film editor with more than 200 film credits. Among his films in English, The Good, the Bad and the Ugly (1966) and Once Upon a Time in the West (1968), both directed by Sergio Leone, are perhaps the best known. Born in Rome as Giovanni Baragli, he was introduced in the film industry by his uncle, the renowned editor Eraldo Da Roma. He started his career in 1944 as film operator and assistant editor for Marinai senza stelle by Francesco De Robertis. During his career he worked as editor in more than 200 productions between 1944 and 1996, including works by Federico Fellini, Pier Paolo Pasolini, Sergio Leone, Damiano Damiani, Luigi Zampa, Giuliano Montaldo, Sergio Corbucci, Mauro Bolognini, Luigi Comencini, Cristina Comencini, Florestano Vancini, Gabriele Salvatores, Alberto Lattuada, Tinto Brass, Margarethe von Trotta, Pál Sándor, Bernardo Bertolucci, Roberto Benigni, Massimo Troisi. The single largest impact of Baragli's editing is likely on the films of Pier Paolo Pasolini. Gino Moliterno as described Pasolini as follows: "Outside Italy Pasolini is usually remembered as one of the most significant of the directors who emerged in the second wave of Italian postwar cinema in the early 1960s but, within Italy itself, Pasolini was always much more than just a distinctive and innovative filmmaker. By the time he came to make his first film, Accattone, in 1961, he had already published numerous collections of poetry, two highly-acclaimed novels, had collaborated widely in cultural-literary journals and firmly established himself as one of Italy’s leading writer-intellectuals." Stefano Musi has called Baragli's contributions to Pasolini's films "enormous"; Baragli edited every one of Pasolini's feature films from his first, Accattone (1961), to his final film Salò, or the 120 Days of Sodom (1975), which was released shortly after his murder. Geoffrey Nowell-Smith has written of the editing innovations in their early films, "When Accatone and Mamma Roma came out, Pasolini and his editor Nino Baragli were widely condemned as amateurish and incompetent, which is rather like saying that Cezanne's brushstrokes showed that he couldn't paint." Perhaps the best-known of Pasolini's films to English-speaking audiences is The Gospel According to Saint Matthew (1964), now considered a masterpiece by many critics. Nowell-Smith writes of the editing that "large sections of the film do not even bother to respect continuity, let alone to pay obeisance to it. ... Each shot simply presents itself as reality in its own right but there is no attempt to maintain the realistic illusion that had been the foundation of cinema since the early 1920s if not before." ... Source: Article "Nino Baragli" from Wikipedia in English, licensed under CC-BY-SA 3.0.

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Biography from TMDB.

Born
October 1, 1925
Died
May 29, 2013 (aged 87)
From
Rome, Kingdom of Italy [now Italy]
Works as
Editor
Titles
79 on MovieCove · 216 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 37 days to Oct 26

What are Nino Baragli's films like?

Across their 78 MovieCove titles with a thematic analysis, their films lean Bonds and Power.

Genres

Comedy34 titlesTypical Midcredits score: 61st percentile, at or above their average across these genres
: browse their Comedy movies
Drama26 titlesTypical Midcredits score: 70th percentile, at or above their average across these genres
: browse their Drama movies
Crime6 titlesTypical Midcredits score: 75th percentile, at or above their average across these genres
: browse their Crime movies
Action4 titlesTypical Midcredits score: 60th percentile, at or above their average across these genres
: browse their Action movies
Adventure3 titlesTypical Midcredits score: 15th percentile
: browse their Adventure movies
Biography3 titlesTypical Midcredits score: 94th percentile, at or above their average across these genres
: browse their Biography movies
Horror2 titlesTypical Midcredits score: 40th percentile
: browse their Horror movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Bonds
24%
Power
22%
Morality
20%
Self
13%
Society
11%
Survival
7%
Ideas
2%
Romantic love14 titles, browse their movies with this themeFamily bonds12 titles, browse their movies with this themeClass14 titles, browse their movies with this themeDeception14 titles, browse their movies with this themeGreed10 titles, browse their movies with this themeFriendship8 titles, browse their movies with this themeBetrayal10 titles, browse their movies with this themeIdentity9 titles, browse their movies with this theme

What they feel like to watch

their average across 78 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 29 · Serious 10 · Dark 39

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

Grounded 23 · Stylized 31 · Heightened 24

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 17 · Charged 34 · Intense 27

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 32 · Shifting 35 · Whiplash 11

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

A split, not a type: Straight-faced 38 · Some laughs 17 · Funny 23

Slow burn: How fast it moves from scene to scene. Browse their slow burn movies.
Demand · Pace
slowrelentless

Slow burn 41 · Even-paced 37 · Relentless 0

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 37 · Engaged 37 · Full focus 4

Affecting: How much it costs you emotionally; whether you need recovery time. Browse their affecting movies.
Demand · Emotional cost
easyheavy

A split, not a type: Easy watch 32 · Affecting 18 · Heavy 28

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 56 · Open-ended 17 · Ambiguous 5

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
42
Melancholic
33
Absurd
23
Joyful
18
Warm
15
Other
63

How their films linger

Fun26 titles, browse their movies with this aftertasteThought-provoking29 titles, browse their movies with this aftertasteBittersweet21 titles, browse their movies with this aftertasteHaunting22 titles, browse their movies with this aftertasteUnsettling18 titles, browse their movies with this aftertasteFeel-good15 titles, browse their movies with this aftertaste

How their films end · 5 with a twist

  • Happy16
  • Bittersweet28
  • Tragic18
  • Ambiguous15
  • Cyclical1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Nino Baragli's films?

As of October 24, 2026, 36 of their 79 MovieCove titles stream on a subscription or free service, most on Tubi (15).

Also on these channels

Subscription and free streaming for Nino Baragli's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

216 credits, 79 with a MovieCove page; 1 appearance as themselves is hidden until asked for.

  • La Rabbia di Pasolini (not in the MovieCove catalog yet)(2008)

    Editor

  • Il barbiere di Rio (not in the MovieCove catalog yet)(1996)

    Editor

  • Silenzio... si nasce (not in the MovieCove catalog yet)(1996)

    Editor

  • Follow Your Heart (not in the MovieCove catalog yet)(1996)

    Editor

  • The Monster(1994)

    Editor

    Midcredits score: 88th percentile of all films

  • The Teddy Bear (not in the MovieCove catalog yet)(1994)

    Editor

  • Kim Novak Is on the Phone (not in the MovieCove catalog yet)(1994)

    Editor

  • Per amore, solo per amore (not in the MovieCove catalog yet)(1993)

    Editor

  • Look to the Sky (not in the MovieCove catalog yet)(1993)

    Editor

  • The Long Silence (not in the MovieCove catalog yet)(1993)

    Editor

  • La fine è nota (not in the MovieCove catalog yet)(1993)

    Editor

  • Ambrogio (not in the MovieCove catalog yet)(1992)

    Editor

  • Puerto Escondido (not in the MovieCove catalog yet)(1992)

    Editor

  • Johnny Stecchino(1991)

    Editor

    Midcredits score: 90th percentile of all films

  • Mediterraneo(1991)

    Editor

    Midcredits score: 94th percentile of all films

  • Barbed Wire (not in the MovieCove catalog yet)(1991)

    Editor

  • The Amusements of Private Life (not in the MovieCove catalog yet)(1990)

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  • The African Woman (not in the MovieCove catalog yet)(1990)

    Editor

  • Beyond the Ocean (not in the MovieCove catalog yet)(1990)

    Editor

  • The Miser (not in the MovieCove catalog yet)(1990)

    Editor

  • Turné (not in the MovieCove catalog yet)(1990)

    Editor

  • The Voice of the Moon(1990)

    Editor

    Midcredits score: 54th percentile of all films

  • Marrakech Express (not in the MovieCove catalog yet)(1989)

    Editor

  • The Little Devil(1988)

    Editor

    Midcredits score: 80th percentile of all films

  • The Ways of the Lord are Finite (not in the MovieCove catalog yet)(1987)

    Editor

  • Intervista (not in the MovieCove catalog yet)(1987)

    Editor

  • A Boy from Calabria (not in the MovieCove catalog yet)(1987)

    Editor

  • Farewell Moscow (not in the MovieCove catalog yet)(1987)

    Editor

  • Blue Tango (not in the MovieCove catalog yet)(1987)

    Editor

  • Love Sins (not in the MovieCove catalog yet)(1987)

    Editor

  • Hotel Colonial(1987)

    Editor

    Midcredits score: 5th percentile of all films

  • History (not in the MovieCove catalog yet)(1986)

    Show 3 episodes · Editor

  • Troppo forte(1986)

    Editor

    Midcredits score: 63rd percentile of all films

  • Ginger & Fred(1986)

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    Midcredits score: 85th percentile of all films

  • Secrets Secrets (not in the MovieCove catalog yet)(1985)

    Editor

  • The Lie(1985)

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    Midcredits score: 5th percentile of all films

  • Nothing Left to Do but Cry(1984)

    Editor

    Midcredits score: 96th percentile of all films

  • The Naked Sun (not in the MovieCove catalog yet)(1984)

    Editor

  • Once Upon a Time in America(1984)

    Editor

    Midcredits score: 99th percentile of all films

  • Order of Death(1983)

    Editor

    Midcredits score: 36th percentile of all films

  • Occhei, occhei (not in the MovieCove catalog yet)(1983)

    Editor

  • Marco Polo (not in the MovieCove catalog yet)(1982)

    Show 8 episodes · Editor

  • Malamore(1982)

    Editor

    Midcredits score: 19th percentile of all films

  • Il turno (not in the MovieCove catalog yet)(1981)

    Editor

  • Lady of the Camelias(1981)

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    Midcredits score: 70th percentile of all films

  • Bianco, rosso e Verdone(1981)

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    Midcredits score: 94th percentile of all films

  • The Soup (not in the MovieCove catalog yet)(1981)

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  • Voltati Eugenio (not in the MovieCove catalog yet)(1980)

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  • Contamination(1980)

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    Midcredits score: 17th percentile of all films

  • The Persian Lamb Coat (not in the MovieCove catalog yet)(1980)

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  • The Minister's Money (not in the MovieCove catalog yet)(1980)

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  • Hypochondriac (not in the MovieCove catalog yet)(1979)

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  • I viaggiatori della sera (not in the MovieCove catalog yet)(1979)

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  • Caligula(1979)

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    Midcredits score: 30th percentile of all films

  • Mimi(1979)

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    Midcredits score: 25th percentile of all films

  • A Dangerous Toy (not in the MovieCove catalog yet)(1979)

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  • Two Pieces of Bread (not in the MovieCove catalog yet)(1979)

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  • Traffic Jam (not in the MovieCove catalog yet)(1979)

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  • Where Are You Going on Holiday?(1978)

    Editor

    Midcredits score: 50th percentile of all films

  • Nest of Vipers(1978)

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    Midcredits score: 40th percentile of all films

  • The Cat(1977)

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    Midcredits score: 76th percentile of all films

  • Black Journal(1977)

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    Midcredits score: 51st percentile of all films

  • Beach House(1977)

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    Midcredits score: 51st percentile of all films

  • Wifemistress (not in the MovieCove catalog yet)(1977)

    Editor

  • Strange Occasion (not in the MovieCove catalog yet)(1976)

    Editor

  • Keep It To Yourself! (not in the MovieCove catalog yet)(1976)

    Editor

  • The Inheritance(1976)

    Editor

    Midcredits score: 71st percentile of all films

  • Salò, or the 120 Days of Sodom(1975)

    Editor

    Midcredits score: 45th percentile of all films

  • A Genius, Two Partners and a Dupe(1975)

    Editor

    Midcredits score: 51st percentile of all films

  • Dead Aim (not in the MovieCove catalog yet)(1975)

    Editor

  • Down the Ancient Stairs(1975)

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    Midcredits score: 60th percentile of all films

  • Love Under the Elms(1975)

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    Midcredits score: 24th percentile of all films

  • The Girls Who'll Do Anything(1975)

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    Midcredits score: 18th percentile of all films

  • Till Marriage Do Us Part (not in the MovieCove catalog yet)(1974)

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  • The Murri Affair (not in the MovieCove catalog yet)(1974)

    Editor

  • Arabian Nights(1974)

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    Midcredits score: 71st percentile of all films

  • Delitto d'amore(1974)

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    Midcredits score: 81st percentile of all films

  • Il gioco della verità (not in the MovieCove catalog yet)(1974)

    Editor

  • My Name Is Nobody(1973)

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    Midcredits score: 90th percentile of all films

  • Bawdy Tales(1973)

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    Midcredits score: 27th percentile of all films

  • The Assassination of Matteotti (not in the MovieCove catalog yet)(1973)

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  • The Nun and the Devil(1973)

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    Midcredits score: 20th percentile of all films

  • The Adventures of Pinocchio (not in the MovieCove catalog yet)(1972)

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  • Life Is Tough, Eh Providence?(1972)

    Editor

    Midcredits score: 38th percentile of all films

  • Girolimoni, the Monster of Rome (not in the MovieCove catalog yet)(1972)

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  • Jus primae noctis (not in the MovieCove catalog yet)(1972)

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  • The Canterbury Tales(1972)

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    Midcredits score: 58th percentile of all films

  • The Scopone Game (not in the MovieCove catalog yet)(1972)

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  • When Women Lost Their Tails(1972)

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    Midcredits score: 6th percentile of all films

  • Chronicle of a Homicide (not in the MovieCove catalog yet)(1972)

    Editor

  • Trastevere (not in the MovieCove catalog yet)(1971)

    Editor

  • Duck, You Sucker!(1971)

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    Midcredits score: 95th percentile of all films

  • The Decameron(1971)

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    Midcredits score: 81st percentile of all films

  • Le Chat(1971)

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    Midcredits score: 92nd percentile of all films

  • Sacco & Vanzetti(1971)

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    Midcredits score: 97th percentile of all films

  • Bubu (not in the MovieCove catalog yet)(1971)

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  • The Married Priest (not in the MovieCove catalog yet)(1970)

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  • Violent City(1970)

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    Midcredits score: 49th percentile of all films

  • Ostia (not in the MovieCove catalog yet)(1970)

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  • Metello(1970)

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    Midcredits score: 70th percentile of all films

  • Medea(1969)

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    Midcredits score: 77th percentile of all films

  • Unknown Woman (not in the MovieCove catalog yet)(1969)

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  • Giacomo Casanova: Childhood and Adolescence(1969)

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    Midcredits score: 70th percentile of all films

  • He and She (not in the MovieCove catalog yet)(1969)

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  • Pigsty(1969)

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    Midcredits score: 71st percentile of all films

  • The Year of the Cannibals (not in the MovieCove catalog yet)(1969)

    Editor

  • Love and Anger (not in the MovieCove catalog yet)(1969)

    Editor

  • The Sequence of the Paper Flower (not in the MovieCove catalog yet)(1969)

    Editor

  • Fraulein Doktor(1969)

    Editor

    Midcredits score: 61st percentile of all films

  • Once Upon a Time in the West(1968)

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    Midcredits score: 99th percentile of all films

  • Galileo (not in the MovieCove catalog yet)(1968)

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  • Teorema(1968)

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    Midcredits score: 83rd percentile of all films

  • Caprice Italian Style(1968)

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    Midcredits score: 52nd percentile of all films

  • What Are the Clouds? (not in the MovieCove catalog yet)(1968)

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  • Mafia(1968)

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    Midcredits score: 83rd percentile of all films

  • Italian Secret Service (not in the MovieCove catalog yet)(1968)

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  • Grand Slam (not in the MovieCove catalog yet)(1967)

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  • Anyone Can Play (not in the MovieCove catalog yet)(1967)

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  • Oedipus Rex(1967)

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    Midcredits score: 87th percentile of all films

  • Crazy Westerners(1967)

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    Midcredits score: 16th percentile of all films

  • The Oldest Profession(1967)

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    Midcredits score: 25th percentile of all films

  • Up the MacGregors(1967)

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    Midcredits score: 19th percentile of all films

  • The Earth As Seen from the Moon (not in the MovieCove catalog yet)(1967)

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  • The Witches(1967)

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    Midcredits score: 40th percentile of all films

  • The Hellbenders(1967)

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    Midcredits score: 71st percentile of all films

  • Misunderstood(1966)

    Editor

    Midcredits score: 94th percentile of all films

  • The Good, the Bad and the Ugly(1966)

    Editor

    Midcredits score: 99th percentile of all films

  • L'Estate (not in the MovieCove catalog yet)(1966)

    Editor

  • The Witch(1966)

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    Midcredits score: 63rd percentile of all films

  • El Greco (not in the MovieCove catalog yet)(1966)

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  • The Hawks and the Sparrows (not in the MovieCove catalog yet)(1966)

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  • The Queens(1966)

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    Midcredits score: 39th percentile of all films

  • Django(1966)

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    Midcredits score: 89th percentile of all films

  • Seasons of Our Love (not in the MovieCove catalog yet)(1966)

    Editor

  • Seven Guns for the MacGregors(1966)

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    Midcredits score: 23rd percentile of all films

  • Seven Golden Men Strike Again (not in the MovieCove catalog yet)(1966)

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  • Madamigella di Maupin(1966)

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    Midcredits score: 38th percentile of all films

  • Money (not in the MovieCove catalog yet)(1965)

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  • The Mandrake (not in the MovieCove catalog yet)(1965)

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  • Thrilling (not in the MovieCove catalog yet)(1965)

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  • Il compagno Don Camillo(1965)

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    Midcredits score: 80th percentile of all films

  • The Possessed(1965)

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    Midcredits score: 79th percentile of all films

  • Love Meetings (not in the MovieCove catalog yet)(1965)

    Editor

  • Six Days a Week (not in the MovieCove catalog yet)(1965)

    Editor

  • The Gospel According to St. Matthew(1964)

    Editor

    Midcredits score: 94th percentile of all films

  • The Three Faces (not in the MovieCove catalog yet)(1965)

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  • La Fuga (not in the MovieCove catalog yet)(1965)

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  • Woman Is a Wonderful Thing (not in the MovieCove catalog yet)(1964)

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  • My Wife (not in the MovieCove catalog yet)(1964)

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  • Bebo's Girl(1964)

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    Midcredits score: 78th percentile of all films

  • Corruption (not in the MovieCove catalog yet)(1963)

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  • I cuori infranti (not in the MovieCove catalog yet)(1963)

    Editor

  • La Rabbia (not in the MovieCove catalog yet)(1963)

    Editor

  • Ro.Go.Pa.G.(1963)

    Editor

    Midcredits score: 79th percentile of all films

  • La bella di Lodi (not in the MovieCove catalog yet)(1963)

    Editor

  • The Four Truths (not in the MovieCove catalog yet)(1962)

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  • Agostino (not in the MovieCove catalog yet)(1962)

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  • Paris, My Love (not in the MovieCove catalog yet)(1962)

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  • Mafioso (not in the MovieCove catalog yet)(1962)

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  • Mamma Roma(1962)

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    Midcredits score: 97th percentile of all films

  • La bellezza di Ippolita (not in the MovieCove catalog yet)(1962)

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  • La Commare Secca (not in the MovieCove catalog yet)(1962)

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  • The Police Commissioner (not in the MovieCove catalog yet)(1962)

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  • The New Angels (not in the MovieCove catalog yet)(1962)

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  • Careless (not in the MovieCove catalog yet)(1962)

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  • Leoni al sole (not in the MovieCove catalog yet)(1961)

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  • A cavallo della tigre(1961)

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    Midcredits score: 85th percentile of all films

  • Accattone(1961)

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    Midcredits score: 95th percentile of all films

  • The Lovemakers (not in the MovieCove catalog yet)(1961)

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  • Pigeon Shoot (not in the MovieCove catalog yet)(1961)

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  • Scano Boa (not in the MovieCove catalog yet)(1961)

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  • Mariti in pericolo (not in the MovieCove catalog yet)(1960)

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  • From a Roman Balcony (not in the MovieCove catalog yet)(1960)

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  • Everybody Go Home!(1960)

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    Midcredits score: 97th percentile of all films

  • Long Night in '43 (not in the MovieCove catalog yet)(1960)

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  • The Warrior Empress (not in the MovieCove catalog yet)(1960)

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  • I piaceri dello scapolo (not in the MovieCove catalog yet)(1960)

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  • L'assedio di Siracusa(1960)

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    Midcredits score: 12th percentile of all films

  • Bell' Antonio(1960)

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    Midcredits score: 87th percentile of all films

  • The Employee (not in the MovieCove catalog yet)(1960)

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  • The Surprises of Love (not in the MovieCove catalog yet)(1959)

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  • The Big Night(1959)

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    Midcredits score: 72nd percentile of all films

  • Quel tesoro di papà (not in the MovieCove catalog yet)(1959)

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  • Wild Cats on the Beach (not in the MovieCove catalog yet)(1959)

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  • Il padrone delle ferriere (not in the MovieCove catalog yet)(1959)

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  • Sign of the Gladiator(1959)

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    Midcredits score: 15th percentile of all films

  • Dangerous Women (not in the MovieCove catalog yet)(1958)

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  • Quando gli angeli piangono (not in the MovieCove catalog yet)(1958)

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  • Serenatella Sciuè Sciuè (not in the MovieCove catalog yet)(1958)

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  • Napoli sole mio (not in the MovieCove catalog yet)(1958)

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  • Husbands in the City (not in the MovieCove catalog yet)(1957)

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  • Pirate of the Half Moon (not in the MovieCove catalog yet)(1957)

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  • The Window to Luna Park (not in the MovieCove catalog yet)(1957)

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  • Guaglione (not in the MovieCove catalog yet)(1956)

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  • Supreme Confession (not in the MovieCove catalog yet)(1956)

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  • A sud niente di nuovo (not in the MovieCove catalog yet)(1956)

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  • Il campanile d'oro (not in the MovieCove catalog yet)(1955)

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  • La moglie è uguale per tutti(1955)

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    Midcredits score: 15th percentile of all films (provisional, few ratings)

  • La bella di Roma(1955)

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    Midcredits score: 39th percentile of all films

  • Torna piccina mia! (not in the MovieCove catalog yet)(1955)

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  • Io sono la Primula Rossa (not in the MovieCove catalog yet)(1954)

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  • It Happened at the Police Station (not in the MovieCove catalog yet)(1954)

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  • Mother's Heart (not in the MovieCove catalog yet)(1954)

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  • Bertoldo, Bertoldino and Cacasenno (not in the MovieCove catalog yet)(1954)

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  • La campana di San Giusto (not in the MovieCove catalog yet)(1954)

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  • Finalmente libero (not in the MovieCove catalog yet)(1953)

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  • Saluti e baci (not in the MovieCove catalog yet)(1953)

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  • Era lei che lo voleva! (not in the MovieCove catalog yet)(1953)

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  • La prigioniera della torre di fuoco (not in the MovieCove catalog yet)(1953)

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  • I, Hamlet (not in the MovieCove catalog yet)(1952)

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  • Girls Marked Danger (not in the MovieCove catalog yet)(1952)

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  • Il tallone di Achille (not in the MovieCove catalog yet)(1952)

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  • La paura fa 90 (not in the MovieCove catalog yet)(1951)

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  • Greetings and sons! (not in the MovieCove catalog yet)(1951)

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  • La rivale dell'imperatrice (not in the MovieCove catalog yet)(1951)

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  • Fugitive Lady (not in the MovieCove catalog yet)(1950)

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Career shape

A full career of 213 titles from 1950 to 2008.

Biggest box office

The Good, the Bad and the Ugly (1966)

$25M worldwide

Highest rated

The Good, the Bad and the Ugly (1966)

Midcredits 99th

By role

only this rolewith another role
Editing213 of 213: 213 only editing, 0 with another role · typical Midcredits score71st

By decade

1950s36 · crew1960s80 · crew1970s46 · crew1980s29 · crew1990s21 · crew2000s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Nino Baragli's films land?

Their typical MovieCove film has a Midcredits score in the 70th percentile, the median of all 79; across their 78 films with reception data, the typical film sits in the 65th percentile for acclaim.

Acclaim · how much people like their films

65thpercentile
Typical film, the median of 78

Approval · how many liked their films

66thpercentile
Typical film, the median of 78

Reach · how many have seen their films

62ndpercentile
Typical film, the median of 78

Midcredits score across 79 titles, by percentile

  • 75th and up33
  • 50th to 74th19
  • 25th to 49th13
  • Below 25th14

Shape of the crowd

36 of their 79 titles are Crowd Pleasers.

  • Universally Loved14
  • Universally Panned1
  • Cult Classic2
  • Crowd Pleaser36
  • Broadly Agreed4
  • Mixed22

Most divisive · editor

Mimi (1979)

80th percentile spread · 32% rated it 4 or lower

Most loved · editor

The Good, the Bad and the Ugly (1966)

Midcredits 99th · 93% liked

Reviewers score the pacing 42/100 in their films, across 59 reviewed titles; fans 51, detractors 25. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Nino Baragli's work okay for kids?

Across up to 20 MovieCove titles with content scores, violence & gore, sex & nudity and frightening / intense run heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore13 titles21–85 · median 66 · intenseheavier than most filmsMedian of all films: 44
Sex & Nudity20 titles8–81 · median 47 · moderateheavier than most filmsMedian of all films: 32
Profanity11 titles27–72 · median 38 · moderatenear the median of all filmsMedian of all films: 36
Alcohol & Drugs13 titles34–49 · median 39 · moderatenear the median of all filmsMedian of all films: 33
Frightening / Intense11 titles26–80 · median 55 · moderateheavier than most filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Nino Baragli work with?

People who share at least 2 of Nino Baragli's MovieCove titles, grouped by what they did on them; Ennio Morricone shares the most, 26.

Directors

Writers

Actors

Composers and cinematographers

Producers

Mixed roles