Carl Berger
- Cinematographer
- 4 on Motif · 16 credits in all
What are Carl Berger's films like?
Across a limited sample of 3 Motif titles with a thematic analysis, their films lean Society and Self.
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 3
Light 3 · Serious 0 · Dark 0
Grounded 2 · Stylized 1 · Heightened 0
Gentle 2 · Charged 1 · Intense 0
Steady 3 · Shifting 0 · Whiplash 0
A split, not a type: Straight-faced 2 · Some laughs 0 · Funny 1
Slow burn 2 · Even-paced 1 · Relentless 0
Casual 3 · Engaged 0 · Full focus 0
Easy watch 3 · Affecting 0 · Heavy 0
Resolved 2 · Open-ended 1 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Carl Berger's films?
As of October 24, 2026, all 4 Motif titles stream on a subscription or free service, most on Tubi (3).
Subscription and free streaming for Carl Berger's titles on Motif; rent and buy are not counted. Titles are listed by Motif score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
16 credits, 4 with a Motif page.

Young Jesse James (not in the Motif catalog yet)(1960)

Portland Exposé (not in the Motif catalog yet)(1957)

Cheyenne(1955)
Motif score: 71st percentile of all shows
African Manhunt (not in the Motif catalog yet)(1955)

Stop That Cab (not in the Motif catalog yet)(1951)

One Too Many (not in the Motif catalog yet)(1950)

Sky Liner (not in the Motif catalog yet)(1949)

Arson, Inc. (not in the Motif catalog yet)(1949)

Deputy Marshal(1949)
Motif score: 26th percentile of all films
Highway 13 (not in the Motif catalog yet)(1948)

Jungle Goddess (not in the Motif catalog yet)(1948)
Motif score: 18th percentile of all films
Look-Out Sister(1947)
Motif score: 36th percentile of all films (provisional, few ratings)Jungle Cavalcade (not in the Motif catalog yet)(1941)

Ouanga (not in the Motif catalog yet)(1935)

Bring 'Em Back Alive (not in the Motif catalog yet)(1932)
Career shape
A full career of 14 titles from 1932 to 1960.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.
How do Carl Berger's films land?
Their typical Motif film has a Motif score in the 26th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 40th percentile for acclaim.
- 50th to 74th1
- 25th to 49th2
- Below 25th1
Shape of the crowd
None of their 4 titles divides audiences: 2 are Mixed.
- Universally Loved1
- Broadly Agreed1
- Mixed2
Reviewers score the cinematography 37/100 in their films, across 3 reviewed titles; fans 43, detractors 28. The element that speaks to their work as a cinematographer.
Percentiles are each film's standing among all films on Motif; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Motif score bands, the shape of the crowd and the two cards count their Motif titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Carl Berger work with?
People who share at least 2 of Carl Berger's Motif titles; William Stephens shares the most, 2.
- William StephensShared titles: Deputy Marshal (1949), The Return of Rin Tin Tin (1947)See all 2 shared titles with William Stephens