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William Stephens

Producer and writer · Born June 23, 1897 (129) · New Haven, Connecticut, USA

William Stephens was born on 23 June 1897 in New Haven, Connecticut, USA. William was a production manager and producer, known for Jungle Goddess (1948), Sky Liner (1949) and Arson, Inc. (1949). William was married to Rosalyn Goldstein. William died on 3 August 1962 in Los Angeles, California, USA.

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Biography from IMDb.

Born
June 23, 1897 (129)
From
New Haven, Connecticut, USA
Works as
Producer and writer
Titles
8 on Motif · 13 credits in all

What are William Stephens' films like?

Across their 8 Motif titles with a thematic analysis, their films lean Morality and Society.

What they feel like to watch

their average across 8 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 5 · Serious 2 · Dark 1

Grounded 8 · Stylized 0 · Heightened 0

Gentle 4 · Charged 4 · Intense 0

Steady 6 · Shifting 2 · Whiplash 0

A split, not a type: Straight-faced 3 · Some laughs 5 · Funny 0

Slow burn 5 · Even-paced 3 · Relentless 0

Casual 6 · Engaged 2 · Full focus 0

Resolved 6 · Open-ended 2 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Hopeful
5
Tense
5
Warm
4
Melancholic
3
Bittersweet
1
Other
1

How their films end

  • Happy6
  • Bittersweet2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch William Stephens' films?

As of October 24, 2026, all 8 Motif titles stream on a subscription or free service, most on Tubi (5).

Subscription and free streaming for William Stephens' titles on Motif; rent and buy are not counted. Titles are listed by Motif score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

13 credits, 8 with a Motif page.

  • Duffy of San Quentin(1954)

    Supervising Producer

    Motif score: 55th percentile of all films
  • One Too Many (not in the Motif catalog yet)(1950)

    Associate Producer

  • Once a Thief(1950)

    Producer

    Motif score: 36th percentile of all films
  • Sky Liner (not in the Motif catalog yet)(1949)

    Producer

  • Arson, Inc. (not in the Motif catalog yet)(1949)

    Producer

  • Deputy Marshal(1949)

    Producer

    Motif score: 26th percentile of all films
  • Highway 13 (not in the Motif catalog yet)(1948)

    Producer

  • Jungle Goddess (not in the Motif catalog yet)(1948)

    Idea · Producer

  • The Return of Rin Tin Tin(1947)

    Producer · Writer

    Motif score: 18th percentile of all films
  • Melody for Three(1941)

    Producer

    Motif score: 25th percentile of all films
  • They Meet Again(1941)

    Producer

    Motif score: 11th percentile of all films
  • Motif score: 26th percentile of all films
  • Meet Dr. Christian(1939)

    Producer

    Motif score: 29th percentile of all films

Career shape

A full career of 9 titles from 1939 to 1954.

By role

only this rolewith another role
Writing1 of 9: 0 only writing, 1 with another roleProducing9 of 9: 8 only producing, 1 with another role

By decade

1930s1 · crew1940s6 · crew1950s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do William Stephens' films land?

Their typical Motif film has a Motif score in the 26th percentile, the median of all 8; across their 8 films with reception data, the typical film sits in the 32nd percentile for acclaim.

Acclaim · how much people like their films

32ndpercentile
Typical film, the median of 8

Approval · how many liked their films

25thpercentile
Typical film, the median of 8

Reach · how many have seen their films

8thpercentile
Typical film, the median of 8

Motif score across 8 titles, by percentile

  • 50th to 74th1
  • 25th to 49th5
  • Below 25th2

Reviewers score the dialogue 51/100 and the plot and story 44/100 in their films, across 8 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on Motif; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Motif score bands, the shape of the crowd and the two cards count their Motif titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does William Stephens work with?

People who share at least 2 of William Stephens' Motif titles, grouped by what they did on them; Jean Hersholt shares the most, 4.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers