- June 20, 1927 (99)
- Chicago, Illinois, USA
- Producer and writer
- 10 on MovieCove · 14 credits in all
Known for
What are Judd Bernard's films like?
Across their 10 MovieCove titles with a thematic analysis, their films lean Morality and Self.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 1 · Wry 0 · Earnest 7
A split, not a type: Light 5 · Serious 1 · Dark 4
Grounded 1 · Stylized 6 · Heightened 3
Gentle 2 · Charged 5 · Intense 3
Steady 2 · Shifting 6 · Whiplash 2
A split, not a type: Straight-faced 5 · Some laughs 1 · Funny 4
Slow burn 3 · Even-paced 6 · Relentless 1
Casual 4 · Engaged 6 · Full focus 0
Easy watch 5 · Affecting 4 · Heavy 1
A split, not a type: Resolved 6 · Open-ended 2 · Ambiguous 2
Moods and endings
- Happy2
- Bittersweet3
- Tragic1
- Ambiguous3
- Cyclical1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Judd Bernard's films?
As of October 24, 2026, 4 of their 10 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Judd Bernard's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
14 credits, 10 with a MovieCove page.
Blood Red(1989)
Midcredits score: 7th percentile of all films
Enter the Ninja(1981)
Midcredits score: 21st percentile of all films
Midcredits score: 41st percentile of all films
Inside Out (not in the MovieCove catalog yet)(1975)
The Marseille Contract (not in the MovieCove catalog yet)(1974)
Fade In (not in the MovieCove catalog yet)(1973)
Deep End(1970)
Midcredits score: 86th percentile of all films
Midcredits score: 93rd percentile of all films
Midcredits score: 18th percentile of all films
Blue(1968)
Midcredits score: 39th percentile of all films
Negatives(1968)
Midcredits score: 31st percentile of all films
Point Blank(1967)
Midcredits score: 89th percentile of all films
Double Trouble(1967)
Midcredits score: 19th percentile of all films
Hannah Lee: An American Primitive (not in the MovieCove catalog yet)(1953)
Career shape
A full career of 12 titles from 1953 to 1989.
Biggest box office
Blood Red (1989)
Highest rated
Monty Python's and Now for Something Completely Different (1971)
Most popular right now
Point Blank (1967)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Judd Bernard's films land?
Their typical MovieCove film has a Midcredits score in the 35th percentile, the median of all 10; across their 10 films with reception data, the typical film sits in the 33rd percentile for acclaim.
- 75th and up3
- 25th to 49th3
- Below 25th4
Shape of the crowd
6 of their 10 titles are Mixed.
- Universally Loved1
- Crowd Pleaser2
- Broadly Agreed1
- Mixed6
Reviewers score the dialogue 43/100 and the plot and story 38/100 in their films, across 9 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Judd Bernard's work okay for kids?
Across a limited sample of up to 3 MovieCove titles with content scores.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.
Who does Judd Bernard work with?
People who share at least 2 of Judd Bernard's MovieCove titles, grouped by what they did on them; Patricia Casey shares the most, 5.
Directors
- Silvio NarizzanoShared titles: The Class of Miss MacMichael (1978), Blue (1968)See all 2 shared titles with Silvio Narizzano
Actors
- Glenda JacksonShared titles: The Class of Miss MacMichael (1978), Negatives (1968)See all 2 shared titles with Glenda Jackson
- Michael MurphyShared titles: The Class of Miss MacMichael (1978), Double Trouble (1967)See all 2 shared titles with Michael Murphy
- Norman RossingtonShared titles: Negatives (1968), Double Trouble (1967)See all 2 shared titles with Norman Rossington
Composers and editors
- Thom NobleShared titles: Monty Python's and Now for Something Completely Different (1971), The Man Who Had Power Over Women (1970)See all 2 shared titles with Thom Noble
- Barrie VinceShared titles: Deep End (1970), Negatives (1968)See all 2 shared titles with Barrie Vince
- Johnny MandelShared titles: The Man Who Had Power Over Women (1970), Point Blank (1967)See all 2 shared titles with Johnny Mandel
Producers
- Patricia CaseyShared titles: Blood Red (1989), The Class of Miss MacMichael (1978), Monty Python's and Now for Something Completely Different (1971), The Man Who Had Power Over Women (1970), Blue (1968)See all 5 shared titles with Patricia Casey
- Irwin WinklerShared titles: Blue (1968), Double Trouble (1967), Point Blank (1967)See all 3 shared titles with Irwin Winkler
