Michael Blankfort
Writer · Died July 13, 1982, aged 74 · New York City, New York, USA
- December 10, 1907
- July 13, 1982 (aged 74)
- New York City, New York, USA
- Writer
- 12 on Motif · 19 credits in all
What are Michael Blankfort's films like?
Across their 12 Motif titles with a thematic analysis, their films lean Morality and Bonds.
Genres
Their Motif films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 1 · Earnest 11
Light 4 · Serious 4 · Dark 4
Grounded 7 · Stylized 5 · Heightened 0
Gentle 1 · Charged 8 · Intense 3
Steady 5 · Shifting 7 · Whiplash 0
Straight-faced 10 · Some laughs 2 · Funny 0
Slow burn 4 · Even-paced 8 · Relentless 0
Casual 6 · Engaged 6 · Full focus 0
Easy watch 2 · Affecting 9 · Heavy 1
Resolved 11 · Open-ended 1 · Ambiguous 0
Moods and endings
- Happy3
- Bittersweet9
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Michael Blankfort's films?
As of October 24, 2026, 5 of their 12 Motif titles stream on a subscription or free service.
Subscription and free streaming for Michael Blankfort's titles on Motif; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
19 credits, 12 with a Motif page.

A Fire in the Sky(1978)
Midcredits score: 44th percentile of all films
The Other Man (not in the Motif catalog yet)(1970)

The Plainsman(1966)
Midcredits score: 13th percentile of all films
See How They Run(1964)
Midcredits score: 73rd percentile of all films
The Vintage (not in the Motif catalog yet)(1957)

Tribute to a Bad Man(1956)
Midcredits score: 70th percentile of all films
Untamed(1955)
Midcredits score: 48th percentile of all films
The Caine Mutiny(1954)
Midcredits score: 94th percentile of all films
The Juggler (not in the Motif catalog yet)(1953)

Lydia Bailey (not in the Motif catalog yet)(1952)

My Six Convicts (not in the Motif catalog yet)(1952)

Halls of Montezuma(1951)
Midcredits score: 67th percentile of all films
Broken Arrow(1950)
Midcredits score: 83rd percentile of all films
The Dark Past(1948)
Midcredits score: 48th percentile of all films
An Act of Murder(1948)
Midcredits score: 74th percentile of all films
Flight Lieutenant (not in the Motif catalog yet)(1942)

Texas(1941)
Midcredits score: 70th percentile of all films
Adam Had Four Sons(1941)
Midcredits score: 65th percentile of all films
Blind Alley (not in the Motif catalog yet)(1939)
Career shape
A full career of 18 titles from 1939 to 1978.

Biggest box office
The Caine Mutiny (1954)

Highest rated
The Caine Mutiny (1954)

Most popular right now
Broken Arrow (1950)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on Motif, shown from 5 scored.
How do Michael Blankfort's films land?
Their typical Motif film has a Midcredits score in the 69th percentile, the median of all 12; across their 12 films with reception data, the typical film sits in the 64th percentile for acclaim.
- 75th and up2
- 50th to 74th6
- 25th to 49th3
- Below 25th1
Shape of the crowd
7 of their 12 titles are Crowd Pleasers.
- Universally Loved1
- Crowd Pleaser7
- Broadly Agreed1
- Mixed3
Reviewers score the dialogue 51/100 and the plot and story 52/100 in their films, across 12 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on Motif; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their Motif titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Michael Blankfort work with?
People who share at least 2 of Michael Blankfort's Motif titles, grouped by what they did on them; David Lowell Rich shares the most, 2.
Directors
- David Lowell RichShared titles: The Plainsman (1966), See How They Run (1964)See all 2 shared titles with David Lowell Rich

Actors
- Leslie NielsenShared titles: The Plainsman (1966), See How They Run (1964)See all 2 shared titles with Leslie Nielsen

- Susan HaywardShared titles: Untamed (1955), Adam Had Four Sons (1941)See all 2 shared titles with Susan Hayward

- William HoldenShared titles: The Dark Past (1948), Texas (1941)See all 2 shared titles with William Holden

Editors
- William A. LyonShared titles: The Caine Mutiny (1954), Texas (1941)See all 2 shared titles with William A. Lyon