William A. Lyon
Editor · Died March 18, 1974, aged 71 · Los Angeles, California, USA
- January 21, 1903
- March 18, 1974 (aged 71)
- Los Angeles, California, USA
- Editor
- 42 on MovieCove · 75 credits in all
What are William A. Lyon's films like?
Across their 41 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 2 · Wry 1 · Earnest 38
A split, not a type: Light 11 · Serious 14 · Dark 16
A split, not a type: Grounded 25 · Stylized 14 · Heightened 2
Gentle 7 · Charged 27 · Intense 7
Steady 19 · Shifting 20 · Whiplash 2
A split, not a type: Straight-faced 24 · Some laughs 8 · Funny 9
A split, not a type: Slow burn 22 · Even-paced 19 · Relentless 0
Casual 20 · Engaged 20 · Full focus 1
A split, not a type: Easy watch 18 · Affecting 15 · Heavy 8
Resolved 34 · Open-ended 6 · Ambiguous 1
Moods and endings
- Happy13
- Bittersweet24
- Tragic3
- Ambiguous1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch William A. Lyon's films?
As of October 24, 2026, 17 of their 42 MovieCove titles stream on a subscription or free service, most on Tubi (6).
Subscription and free streaming for William A. Lyon's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
75 credits, 42 with a MovieCove page.
Midcredits score: 72nd percentile of all films
R.P.M.(1970)
Midcredits score: 30th percentile of all films
Midcredits score: 87th percentile of all films
Barefoot in the Park(1967)
Midcredits score: 80th percentile of all films
Midcredits score: 36th percentile of all films
Lord Love a Duck(1966)
Midcredits score: 55th percentile of all films
Major Dundee(1965)
Midcredits score: 71st percentile of all films
The Young Lovers (not in the MovieCove catalog yet)(1964)

Gidget Goes to Rome(1963)
Midcredits score: 21st percentile of all films
Midcredits score: 36th percentile of all films
Diamond Head(1962)
Midcredits score: 38th percentile of all films
Five Finger Exercise (not in the MovieCove catalog yet)(1962)

A Raisin in the Sun(1961)
Midcredits score: 98th percentile of all films
Sail a Crooked Ship(1961)
Midcredits score: 38th percentile of all films
Song Without End(1960)
Midcredits score: 40th percentile of all films
Midnight Lace(1960)
Midcredits score: 73rd percentile of all films
They Came to Cordura(1959)
Midcredits score: 60th percentile of all films
Gidget(1959)
Midcredits score: 66th percentile of all films
Me and the Colonel(1958)
Midcredits score: 77th percentile of all films
Quiz Whizz (not in the MovieCove catalog yet)(1958)

Cowboy(1958)
Midcredits score: 70th percentile of all films
The Hard Man(1957)
Midcredits score: 45th percentile of all films
Horsing Around (not in the MovieCove catalog yet)(1957)

The Garment Jungle(1957)
Midcredits score: 65th percentile of all films
The Shadow on the Window(1957)
Midcredits score: 42nd percentile of all films
Nightfall(1956)
Midcredits score: 87th percentile of all films
Storm Center (not in the MovieCove catalog yet)(1956)

Picnic(1955)
Midcredits score: 76th percentile of all films
Count Three and Pray(1955)
Midcredits score: 50th percentile of all films
The Man from Laramie(1955)
Midcredits score: 91st percentile of all films
The Long Gray Line(1955)
Midcredits score: 87th percentile of all films
Human Desire(1954)
Midcredits score: 83rd percentile of all films
The Caine Mutiny(1954)
Midcredits score: 94th percentile of all films
From Here to Eternity(1953)
Midcredits score: 94th percentile of all films
Fort Ti (not in the MovieCove catalog yet)(1953)
Midcredits score: 71st percentile of all films
The Happy Time (not in the MovieCove catalog yet)(1952)

Death of a Salesman(1951)
Midcredits score: 83rd percentile of all films
Ten Tall Men(1951)
Midcredits score: 46th percentile of all films
Saturday's Hero (not in the MovieCove catalog yet)(1951)

The Fuller Brush Girl(1950)
Midcredits score: 64th percentile of all films
No Sad Songs for Me(1950)
Midcredits score: 64th percentile of all films
Cargo to Capetown (not in the MovieCove catalog yet)(1950)

The Walking Hills (not in the MovieCove catalog yet)(1949)

To the Ends of the Earth (not in the MovieCove catalog yet)(1948)

The Guilt of Janet Ames(1947)
Midcredits score: 52nd percentile of all films
Mr. District Attorney(1947)
Midcredits score: 59th percentile of all films
The Jolson Story (not in the MovieCove catalog yet)(1946)

You Were Never Lovelier(1942)
Midcredits score: 87th percentile of all films
Submarine Raider (not in the MovieCove catalog yet)(1942)

Tramp, Tramp, Tramp! (not in the MovieCove catalog yet)(1942)

Texas(1941)
Midcredits score: 70th percentile of all films
Sweetheart of the Campus (not in the MovieCove catalog yet)(1941)

Harvard, Here I Come!(1941)
Midcredits score: 16th percentile of all films (provisional, few ratings)
Arizona(1940)
Midcredits score: 73rd percentile of all films
Too Many Husbands (not in the MovieCove catalog yet)(1940)

My Son Is Guilty(1939)
Midcredits score: 27th percentile of all films
Midcredits score: 73rd percentile of all films
South of Arizona (not in the MovieCove catalog yet)(1938)

West of Cheyenne (not in the MovieCove catalog yet)(1938)

Call of the Rockies (not in the MovieCove catalog yet)(1938)

One Man Justice (not in the MovieCove catalog yet)(1937)

Two-Fisted Sheriff (not in the MovieCove catalog yet)(1937)

Find the Witness (not in the MovieCove catalog yet)(1937)

Slippery Silks (not in the MovieCove catalog yet)(1936)

Code of the Range (not in the MovieCove catalog yet)(1936)

Alibi for Murder (not in the MovieCove catalog yet)(1936)

A Pain in the Pullman (not in the MovieCove catalog yet)(1936)

Disorder in the Court (not in the MovieCove catalog yet)(1936)

Movie Maniacs (not in the MovieCove catalog yet)(1936)

Ants in the Pantry (not in the MovieCove catalog yet)(1936)

Three Little Beers (not in the MovieCove catalog yet)(1935)
His Bridal Sweet (not in the MovieCove catalog yet)(1935)

Restless Knights (not in the MovieCove catalog yet)(1935)
In the Dog House (not in the MovieCove catalog yet)(1934)
Career shape
A full career of 72 titles from 1934 to 1971.

Biggest box office
The Caine Mutiny (1954)

Highest rated
A Raisin in the Sun (1961)

Most popular right now
From Here to Eternity (1953)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do William A. Lyon's films land?
Their typical MovieCove film has a Midcredits score in the 68th percentile, the median of all 42; across their 41 films with reception data, the typical film sits in the 65th percentile for acclaim.
- 75th and up13
- 50th to 74th17
- 25th to 49th10
- Below 25th2
Shape of the crowd
27 of their 42 titles are Crowd Pleasers.
- Universally Loved3
- Crowd Pleaser27
- Broadly Agreed5
- Mixed7
Reviewers score the pacing 48/100 in their films, across 41 reviewed titles; fans 56, detractors 32. The element that speaks to their work as an editor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is William A. Lyon's work okay for kids?
Across up to 6 MovieCove titles with content scores, sex & nudity runs lighter than most films.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.
Who does William A. Lyon work with?
People who share at least 2 of William A. Lyon's MovieCove titles, grouped by what they did on them; George Duning shares the most, 12.
Directors
- Stanley KramerShared titles: Bless the Beasts & Children (1971), R.P.M. (1970), The Secret of Santa Vittoria (1969), The Caine Mutiny (1954), The Member of the Wedding (1952), Death of a Salesman (1951)See all 6 shared titles with Stanley Kramer

- Paul WendkosShared titles: Gidget Goes to Rome (1963), Gidget (1959)See all 2 shared titles with Paul Wendkos

- George ShermanShared titles: The Hard Man (1957), Count Three and Pray (1955)See all 2 shared titles with George Sherman

- Fred ZinnemannShared titles: From Here to Eternity (1953), The Member of the Wedding (1952)See all 2 shared titles with Fred Zinnemann

Writers
- Karl BrownShared titles: Harvard, Here I Come! (1941), My Son Is Guilty (1939), The Man They Could Not Hang (1939)See all 3 shared titles with Karl Brown
- Glendon SwarthoutShared titles: Bless the Beasts & Children (1971), They Came to Cordura (1959)See all 2 shared titles with Glendon Swarthout
- Frederick KohnerShared titles: Gidget Goes to Rome (1963), Gidget (1959)See all 2 shared titles with Frederick Kohner

- Ruth Brooks FlippenShared titles: Gidget Goes to Rome (1963), Sail a Crooked Ship (1961)See all 2 shared titles with Ruth Brooks Flippen
Actors
- Don BeddoeShared titles: Harvard, Here I Come! (1941), Texas (1941), My Son Is Guilty (1939), The Man They Could Not Hang (1939)See all 4 shared titles with Don Beddoe

- James DarrenShared titles: Gidget Goes to Rome (1963), Diamond Head (1962), Gidget (1959)See all 3 shared titles with James Darren

- Glenn FordShared titles: Cowboy (1958), Texas (1941), My Son Is Guilty (1939)See all 3 shared titles with Glenn Ford

- Philip CareyShared titles: The Shadow on the Window (1957), Count Three and Pray (1955), The Long Gray Line (1955)See all 3 shared titles with Philip Carey

Composers and cinematographers
- George DuningShared titles: Sail a Crooked Ship (1961), Cowboy (1958), Me and the Colonel (1958), The Shadow on the Window (1957), Nightfall (1956), Count Three and Pray (1955), Picnic (1955), The Long Gray Line (1955), The Man from Laramie (1955), From Here to Eternity (1953), No Sad Songs for Me (1950), The Guilt of Janet Ames (1947)See all 12 shared titles with George Duning

- Burnett GuffeyShared titles: Gidget (1959), They Came to Cordura (1959), Me and the Colonel (1958), Nightfall (1956), Count Three and Pray (1955), From Here to Eternity (1953)See all 6 shared titles with Burnett Guffey

- Charles Lawton Jr.Shared titles: A Raisin in the Sun (1961), Cowboy (1958), The Long Gray Line (1955), The Fuller Brush Girl (1950)See all 4 shared titles with Charles Lawton Jr.

- Charles LangShared titles: Song Without End (1960), The Long Gray Line (1955), The Man from Laramie (1955)See all 3 shared titles with Charles Lang

Producers
- George GlassShared titles: Bless the Beasts & Children (1971), R.P.M. (1970), The Secret of Santa Vittoria (1969), Death of a Salesman (1951)See all 4 shared titles with George Glass
- William GoetzShared titles: Song Without End (1960), They Came to Cordura (1959), Me and the Colonel (1958), The Man from Laramie (1955)See all 4 shared titles with William Goetz

- Jerry BreslerShared titles: Major Dundee (1965), Gidget Goes to Rome (1963), Diamond Head (1962)See all 3 shared titles with Jerry Bresler
- Wallace MacDonaldShared titles: The Hard Man (1957), Harvard, Here I Come! (1941), The Man They Could Not Hang (1939)See all 3 shared titles with Wallace MacDonald

Mixed roles
- Frank TashlinShared titles: The Man from the Diners' Club (1963), The Fuller Brush Girl (1950)See all 2 shared titles with Frank Tashlin

- Delmer DavesShared titles: Cowboy (1958), You Were Never Lovelier (1942)See all 2 shared titles with Delmer Daves

- Tyrone PowerShared titles: Count Three and Pray (1955), The Long Gray Line (1955)See all 2 shared titles with Tyrone Power



