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Julian Blaustein

Producer and writer · Died June 20, 1995, aged 82

Born
May 30, 1913
Died
June 20, 1995 (aged 82)
Works as
Producer and writer
Titles
15 on MovieCove · 21 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 38 days to Oct 27Down 24% in 30 days

What are Julian Blaustein's films like?

Across their 14 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.

Genres

Drama7 titlesTypical Midcredits score: 75th percentile, at or above their average across these genres
: browse their Drama movies
Comedy4 titlesTypical Midcredits score: 75th percentile, at or above their average across these genres
: browse their Comedy movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Morality
26%
Bonds
22%
Self
20%
Society
12%
Power
8%
Survival
7%
Ideas
6%
Deception5 titles, browse their movies with this themeRomantic love3 titles, browse their movies with this themeSelf-worth2 titles, browse their movies with this themeJustice2 titles, browse their movies with this themeLoyalty2 titles, browse their movies with this themeIdentity2 titles, browse their movies with this themeIsolation2 titles, browse their movies with this themeCommunity2 titles, browse their movies with this theme

What they feel like to watch

their average across 14 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 6 · Serious 4 · Dark 4

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

A split, not a type: Grounded 7 · Stylized 6 · Heightened 1

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 5 · Charged 7 · Intense 2

Steady: How much it swings between very different feelings. Browse their steady movies.
Feel · Swings
steadyswings

Steady 9 · Shifting 5 · Whiplash 0

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

A split, not a type: Straight-faced 7 · Some laughs 4 · Funny 3

Slow burn: How fast it moves from scene to scene. Browse their slow burn movies.
Demand · Pace
slowrelentless

Slow burn 9 · Even-paced 5 · Relentless 0

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

Casual 7 · Engaged 6 · Full focus 1

Easy watch: How much it costs you emotionally; whether you need recovery time. Browse their easy watch movies.
Demand · Emotional cost
easyheavy

A split, not a type: Easy watch 6 · Affecting 8 · Heavy 0

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 11 · Open-ended 3 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
5
Warm
6
Melancholic
6
Joyful
4
Romantic
3
Other
12

How their films linger

Feel-good5 titles, browse their movies with this aftertasteHopeful5 titles, browse their movies with this aftertasteBittersweet4 titles, browse their movies with this aftertasteThought-provoking4 titles, browse their movies with this aftertasteFun3 titles, browse their movies with this aftertasteHaunting2 titles, browse their movies with this aftertaste

How their films end

  • Happy4
  • Bittersweet8
  • Tragic1
  • Ambiguous1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Julian Blaustein's films?

As of October 24, 2026, 5 of their 15 MovieCove titles stream on a subscription or free service, most on Tubi (3).

Also on these channels

Subscription and free streaming for Julian Blaustein's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

21 credits, 15 with a MovieCove page; 1 appearance as themselves is hidden until asked for.

  • The Beguiled(1971)

    Executive Producer

    Midcredits score: 86th percentile of all films

  • 3 Into 2 Won't Go (not in the MovieCove catalog yet)(1969)

    Producer

  • Khartoum(1966)

    Producer

    Midcredits score: 74th percentile of all films

  • The Four Horsemen of the Apocalypse(1962)

    Producer

    Midcredits score: 63rd percentile of all films

  • Two Loves (not in the MovieCove catalog yet)(1961)

    Producer

  • The Wreck of the Mary Deare(1959)

    Producer

    Midcredits score: 70th percentile of all films

  • Bell Book and Candle(1958)

    Producer

    Midcredits score: 76th percentile of all films

  • Cowboy(1958)

    Producer

    Midcredits score: 70th percentile of all films

  • Storm Center (not in the MovieCove catalog yet)(1956)

    Producer

  • The Racers (not in the MovieCove catalog yet)(1955)

    Producer

  • Désirée(1954)

    Producer

    Midcredits score: 55th percentile of all films

  • The Outcasts of Poker Flat (not in the MovieCove catalog yet)(1952)

    Producer

  • Don't Bother to Knock(1952)

    Producer

    Midcredits score: 75th percentile of all films

  • The Day the Earth Stood Still(1951)

    Producer

    Midcredits score: 95th percentile of all films

  • The Guy Who Came Back(1951)

    Producer

    Midcredits score: 39th percentile of all films

  • Take Care of My Little Girl(1951)

    Producer

    Midcredits score: 47th percentile of all films

  • Half Angel(1951)

    Producer

    Midcredits score: 36th percentile of all films

  • Mister 880(1950)

    Producer

    Midcredits score: 83rd percentile of all films

  • Broken Arrow(1950)

    Producer

    Midcredits score: 83rd percentile of all films

  • The Noose Hangs High(1948)

    Story

    Midcredits score: 74th percentile of all films

  • For Love or Money (not in the MovieCove catalog yet)(1939)

    Story

Career shape

A full career of 21 titles from 1939 to 1971.

Biggest box office

The Beguiled (1971)

$1.1M worldwide

Highest rated

The Day the Earth Stood Still (1951)

Midcredits 95th

By role

only this rolewith another role
Writing2 of 21: 2 only writing, 0 with another roleProducing19 of 21: 19 only producing, 0 with another role · typical Midcredits score72nd

By decade

1930s1 · crew1940s1 · crew1950s14 · crew1960s4 · crew1970s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Julian Blaustein's films land?

Their typical MovieCove film has a Midcredits score in the 74th percentile, the median of all 15; across their 14 films with reception data, the typical film sits in the 71st percentile for acclaim.

Acclaim · how much people like their films

71stpercentile
Typical film, the median of 14

Approval · how many liked their films

75thpercentile
Typical film, the median of 14

Reach · how many have seen their films

72ndpercentile
Typical film, the median of 14

Midcredits score across 15 titles, by percentile

  • 75th and up6
  • 50th to 74th6
  • 25th to 49th3

Shape of the crowd

None of their 15 titles divides audiences: 12 are Crowd Pleasers.

  • Universally Loved1
  • Crowd Pleaser12
  • Mixed2

Most loved · producer

The Day the Earth Stood Still (1951)

Midcredits 95th · 84% liked

Reviewers score the dialogue 58/100 and the plot and story 54/100 in their films, across 14 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Julian Blaustein's work okay for kids?

Across a limited sample of up to 3 MovieCove titles with content scores.

Their medianMedian of all films
Sex & Nudity3 titlesmedian 12 · minimalMedian of all films: 32

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Julian Blaustein work with?

People who share at least 2 of Julian Blaustein's MovieCove titles, grouped by what they did on them; Daniel Taradash shares the most, 4.

Directors

Writers

Actors

Composers, cinematographers and editors