Lisa Blok-Linson

What are Lisa Blok-Linson's films like?

Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Self and Survival.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Lisa Blok-Linson's films?

As of October 24, 2026, 8 of their 10 MovieCove titles stream on a subscription or free service, most on The Criterion Channel (3).

• The Criterion Channel3 titles, browse their movies on this service
  • The Beaches of Agnès (2008) · producer
  • Leningrad Cowboys Go America (1989) · production manager
  • Documenteur (1981) · actor
• Disney+1 title, browse their movies on this service
  • Predator 2 (1990) · location manager
• MGM+1 title, browse their movies on this service
  • Clockstoppers (2002) · location manager
• Pluto TV1 title, browse their movies on this service
  • Clockstoppers (2002) · location manager · free
• Tubi1 title, browse their movies on this service
  • Kindergarten Cop (1990) · location manager · free

Subscription and free streaming for Lisa Blok-Linson's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

13 credits, 10 with a MovieCove page.

• 

  Americano(2011)

  Executive Producer

  Midcredits score: 21st percentile of all films21^st
• 

  The Beaches of Agnès(2008)

  Line Producer

  Midcredits score: 98th percentile of all films98^th
• 

  Bad Santa(2003)

  Location Manager

  Midcredits score: 78th percentile of all films78^th
• 

  Clockstoppers(2002)

  Location Manager

  Midcredits score: 19th percentile of all films19^th
• 

  Mercury Rising(1998)

  Location Manager

  Midcredits score: 41st percentile of all films41^st
• 

  Memoirs of an Invisible Man(1992)

  Location Manager

  Midcredits score: 36th percentile of all films36^th
• 

  Kindergarten Cop(1990)

  Location Manager

  Midcredits score: 54th percentile of all films54^th
• 

  Predator 2(1990)

  Location Manager

  Midcredits score: 50th percentile of all films50^th
• 

  Leningrad Cowboys Go America(1989)

  Production Manager

  Midcredits score: 84th percentile of all films84^th
• 

  Cha Cha Cha (not in the MovieCove catalog yet)(1989)

  Location Manager
• 

  Da Capo (not in the MovieCove catalog yet)(1985)

  Unit Manager
• 

  Documenteur(1981)

  as Lisa

  Midcredits score: 79th percentile of all films79^th
• 

  Mur Murs (not in the MovieCove catalog yet)(1982)

  Production Manager

Career shape

A full career of 13 titles from 1982 to 2011.

Biggest box office

The Beaches of Agnès (2008)

$2.2M worldwide

Highest rated

The Beaches of Agnès (2008)

Midcredits 98^th

How do Lisa Blok-Linson's films land?

Their typical MovieCove film has a Midcredits score in the 52^nd percentile, the median of all 10; across a limited sample of 3 films with reception data, the typical film sits in the 81^st percentile for acclaim.

Shape of the crowd

None of their 10 titles divides audiences: 5 are Crowd Pleasers.

522

• Universally Loved1
• Crowd Pleaser5
• Broadly Agreed2
• Mixed2

Most loved · producer

The Beaches of Agnès (2008)

Midcredits 98^th · 87% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Lisa Blok-Linson's work okay for kids?

Across a limited sample of up to 3 MovieCove titles with content scores.

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Lisa Blok-Linson work with?

People who share at least 2 of Lisa Blok-Linson's MovieCove titles, grouped by what they did on them; Agnès Varda shares the most, 3.