Jean-Baptiste Morin
Editor, also cinematographer
- Editor, also cinematographer
- 8 on MovieCove · 18 credits in all
What are Jean-Baptiste Morin's films like?
Across their 6 MovieCove titles with a thematic analysis, their films lean Self and Bonds.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 4
A split, not a type: Light 2 · Serious 0 · Dark 2
A split, not a type: Grounded 3 · Stylized 1 · Heightened 0
A split, not a type: Gentle 2 · Charged 1 · Intense 1
Steady 3 · Shifting 1 · Whiplash 0
Straight-faced 2 · Some laughs 2 · Funny 0
Slow burn 4 · Even-paced 0 · Relentless 0
Casual 1 · Engaged 3 · Full focus 0
A split, not a type: Easy watch 2 · Affecting 0 · Heavy 2
Resolved 1 · Open-ended 2 · Ambiguous 1
Moods and endings
- Bittersweet4
- Cyclical2
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Jean-Baptiste Morin's films?
As of October 24, 2026, 6 of their 8 MovieCove titles stream on a subscription or free service, most on Netflix (3).
Subscription and free streaming for Jean-Baptiste Morin's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
18 credits, 8 with a MovieCove page.
Ydessa, the Bears and etc. (not in the MovieCove catalog yet)(2026)
Néro: The Assassin(2025)
Midcredits score: 44th percentile of all shows
Mikado (not in the MovieCove catalog yet)(2024)
Along Came Love(2023)
Midcredits score: 65th percentile of all films
Off the Hook(2022)
Midcredits score: 25th percentile of all shows
Midcredits score: 42nd percentile of all films
Marseille(2016)
Midcredits score: 41st percentile of all shows
Americano(2011)
Midcredits score: 21st percentile of all films
Agnès Varda: From Here to There (not in the MovieCove catalog yet)(2011)
Agnès Tells a Sad and Happy Story (not in the MovieCove catalog yet)(2008)
The Beaches of Agnès(2008)
Midcredits score: 98th percentile of all films
Some Widows of Noirmoutier (not in the MovieCove catalog yet)(2006)
Cléo from 5 to 7: Remembrances and Anecdotes (not in the MovieCove catalog yet)(2005)
Cleo's Real Itinerary Through Paris (not in the MovieCove catalog yet)(2005)
The Vanishing Lion (not in the MovieCove catalog yet)(2003)
Vagabond: Remembrances, Interviews, Notes and Comments (not in the MovieCove catalog yet)(2003)
The Gleaners and I: Two Years Later (not in the MovieCove catalog yet)(2002)
The Gleaners & I(2000)
Midcredits score: 97th percentile of all films
Career shape
A full career of 17 titles from 2000 to 2026.
Biggest box office
The Beaches of Agnès (2008)
Highest rated
The Beaches of Agnès (2008)
Most popular right now
Néro: The Assassin (2025)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Jean-Baptiste Morin's films land?
Their typical MovieCove film has a Midcredits score in the 65th percentile, the median of all 5; across a limited sample of 4 films with reception data, the typical film sits in the 81st percentile for acclaim.
- 75th and up2
- 50th to 74th1
- 25th to 49th4
- Below 25th1
Shape of the crowd
None of their 8 titles divides audiences: 3 are Mixed.
- Universally Loved2
- Crowd Pleaser1
- Broadly Agreed2
- Mixed3
Reviewers score the pacing 40/100 in their films, across 4 reviewed titles; fans 53, detractors 27. The element that speaks to their work as an editor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Jean-Baptiste Morin's work okay for kids?
Across a limited sample of up to 3 MovieCove titles with content scores.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.
Who does Jean-Baptiste Morin work with?
People who share at least 2 of Jean-Baptiste Morin's MovieCove titles, grouped by what they did on them; Agnès Varda shares the most, 3.
Directors
- Agnès VardaShared titles: Americano (2011), The Beaches of Agnès (2008), The Gleaners & I (2000)See all 3 shared titles with Agnès Varda
Composers
- Joanna BruzdowiczShared titles: The Beaches of Agnès (2008), The Gleaners & I (2000)See all 2 shared titles with Joanna Bruzdowicz
Producers
- Lisa Blok-LinsonShared titles: Americano (2011), The Beaches of Agnès (2008)See all 2 shared titles with Lisa Blok-Linson
Mixed roles
- Didier RougetShared titles: The Beaches of Agnès (2008), The Gleaners & I (2000)See all 2 shared titles with Didier Rouget