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George Boemler

Editor · Died June 11, 1968, aged 66

Born
March 5, 1902
Died
June 11, 1968 (aged 66)
Works as
Editor
Titles
41 on MovieCove · 58 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 38 days to Oct 27Up 10% in 30 days

What are George Boemler's films like?

Across their 38 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.

Genres

Drama15 titlesTypical Midcredits score: 74th percentile, at or above their average across these genres
: browse their Drama movies
Comedy10 titlesTypical Midcredits score: 55th percentile
: browse their Comedy movies
Adventure4 titlesTypical Midcredits score: 61st percentile
: browse their Adventure movies
Biography4 titlesTypical Midcredits score: 67th percentile, at or above their average across these genres
: browse their Biography movies
Crime3 titlesTypical Midcredits score: 68th percentile, at or above their average across these genres
: browse their Crime movies
Action2 titlesTypical Midcredits score: 62nd percentile
: browse their Action movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Bonds
44%
Morality
21%
Self
16%
Survival
7%
Power
6%
Society
4%
Ideas
1%
Romantic love18 titles, browse their movies with this themeFamily bonds9 titles, browse their movies with this themeMarriage6 titles, browse their movies with this themeJustice5 titles, browse their movies with this themeIdentity5 titles, browse their movies with this themeClass5 titles, browse their movies with this themeDuty5 titles, browse their movies with this themeDeception5 titles, browse their movies with this theme

What they feel like to watch

their average across 38 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 20 · Serious 8 · Dark 10

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

A split, not a type: Grounded 23 · Stylized 13 · Heightened 2

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 15 · Charged 16 · Intense 7

Steady: How much it swings between very different feelings. Browse their steady movies.
Feel · Swings
steadyswings

Steady 28 · Shifting 7 · Whiplash 3

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

A split, not a type: Straight-faced 17 · Some laughs 13 · Funny 8

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 17 · Even-paced 21 · Relentless 0

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

Casual 21 · Engaged 16 · Full focus 1

Affecting: How much it costs you emotionally; whether you need recovery time. Browse their affecting movies.
Demand · Emotional cost
easyheavy

A split, not a type: Easy watch 18 · Affecting 16 · Heavy 4

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 33 · Open-ended 5 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
17
Warm
15
Romantic
16
Joyful
11
Melancholic
13
Other
28

How their films linger

Feel-good19 titles, browse their movies with this aftertasteHopeful15 titles, browse their movies with this aftertasteBittersweet11 titles, browse their movies with this aftertasteRousing10 titles, browse their movies with this aftertasteFun9 titles, browse their movies with this aftertasteDevastating4 titles, browse their movies with this aftertaste

How their films end · 4 with a twist

  • Happy21
  • Bittersweet14
  • Tragic3

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch George Boemler's films?

As of October 24, 2026, 8 of their 41 MovieCove titles stream on a subscription or free service, most on Tubi (6).

Also on these channels

Subscription and free streaming for George Boemler's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

58 credits, 41 with a MovieCove page.

  • Rowan & Martin at the Movies (not in the MovieCove catalog yet)(1968)

    Editor

  • Five Weeks in a Balloon(1962)

    Editor

    Midcredits score: 32nd percentile of all films

  • Voyage to the Bottom of the Sea(1961)

    Editor

    Midcredits score: 41st percentile of all films

  • Sunrise at Campobello(1960)

    Editor

    Midcredits score: 73rd percentile of all films

  • Pork Chop Hill(1959)

    Editor

    Midcredits score: 82nd percentile of all films

  • Separate Tables(1958)

    Editor

    Midcredits score: 87th percentile of all films

  • Run Silent Run Deep(1958)

    Editor

    Midcredits score: 90th percentile of all films

  • Desire Under the Elms(1958)

    Editor

    Midcredits score: 64th percentile of all films

  • This Could Be the Night(1957)

    Editor

    Midcredits score: 67th percentile of all films

  • Slander (not in the MovieCove catalog yet)(1957)

    Editor

  • The Power and the Prize(1956)

    Editor

    Midcredits score: 41st percentile of all films

  • Bhowani Junction(1956)

    Editor

    Midcredits score: 55th percentile of all films

  • Oklahoma!(1955)

    Editor

    Midcredits score: 78th percentile of all films

  • Her Twelve Men (not in the MovieCove catalog yet)(1954)

    Editor

  • Escape from Fort Bravo(1953)

    Editor

    Midcredits score: 66th percentile of all films

  • The Actress(1953)

    Editor

    Midcredits score: 58th percentile of all films

  • Battle Circus(1953)

    Editor

    Midcredits score: 43rd percentile of all films

  • The Prisoner of Zenda(1952)

    Editor

    Midcredits score: 80th percentile of all films

  • Pat and Mike(1952)

    Editor

    Midcredits score: 77th percentile of all films

  • Love Is Better Than Ever(1952)

    Editor

    Midcredits score: 29th percentile of all films

  • Invitation(1952)

    Editor

    Midcredits score: 74th percentile of all films

  • The Light Touch (not in the MovieCove catalog yet)(1951)

    Editor

  • Kim(1950)

    Editor

    Midcredits score: 67th percentile of all films

  • The Asphalt Jungle(1950)

    Editor

    Midcredits score: 97th percentile of all films

  • Adam's Rib(1949)

    Editor

    Midcredits score: 93rd percentile of all films

  • Big Jack (not in the MovieCove catalog yet)(1949)

    Editor

  • The Three Musketeers(1948)

    Editor

    Midcredits score: 83rd percentile of all films

  • The Bride Goes Wild(1948)

    Editor

    Midcredits score: 50th percentile of all films

  • Tenth Avenue Angel (not in the MovieCove catalog yet)(1948)

    Editor

  • The Beginning or the End(1947)

    Editor

    Midcredits score: 60th percentile of all films

  • Her Highness and the Bellboy(1945)

    Editor

    Midcredits score: 59th percentile of all films

  • Thrill of a Romance(1945)

    Editor

    Midcredits score: 58th percentile of all films

  • Mrs. Parkington(1944)

    Editor

    Midcredits score: 78th percentile of all films

  • Two Girls and a Sailor(1944)

    Editor

    Midcredits score: 64th percentile of all films

  • Thousands Cheer(1943)

    Editor

    Midcredits score: 49th percentile of all films

  • Stand by for Action(1942)

    Editor

    Midcredits score: 69th percentile of all films

  • Crossroads(1942)

    Editor

    Midcredits score: 68th percentile of all films

  • Fingers at the Window(1942)

    Editor

    Midcredits score: 50th percentile of all films

  • We Were Dancing(1942)

    Editor

    Midcredits score: 44th percentile of all films

  • Two-Faced Woman(1941)

    Editor

    Midcredits score: 49th percentile of all films

  • Blossoms in the Dust(1941)

    Editor

    Midcredits score: 74th percentile of all films

  • Escape (not in the MovieCove catalog yet)(1940)

    Editor

  • Waterloo Bridge(1940)

    Editor

    Midcredits score: 96th percentile of all films

  • I Take This Woman(1940)

    Editor

    Midcredits score: 55th percentile of all films

  • Balalaika(1939)

    Editor

    Midcredits score: 44th percentile of all films

  • On Borrowed Time(1939)

    Editor

    Midcredits score: 94th percentile of all films

  • Four Girls in White (not in the MovieCove catalog yet)(1939)

    Editor

  • A Christmas Carol(1938)

    Editor

    Midcredits score: 91st percentile of all films

  • The Chaser (not in the MovieCove catalog yet)(1938)

    Editor

  • Man-Proof (not in the MovieCove catalog yet)(1938)

    Editor

  • The Women Men Marry (not in the MovieCove catalog yet)(1937)

    Editor

  • A Family Affair (not in the MovieCove catalog yet)(1937)

    Editor

  • Mama Steps Out (not in the MovieCove catalog yet)(1937)

    Editor

  • Mad Holiday (not in the MovieCove catalog yet)(1936)

    Editor

  • Suzy (not in the MovieCove catalog yet)(1936)

    Editor

  • The Voice of Bugle Ann (not in the MovieCove catalog yet)(1936)

    Editor

  • Pursuit (not in the MovieCove catalog yet)(1935)

    Editor

  • Hollywood Party(1934)

    Editor

    Midcredits score: 40th percentile of all films

Career shape

A full career of 57 titles from 1934 to 1968.

Biggest box office

Waterloo Bridge (1940)

$31K worldwide

Highest rated

The Asphalt Jungle (1950)

Midcredits 97th

Most popular right now

Waterloo Bridge (1940)

By role

only this rolewith another role
Editing57 of 57: 57 only editing, 0 with another role · typical Midcredits score67th

By decade

1930s14 · crew1940s19 · crew1950s20 · crew1960s4 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do George Boemler's films land?

Their typical MovieCove film has a Midcredits score in the 66th percentile, the median of all 41; across their 38 films with reception data, the typical film sits in the 65th percentile for acclaim.

Acclaim · how much people like their films

65thpercentile
Typical film, the median of 38

Approval · how many liked their films

65thpercentile
Typical film, the median of 38

Reach · how many have seen their films

60thpercentile
Typical film, the median of 38

Midcredits score across 41 titles, by percentile

  • 75th and up13
  • 50th to 74th18
  • 25th to 49th10

Shape of the crowd

None of their 41 titles divides audiences: 27 are Crowd Pleasers.

  • Universally Loved6
  • Crowd Pleaser27
  • Broadly Agreed4
  • Mixed4

Most loved · editor

The Asphalt Jungle (1950)

Midcredits 97th · 87% liked

Reviewers score the pacing 48/100 in their films, across 38 reviewed titles; fans 55, detractors 34. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is George Boemler's work okay for kids?

Across up to 5 MovieCove titles with content scores, sex & nudity runs lighter than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore4 titlesmedian 27 · mildMedian of all films: 44
Sex & Nudity5 titles2–16 · median 6 · minimallighter than most filmsMedian of all films: 32
Profanity3 titlesmedian 0 · minimalMedian of all films: 36
Alcohol & Drugs4 titlesmedian 26 · mildMedian of all films: 33
Frightening / Intense3 titlesmedian 33 · mildMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does George Boemler work with?

People who share at least 2 of George Boemler's MovieCove titles, grouped by what they did on them; Bronislau Kaper shares the most, 8.

Directors

Writers

Actors

Composers and cinematographers

Producers

Mixed roles