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What are Francisco Bojórquez's films like?

Across their 7 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.

Genres

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

What they feel like to watch

their average across 7 films
ToneFeelDemandtheir average · filled zone: the category

Grounded 6 · Stylized 1 · Heightened 0

A split, not a type: Gentle 2 · Charged 2 · Intense 3

Steady 3 · Shifting 3 · Whiplash 1

Straight-faced 5 · Some laughs 1 · Funny 1

Slow burn 2 · Even-paced 5 · Relentless 0

A split, not a type: Casual 3 · Engaged 4 · Full focus 0

Resolved 6 · Open-ended 1 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Melancholic
5
Tense
3
Hopeful
2
Thrilling
2
Warm
2
Other
3

How their films end · 1 with a twist

  • Happy1
  • Bittersweet5
  • Ambiguous1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Francisco Bojórquez's films?

As of October 24, 2026, 5 of their 7 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Francisco Bojórquez's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

7 credits, 7 with a MovieCove page.

  • Crimen perfecto(1995)

    Cinematographer

    Midcredits score: 53rd percentile of all films (provisional, few ratings)
  • Ya la hicimos(1994)

    Cinematographer

    Midcredits score: 40th percentile of all films (provisional, few ratings)
  • La noche del fugitivo(1991)

    Cinematographer

  • Midcredits score: 4th percentile of all films
  • Las glorias del gran Púas(1984)

    Cinematographer

    Midcredits score: 23rd percentile of all films (provisional, few ratings)
  • Es mi vida(1982)

    Cinematographer

    Midcredits score: 39th percentile of all films (provisional, few ratings)
  • Savage Summer(1980)

    Cinematographer

    Midcredits score: 21st percentile of all films (provisional, few ratings)

Career shape

Across their 7 MovieCove titles from 1980 to 1995.

By role

only this rolewith another role
Cinematography7 of 7: 7 only cinematography, 0 with another role · typical Midcredits score31st

By decade

1980s3 · crew1990s4 · crew

Counts over their MovieCove titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.

How do Francisco Bojórquez's films land?

Their typical MovieCove film has a Midcredits score in the 31st percentile, the median of the 6 of 7 with a score; across their 7 films with reception data, the typical film sits in the 22nd percentile for acclaim.

Acclaim · how much people like their films

22ndpercentile
Typical film, the median of 7

Approval · how many liked their films

40thpercentile
Typical film, the median of 7

Reach · how many have seen their films

9thpercentile
Typical film, the median of 7

Midcredits score across 6 titles, by percentile

  • 50th to 74th1
  • 25th to 49th2
  • Below 25th3

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Francisco Bojórquez work with?

People who share at least 2 of Francisco Bojórquez's MovieCove titles, grouped by what they did on them; Rafael Montero shares the most, 2.

Directors

Composers

Producers