Edgar Sosa
- Composer
- 3 on MovieCove
What are Edgar Sosa's films like?
Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Bonds and Survival.
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 3
Light 2 · Serious 0 · Dark 1
Grounded 2 · Stylized 1 · Heightened 0
Gentle 1 · Charged 1 · Intense 1
Steady 1 · Shifting 2 · Whiplash 0
Straight-faced 1 · Some laughs 2 · Funny 0
Slow burn 0 · Even-paced 3 · Relentless 0
Casual 2 · Engaged 1 · Full focus 0
A split, not a type: Easy watch 2 · Affecting 0 · Heavy 1
Resolved 2 · Open-ended 1 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Edgar Sosa's films?
As of October 24, 2026, all 3 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Edgar Sosa's titles on MovieCove; rent and buy are not counted.
Filmography
3 credits, 3 with a MovieCove page.
Crimen perfecto(1995)
Midcredits score: 53rd percentile of all films (provisional, few ratings)
Ya la hicimos(1994)
Midcredits score: 40th percentile of all films (provisional, few ratings)
Cambiando el destino(1992)
Midcredits score: 21st percentile of all films (provisional, few ratings)
Career shape
Across a limited sample of 3 MovieCove titles from 1992 to 1995.
Counts over their MovieCove titles; a title counts in every role they held on it.
How do Edgar Sosa's films land?
Their typical MovieCove film has a Midcredits score in the 40th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 36th percentile for acclaim.
- 50th to 74th1
- 25th to 49th1
- Below 25th1
Shape of the crowd
2 of their 3 titles are Cult Classics.
- Cult Classic2
- Mixed1
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Edgar Sosa work with?
People who share at least 2 of Edgar Sosa's MovieCove titles, grouped by what they did on them; Gabriela Obregón shares the most, 3.
Directors
- Rafael MonteroShared titles: Crimen perfecto (1995), Ya la hicimos (1994)See all 2 shared titles with Rafael Montero
Cinematographers
- Francisco BojórquezShared titles: Crimen perfecto (1995), Ya la hicimos (1994)See all 2 shared titles with Francisco Bojórquez
Producers
- Gabriela ObregónShared titles: Crimen perfecto (1995), Ya la hicimos (1994), Cambiando el destino (1992)See all 3 shared titles with Gabriela Obregón