
Paul Bonifas
Actor · Died November 9, 1975, aged 73 · Paris, France
Paul Bonifas (3 June 1902 – 9 November 1975) was a French actor, born in Paris. In the 1920s, while working for the French customs service, Bonifas took classes in acting at the Conservatoire de Paris in his spare time. He left with the first prize for comedy, which allowed him to join the Odéon Theatre in 1933, then the Comédie-Française in 1938. He made his first film appearance in 1935 in a version of Dostoyevsky's Crime and Punishment, directed by Pierre Chenal. During World War II he served as a lieutenant in the artillery, was badly wounded, and evacuated from Dunkirk with his unit. In London he joined the Free French, and worked for Radio Londres broadcasting to occupied France. In 1942 he appeared in the film The Foreman Went to France. In 1943 he formed "The Molière Players", who staged a repertoire of mainly Molière works in London theatres, as well as in regional towns and at French army barracks. He came to the Comedy Theatre, London with Théâtre Molierè in 1943 and 1944, performing in L'Anglais Tel Qu'on Le Parle, Le Malade Imaginaire, Gringoire, Le Misanthrope et L'Auvergnat, Les Femmes Savantes, Le Paquebot Tenacity, La Testament Du Pere Leleu and L'Extra. His Company included Andre Frere, Georges Rex, Suzette Marquis, Elma Soiron and Paul Clarus. In 1944 "The Molière Players" appeared in the short film Aventure malgache directed by Alfred Hitchcock. This was written by, and based on the experiences of, Jules Francois Clermont, an actor in Bonifas' troupe working under the name of Paul Clarus, who had operated an illegal radio station Madagascar Libre in Madagascar while the island was under Vichy control. Bonifas then appeared in a number of other British films, including Two Fathers with Bernard Miles, directed by Anthony Asquith, and had minor roles in the musicals Heaven Is Round the Corner and Champagne Charlie, the action adventure film The Man from Morocco, the comedy-drama Johnny Frenchman and the horror film Dead of Night. Bonifas returned to France in 1946 and resumed his career in theatre, specializing in comedy, but also taking dramatic roles. His later film career included appearances in Trapeze (1956), The Hunchback of Notre Dame (1956), Fanny (1961), Charade (1963), Greed in the Sun (1964), The Train (1964), Is Paris Burning? (1966), Triple Cross (1966), and The Return of the Tall Blond Man with One Black Shoe (1974). Bonifas died on 9 November 1975 at Vernouillet, Yvelines, France. Source: Article "Paul Bonifas" from Wikipedia in English, licensed under CC-BY-SA.
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Biography from TMDB.
- June 3, 1902
- November 9, 1975 (aged 73)
- Paris, France
- Actor
- 25 on MovieCove · 80 credits in all
What are Paul Bonifas' films like?
Across their 10 MovieCove titles with a thematic analysis, their films lean Bonds and Self.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 10
Light 5 · Serious 5 · Dark 0
Grounded 3 · Stylized 6 · Heightened 1
Gentle 2 · Charged 7 · Intense 1
Steady 5 · Shifting 5 · Whiplash 0
A split, not a type: Straight-faced 6 · Some laughs 2 · Funny 2
Slow burn 5 · Even-paced 5 · Relentless 0
Casual 7 · Engaged 3 · Full focus 0
Easy watch 5 · Affecting 5 · Heavy 0
Resolved 7 · Open-ended 2 · Ambiguous 1
Moods and endings
- Happy7
- Bittersweet1
- Tragic1
- Ambiguous1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Paul Bonifas' films?
As of October 24, 2026, 13 of their 25 MovieCove titles stream on a subscription or free service, most on Tubi (9).
Subscription and free streaming for Paul Bonifas' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
80 credits, 25 with a MovieCove page.

Le Père Amable (not in the MovieCove catalog yet)(1975)

Rosebud(1975)
Midcredits score: 18th percentile of all films
The Common Man (not in the MovieCove catalog yet)(1975)

Antigone (not in the MovieCove catalog yet)(1974)
Midcredits score: 66th percentile of all films
The Last Train(1973)
Midcredits score: 78th percentile of all films
La Duchesse d'Avila (not in the MovieCove catalog yet)(1973)

Love Me Strangely (not in the MovieCove catalog yet)(1971)

Cold Sweat(1970)
Midcredits score: 29th percentile of all films
An Artistic Couple (not in the MovieCove catalog yet)(1970)

The Horse (not in the MovieCove catalog yet)(1970)

Maurin des Maures (not in the MovieCove catalog yet)(1970)

The Christmas Tree(1969)
Midcredits score: 63rd percentile of all films
Secret World(1969)
Midcredits score: 29th percentile of all films
La Séparation (not in the MovieCove catalog yet)(1968)

Les Dossiers de l'Agence O (not in the MovieCove catalog yet)(1968)

Triple Cross(1966)
Midcredits score: 50th percentile of all films
Midcredits score: 76th percentile of all films
At Theatre Tonight (not in the MovieCove catalog yet)(1966)

Illusions perdues (not in the MovieCove catalog yet)(1966)

The Sleeping Sentinel (not in the MovieCove catalog yet)(1966)

Le Naïf amoureux (not in the MovieCove catalog yet)(1965)

Lucky Jo (not in the MovieCove catalog yet)(1964)

The Train(1964)
Midcredits score: 97th percentile of all films
Greed in the Sun(1964)
Midcredits score: 85th percentile of all films
Jeff Gordon, Secret Agent (not in the MovieCove catalog yet)(1964)

Bayard (not in the MovieCove catalog yet)(1964)

Charade(1963)
Midcredits score: 98th percentile of all films
La parole est au témoin (not in the MovieCove catalog yet)(1963)

The Depths (not in the MovieCove catalog yet)(1963)

The Trip to Biarritz (not in the MovieCove catalog yet)(1963)

Sundays and Cybèle(1962)
Midcredits score: 96th percentile of all filmsLes Célibataires (not in the MovieCove catalog yet)(1962)

Keep Talking, Baby (not in the MovieCove catalog yet)(1961)
Midcredits score: 41st percentile of all films
Fanny(1961)
Midcredits score: 68th percentile of all films
Goodbye Again(1961)
Midcredits score: 83rd percentile of all films
The Truth(1960)
Midcredits score: 96th percentile of all films
The Enemy General(1960)
Midcredits score: 19th percentile of all films
The Gigolo (not in the MovieCove catalog yet)(1960)

Love and the Frenchwoman(1960)
Midcredits score: 34th percentile of all films
The Female(1958)
Midcredits score: 27th percentile of all films
A Legitimate Defense (not in the MovieCove catalog yet)(1958)

Les Misérables(1958)
Midcredits score: 89th percentile of all films
Sinners of Paris (not in the MovieCove catalog yet)(1958)

Mademoiselle and Her Gang (not in the MovieCove catalog yet)(1957)

Love in the Afternoon(1957)
Midcredits score: 85th percentile of all films
The Case of Dr. Laurent (not in the MovieCove catalog yet)(1957)
Midcredits score: 68th percentile of all films
The Terror with Women (not in the MovieCove catalog yet)(1956)

Frou-Frou (not in the MovieCove catalog yet)(1955)

Sherlock Holmes (not in the MovieCove catalog yet)(1954)

Their Last Night (not in the MovieCove catalog yet)(1953)

Lettre ouverte (not in the MovieCove catalog yet)(1953)

Holiday for Henrietta(1952)
Midcredits score: 80th percentile of all films
Ils sont dans les vignes... (not in the MovieCove catalog yet)(1952)

Piédalu fait des miracles (not in the MovieCove catalog yet)(1952)

Dans la vie tout s'arrange (not in the MovieCove catalog yet)(1952)

The Green Glove(1952)
Midcredits score: 46th percentile of all films
The Truth About Bebe Donge (not in the MovieCove catalog yet)(1952)

Duel à Dakar (not in the MovieCove catalog yet)(1951)

Schlitz Playhouse of Stars (not in the MovieCove catalog yet)(1951)

Amazing Monsieur Fabre (not in the MovieCove catalog yet)(1951)

Pardon My French (not in the MovieCove catalog yet)(1951)

Clara de Montargis (not in the MovieCove catalog yet)(1951)

Juliette, or Key of Dreams (not in the MovieCove catalog yet)(1951)

Bedelia (not in the MovieCove catalog yet)(1946)

Lisbon Story (not in the MovieCove catalog yet)(1946)

Johnny Frenchman (not in the MovieCove catalog yet)(1945)

Dead of Night(1945)
Midcredits score: 91st percentile of all films
The Man from Morocco (not in the MovieCove catalog yet)(1945)

Champagne Charlie (not in the MovieCove catalog yet)(1944)

English Without Tears (not in the MovieCove catalog yet)(1944)

Candlelight in Algeria (not in the MovieCove catalog yet)(1944)
Two Fathers (not in the MovieCove catalog yet)(1944)

Aventure Malgache (not in the MovieCove catalog yet)(1944)

The Foreman Went to France (not in the MovieCove catalog yet)(1942)

Maxim's Porter (not in the MovieCove catalog yet)(1939)

The Five Cents of Lavarede (not in the MovieCove catalog yet)(1939)

Crime and Punishment (not in the MovieCove catalog yet)(1935)
Career shape
Star power in the 95th percentile of 239,109 people with a billed film role, over a full career of 80 titles from 1935 to 1975; peak year 1963.
Film career
Peak 1963 · back in prominent film roles after a quiet stretch. Film roles by billing, audience size and rating; 25+ votes. A show carries a single first-air date, so shows are not on the curve.
- 1944Screen debut· Aventure Malgache
- 1944First top-billed film· Aventure Malgache
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored. Billing is TMDB cast order for roles with 25+ votes, billed in the top 30; the columns are the share of top-billed roles in each era, 5-year spans from the year on the label, merged until each holds at least 5 roles.
How do Paul Bonifas' films land?
Their typical MovieCove film has a Midcredits score in the 68th percentile, the median of all 25; across their 10 films with reception data, the typical film sits in the 55th percentile for acclaim.
- 75th and up12
- 50th to 74th5
- 25th to 49th6
- Below 25th2
Shape of the crowd
None of their 25 titles divides audiences: 12 are Crowd Pleasers.
- Universally Loved5
- Crowd Pleaser12
- Broadly Agreed4
- Mixed4
Reviewers score the acting 68/100 in their films, across 9 reviewed titles; fans 76, detractors 41. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Paul Bonifas' work okay for kids?
Across a limited sample of up to 3 MovieCove titles with content scores.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.
Who does Paul Bonifas work with?
People who share at least 2 of Paul Bonifas' MovieCove titles, grouped by what they did on them; Audrey Hepburn shares the most, 2.
Actors
- Audrey HepburnShared titles: Charade (1963), Love in the Afternoon (1957)See all 2 shared titles with Audrey Hepburn

- Jacques MarinShared titles: Charade (1963), The Enemy General (1960)See all 2 shared titles with Jacques Marin

- Daniel IvernelShared titles: Sundays and Cybèle (1962), The Female (1958)See all 2 shared titles with Daniel Ivernel

Cinematographers and editors
- Marcel GrignonShared titles: Greed in the Sun (1964), The Miracle of the Wolves (1961)See all 2 shared titles with Marcel Grignon
- Léonide AzarShared titles: Sundays and Cybèle (1962), Love in the Afternoon (1957)See all 2 shared titles with Léonide Azar
Producers
- Alain PoiréShared titles: The Return of the Tall Blond Man (1974), Greed in the Sun (1964)See all 2 shared titles with Alain Poiré




