
Daniel Ivernel
Actor · Died November 11, 1999, aged 81 · Versailles, Yvelines, France
From his real name Jacques, Daniel Ivernel married the actress and playwright Christiane Lasquin. He is the older brother of director Victor Ivernel. Coming from a family of traders, he is raised by his grandmother, in the locality of Chaumont-en-Vexin (Oise). This is where he attends a performance of the "Bells of Corneville" by a troupe of traveling theater. Subjugated, the young boy spends the whole evening with these people of the trip and will tell later that, from this memory, was born his vocation. A theater actor with a perfect diction, Daniel Ivernel debuted at the cinema in 1946 in a film by Louis Cuny, "Le Beau voyage". But it was with the director Julien Duvivier who made him known with "Sous le Ciel de Paris". Duvivier will turn it in "La Fête à Henriette", "La Femme et le Pantin" and "Marie-Octobre". His last film "Judge Fayard" (Yves Boisset) dates from 1977. Then he took care of being a theater teacher until his suicide on November 11, 1999 at 79 years.
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Biography from IMDb.
- June 3, 1918
- November 11, 1999 (aged 81)
- Versailles, Yvelines, France
- Actor
- 17 on MovieCove · 48 credits in all
What are Daniel Ivernel's films like?
Across their 12 MovieCove titles with a thematic analysis, their films lean Power and Morality.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 1 · Wry 1 · Earnest 9
A split, not a type: Light 3 · Serious 3 · Dark 6
A split, not a type: Grounded 6 · Stylized 4 · Heightened 2
A split, not a type: Gentle 0 · Charged 5 · Intense 7
Steady 5 · Shifting 6 · Whiplash 1
Straight-faced 9 · Some laughs 2 · Funny 1
Slow burn 5 · Even-paced 6 · Relentless 1
Casual 4 · Engaged 6 · Full focus 2
Easy watch 3 · Affecting 7 · Heavy 2
Resolved 9 · Open-ended 2 · Ambiguous 1
Roles they play
- Allyas Polites in Ulysses (1954)
Moods and endings
- Happy4
- Bittersweet3
- Tragic4
- Cyclical1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Daniel Ivernel's films?
As of October 24, 2026, 3 of their 17 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Daniel Ivernel's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
48 credits, 17 with a MovieCove page; 1 appearance as themselves is hidden until asked for.
Midcredits score: 86th percentile of all films
Body of My Enemy(1976)
Midcredits score: 69th percentile of all films
One Must Live Dangerously (not in the MovieCove catalog yet)(1975)

Borsalino and Co.(1974)
Midcredits score: 51st percentile of all films
Midcredits score: 49th percentile of all films
The Dominici Affair (not in the MovieCove catalog yet)(1973)

The French Conspiracy(1972)
Midcredits score: 74th percentile of all films
Scoundrel in White (not in the MovieCove catalog yet)(1972)

Cops Is Cops(1972)
Midcredits score: 47th percentile of all films
Angel's Leap(1971)
Midcredits score: 48th percentile of all films
Borsalino(1970)
Midcredits score: 78th percentile of all films
Pillaged (not in the MovieCove catalog yet)(1967)

The Man from Marrakech (not in the MovieCove catalog yet)(1966)

Paris in August(1966)
Midcredits score: 69th percentile of all filmsThe Straight Line (not in the MovieCove catalog yet)(1964)

Daggers Drawn (not in the MovieCove catalog yet)(1964)

Diary of a Chambermaid(1964)
Midcredits score: 90th percentile of all films
Un cas intéressant (not in the MovieCove catalog yet)(1963)

Mandrin (not in the MovieCove catalog yet)(1962)

Sundays and Cybèle(1962)
Midcredits score: 96th percentile of all films
La pendule à Salomon (not in the MovieCove catalog yet)(1961)

Over the Wall (not in the MovieCove catalog yet)(1961)

Long Live Henry IV... Long Live Love! (not in the MovieCove catalog yet)(1961)

Marie-Octobre(1959)
Midcredits score: 93rd percentile of all films
Britannicus (not in the MovieCove catalog yet)(1959)

The Female(1958)
Midcredits score: 27th percentile of all films
Les Cinq Dernières Minutes (not in the MovieCove catalog yet)(1958)

The Sea and the Days (not in the MovieCove catalog yet)(1958)

S.O.S. Noronha (not in the MovieCove catalog yet)(1957)

Napoleon(1955)
Midcredits score: 50th percentile of all films
Madame du Barry (not in the MovieCove catalog yet)(1954)

Ulysses(1954)
Midcredits score: 70th percentile of all films
Daughters of Destiny (not in the MovieCove catalog yet)(1954)

The Count of Monte Cristo (not in the MovieCove catalog yet)(1954)

Stain on the Snow (not in the MovieCove catalog yet)(1953)

Holiday for Henrietta(1952)
Midcredits score: 80th percentile of all films
Rayés des vivants (not in the MovieCove catalog yet)(1952)

Smuggler's Ball (not in the MovieCove catalog yet)(1952)

The Passerby (not in the MovieCove catalog yet)(1951)

Under the Paris Sky (not in the MovieCove catalog yet)(1951)

God Needs Men (not in the MovieCove catalog yet)(1950)

No More Vacation for the Good Lord (not in the MovieCove catalog yet)(1950)

Sorceror (not in the MovieCove catalog yet)(1950)

Manon(1949)
Midcredits score: 72nd percentile of all films
The Wizard of Heaven (not in the MovieCove catalog yet)(1949)

In the Eyes of Memory (not in the MovieCove catalog yet)(1948)

Criminal Brigade (not in the MovieCove catalog yet)(1947)

The Beautiful Trip (not in the MovieCove catalog yet)(1947)
Career shape
Star power in the 94th percentile of 239,109 people with a billed film role, over a full career of 48 titles from 1947 to 1977; peak year 1973.

Biggest box office
The Female (1958)

Highest rated
Sundays and Cybèle (1962)

Most popular right now
Ulysses (1954)
Film career
Peak 1973 · steadily prominent in film for years. Film roles by billing, audience size and rating; 25+ votes. A show carries a single first-air date, so shows are not on the curve.
- 1954Screen debut· The Count of Monte Cristo
- 1974Career best· Borsalino and Co.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored. Billing is TMDB cast order for roles with 25+ votes, billed in the top 30; the columns are the share of top-billed roles in each era, 5-year spans from the year on the label, merged until each holds at least 5 roles.
How do Daniel Ivernel's films land?
Their typical MovieCove film has a Midcredits score in the 70th percentile, the median of all 17; across their 12 films with reception data, the typical film sits in the 70th percentile for acclaim.
- 75th and up6
- 50th to 74th7
- 25th to 49th4
Shape of the crowd
None of their 17 titles divides audiences: 10 are Crowd Pleasers.
- Universally Loved1
- Crowd Pleaser10
- Broadly Agreed3
- Mixed3
Reviewers score the acting 70/100 in their films, across 11 reviewed titles; fans 78, detractors 44. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Daniel Ivernel work with?
People who share at least 2 of Daniel Ivernel's MovieCove titles, grouped by what they did on them; Yves Boisset shares the most, 3.
Directors
- Yves BoissetShared titles: Le juge Fayard dit Le Shériff (1977), The French Conspiracy (1972), Angel's Leap (1971)See all 3 shared titles with Yves Boisset

- Julien DuvivierShared titles: The Female (1958), Holiday for Henrietta (1952)See all 2 shared titles with Julien Duvivier

Writers
- Claude VeillotShared titles: Le juge Fayard dit Le Shériff (1977), Angel's Leap (1971)See all 2 shared titles with Claude Veillot
- Henri JeansonShared titles: Paris in August (1966), Holiday for Henrietta (1952)See all 2 shared titles with Henri Jeanson

Actors
- Michel AuclairShared titles: Le juge Fayard dit Le Shériff (1977), Holiday for Henrietta (1952)See all 2 shared titles with Michel Auclair

- Michel PiccoliShared titles: The French Conspiracy (1972), Diary of a Chambermaid (1964)See all 2 shared titles with Michel Piccoli

- Paul BonifasShared titles: Sundays and Cybèle (1962), The Female (1958)See all 2 shared titles with Paul Bonifas

Cinematographers and editors
- Albert JurgensonShared titles: Le juge Fayard dit Le Shériff (1977), The French Conspiracy (1972), Angel's Leap (1971)See all 3 shared titles with Albert Jurgenson
- Roger HubertShared titles: The Female (1958), Holiday for Henrietta (1952)See all 2 shared titles with Roger Hubert