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Charles G. Booth

Writer

Works as
Writer
Titles
6 on MovieCove · 11 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 38 days to Oct 27Down 19% in 30 days

What are Charles G. Booth's films like?

Across their 6 MovieCove titles with a thematic analysis, their films lean Morality and Power.

Themes

share of theme weight
Morality
65%
Power
14%
Bonds
12%
Self
5%
Survival
5%
Justice3 titles, browse their movies with this themeDuty2 titles, browse their movies with this themeDeception2 titles, browse their movies with this theme

What they feel like to watch

their average across 6 films
ToneFeelDemandtheir average · filled zone: the category
Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

Grounded 1 · Stylized 5 · Heightened 0

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 0 · Charged 5 · Intense 1

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 3 · Shifting 3 · Whiplash 0

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

A split, not a type: Straight-faced 4 · Some laughs 1 · Funny 1

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 0 · Even-paced 6 · Relentless 0

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 0 · Engaged 5 · Full focus 1

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 5 · Open-ended 1 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
6
Thrilling
4
Absurd
1
Romantic
1
Manic
1
Other
2

How their films linger

Rousing4 titles, browse their movies with this aftertasteFeel-good3 titles, browse their movies with this aftertasteFun2 titles, browse their movies with this aftertaste

How their films end

  • Happy4
  • Bittersweet2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Charles G. Booth's films?

As of October 24, 2026, 3 of their 6 MovieCove titles stream on a subscription or free service, most on Tubi (3).

Also on these channels

Subscription and free streaming for Charles G. Booth's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

11 credits, 6 with a MovieCove page.

  • Moon Over Parador(1988)

    Story

    Midcredits score: 43rd percentile of all films

  • Fury at Furnace Creek(1948)

    Writer

    Midcredits score: 70th percentile of all films

  • Strange Triangle (not in the MovieCove catalog yet)(1946)

    Adaptation

  • Behind Green Lights(1946)

    Screenplay

    Midcredits score: 50th percentile of all films

  • Johnny Angel (not in the MovieCove catalog yet)(1945)

    Novel

  • The House on 92nd Street(1945)

    Screenplay · Story

    Midcredits score: 66th percentile of all films

  • The Traitor Within (not in the MovieCove catalog yet)(1942)

    Story

  • Sundown(1941)

    Adaptation

    Midcredits score: 30th percentile of all films

  • Hurricane Smith (not in the MovieCove catalog yet)(1941)

    Story

  • The Magnificent Fraud (not in the MovieCove catalog yet)(1939)

    Story

  • The General Died at Dawn(1936)

    Story

    Midcredits score: 65th percentile of all films

Career shape

A full career of 11 titles from 1936 to 1988.

Biggest box office

Moon Over Parador (1988)

$11M worldwide

Highest rated

The House on 92nd Street (1945)

Midcredits 66th

Most popular right now

Moon Over Parador (1988)

By role

only this rolewith another role
Writing11 of 11: 11 only writing, 0 with another role · typical Midcredits score58th

By decade

1930s2 · crew1940s8 · crew1980s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Charles G. Booth's films land?

Their typical MovieCove film has a Midcredits score in the 58th percentile, the median of all 6; across their 6 films with reception data, the typical film sits in the 56th percentile for acclaim.

Acclaim · how much people like their films

56thpercentile
Typical film, the median of 6

Approval · how many liked their films

54thpercentile
Typical film, the median of 6

Reach · how many have seen their films

47thpercentile
Typical film, the median of 6

Midcredits score across 6 titles, by percentile

  • 50th to 74th4
  • 25th to 49th2

Shape of the crowd

None of their 6 titles divides audiences: 4 are Crowd Pleasers.

  • Crowd Pleaser4
  • Broadly Agreed2

Most loved · writer

Fury at Furnace Creek (1948)

Midcredits 70th · 65% liked

Reviewers score the dialogue 52/100 and the plot and story 53/100 in their films, across 6 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Charles G. Booth work with?

People who share at least 2 of Charles G. Booth's MovieCove titles, grouped by what they did on them; Henry Hathaway shares the most, 2.

Directors

Writers

Actors