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Barré Lyndon

Writer · Died October 23, 1972, aged 76

Born
August 12, 1896
Died
October 23, 1972 (aged 76)
Works as
Writer
Titles
17 on MovieCove · 21 credits in all

What are Barré Lyndon's films like?

Across their 16 MovieCove titles with a thematic analysis, their films lean Morality and Self.

What they feel like to watch

their average across 16 films
ToneFeelDemandtheir average · filled zone: the category

Grounded 4 · Stylized 10 · Heightened 2

Gentle 0 · Charged 11 · Intense 5

Steady 6 · Shifting 10 · Whiplash 0

Straight-faced 11 · Some laughs 5 · Funny 0

Slow burn 5 · Even-paced 11 · Relentless 0

Casual 4 · Engaged 12 · Full focus 0

Resolved 14 · Open-ended 1 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
14
Dread
6
Romantic
5
Thrilling
4
Contemplative
3
Other
12

How their films end · 3 with a twist

  • Happy7
  • Bittersweet5
  • Ambiguous4

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Barré Lyndon's films?

As of October 24, 2026, 6 of their 17 MovieCove titles stream on a subscription or free service, most on Tubi (3).

Subscription and free streaming for Barré Lyndon's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

21 credits, 17 with a MovieCove page.

  • Dark Intruder(1965)

    Screenplay

    Midcredits score: 51st percentile of all films
  • The Alfred Hitchcock Hour(1962)

    Show 2 episodes · Writer

    Midcredits score: 97th percentile of all shows
  • Midcredits score: 30th percentile of all films
  • Midcredits score: 45th percentile of all films
  • Omar Khayyam(1957)

    Writer

    Midcredits score: 33rd percentile of all films
  • Conquest of Space(1955)

    Adaptation

    Midcredits score: 31st percentile of all films
  • Sign of the Pagan(1954)

    Writer

    Midcredits score: 40th percentile of all films
  • Man in the Attic(1953)

    Screenplay

    Midcredits score: 42nd percentile of all films
  • The War of the Worlds(1953)

    Screenplay

    Midcredits score: 81st percentile of all films
  • General Electric Theater (not in the MovieCove catalog yet)(1953)

    Show 1 episode · Writer

  • Midcredits score: 60th percentile of all films
  • To Please a Lady(1950)

    Screenplay · Story

    Midcredits score: 46th percentile of all films
  • The Accused(1949)

    Writer

    Midcredits score: 74th percentile of all films
  • Midcredits score: 83rd percentile of all films
  • The House on 92nd Street(1945)

    Screenplay

    Midcredits score: 66th percentile of all films
  • Hangover Square (not in the MovieCove catalog yet)(1945)

    Screenplay

  • The Man in Half Moon Street (not in the MovieCove catalog yet)(1945)

    Theatre Play

  • The Lodger(1944)

    Screenplay

    Midcredits score: 79th percentile of all films
  • Sundown(1941)

    Screenplay · Story

    Midcredits score: 30th percentile of all films
  • They Came by Night (not in the MovieCove catalog yet)(1940)

    Theatre Play

  • Midcredits score: 81st percentile of all films

Career shape

A full career of 20 titles from 1938 to 1965.

By role

only this rolewith another role
Writing20 of 20: 20 only writing, 0 with another role · typical Midcredits score49th

By decade

1930s1 · crew1940s7 · crew1950s9 · crew1960s3 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Barré Lyndon's films land?

Their typical MovieCove film has a Midcredits score in the 49th percentile, the median of all 16; across their 16 films with reception data, the typical film sits in the 51st percentile for acclaim.

Acclaim · how much people like their films

51stpercentile
Typical film, the median of 16

Approval · how many liked their films

47thpercentile
Typical film, the median of 16

Reach · how many have seen their films

61stpercentile
Typical film, the median of 16

Midcredits score across 17 titles, by percentile

  • 75th and up5
  • 50th to 74th4
  • 25th to 49th8

Reviewers score the dialogue 48/100 and the plot and story 49/100 in their films, across 16 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Barré Lyndon's work okay for kids?

Across a limited sample of up to 3 MovieCove titles with content scores.

Their medianMedian of all films
Sex & Nudity3 titlesmedian 10 · minimalMedian of all films: 32

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Barré Lyndon work with?

People who share at least 2 of Barré Lyndon's MovieCove titles, grouped by what they did on them; Victor Young shares the most, 4.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers