Julio Buchs was born on 10 March 1926 in Madrid, Spain. He was a writer and assistant director, known for Murder by Music (1969), Alta tensión (1972) and El apartamento de la tentación (1971). He died on 20 January 1973 in Madrid, Spain.
Biography from TMDB.
- March 10, 1926
- January 20, 1973 (aged 46)
- Madrid, España
- Writer and director
- 5 on MovieCove · 20 credits in all
Known for
What are Julio Buchs' films like?
Across their 5 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.
Themes
What they feel like to watch
Ironic 1 · Wry 0 · Earnest 3
A split, not a type: Light 3 · Serious 0 · Dark 2
Grounded 0 · Stylized 3 · Heightened 2
Gentle 2 · Charged 2 · Intense 1
Steady 2 · Shifting 3 · Whiplash 0
A split, not a type: Straight-faced 2 · Some laughs 0 · Funny 3
Slow burn 2 · Even-paced 3 · Relentless 0
Casual 4 · Engaged 1 · Full focus 0
Easy watch 3 · Affecting 1 · Heavy 1
Resolved 5 · Open-ended 0 · Ambiguous 0
Moods and endings
- Happy3
- Tragic2
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Julio Buchs' films?
As of October 24, 2026, 3 of their 5 MovieCove titles stream on a subscription or free service, most on Tubi (3).
Subscription and free streaming for Julio Buchs' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
20 credits, 5 with a MovieCove page.
Evil Eye (not in the MovieCove catalog yet)(1975)
High Voltage (not in the MovieCove catalog yet)(1972)
El apartamento de la tentación (not in the MovieCove catalog yet)(1971)
Midcredits score: 12th percentile of all films (provisional, few ratings)
Murder by Music (not in the MovieCove catalog yet)(1969)
A Bullet for Sandoval(1969)
Midcredits score: 35th percentile of all films
¡Cuidado con las señoras! (not in the MovieCove catalog yet)(1968)
Midcredits score: 11th percentile of all films
A Nun at the Crossroads (not in the MovieCove catalog yet)(1967)
Lucky, el intrépido(1967)
Midcredits score: 28th percentile of all films
A Few Bullets More(1967)
Midcredits score: 33rd percentile of all films
Django Does Not Forgive (not in the MovieCove catalog yet)(1966)
The Salary of Crime (not in the MovieCove catalog yet)(1964)
El pecador y la bruja (not in the MovieCove catalog yet)(1964)
Piedra de toque (not in the MovieCove catalog yet)(1963)
Duelo en la cañada (not in the MovieCove catalog yet)(1959)
Fedra, the Devil's Daughter (not in the MovieCove catalog yet)(1956)
Haute Couture (not in the MovieCove catalog yet)(1954)
Manchas de sangre en la luna (not in the MovieCove catalog yet)(1952)
Eugenia de Montijo (not in the MovieCove catalog yet)(1944)
Career shape
A full career of 20 titles from 1944 to 1975.
Biggest box office
A Bullet for Sandoval (1969)
Most popular right now
Una señora llamada Andrés (1970)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Julio Buchs' films land?
Their typical MovieCove film has a Midcredits score in the 28th percentile, the median of all 5; across their 5 films with reception data, the typical film sits in the 25th percentile for acclaim.
- 25th to 49th3
- Below 25th2
Shape of the crowd
5 of their 5 titles are Mixed.
- Mixed5
Reviewers score the plot and story 40/100 in their films, across 4 reviewed titles; fans 54, detractors 26. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Julio Buchs work with?
People who share at least 2 of Julio Buchs' MovieCove titles, grouped by what they did on them; Federico De Urrutia shares the most, 3.
Writers
- Federico De UrrutiaShared titles: Una señora llamada Andrés (1970), A Bullet for Sandoval (1969), A Few Bullets More (1967)See all 3 shared titles with Federico De Urrutia
- José Luis Martínez MolláShared titles: A Bullet for Sandoval (1969), Lucky, el intrépido (1967)See all 2 shared titles with José Luis Martínez Mollá
Actors
- Antonio PicaShared titles: Una señora llamada Andrés (1970), A Bullet for Sandoval (1969), A Few Bullets More (1967)See all 3 shared titles with Antonio Pica
Composers and editors
- Gianni FerrioShared titles: A Bullet for Sandoval (1969), A Few Bullets More (1967)See all 2 shared titles with Gianni Ferrio
- Magdalena PulidoShared titles: A Bullet for Sandoval (1969), A Few Bullets More (1967)See all 2 shared titles with Magdalena Pulido
Producers
- José FradeShared titles: A Bullet for Sandoval (1969), Lucky, el intrépido (1967)See all 2 shared titles with José Frade
