José Luis Martínez Mollá
- Writer
- 9 on MovieCove · 25 credits in all
What are José Luis Martínez Mollá's films like?
Across their 8 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 2 · Wry 0 · Earnest 6
A split, not a type: Light 3 · Serious 1 · Dark 4
Grounded 0 · Stylized 4 · Heightened 4
Gentle 0 · Charged 4 · Intense 4
Steady 0 · Shifting 7 · Whiplash 1
A split, not a type: Straight-faced 5 · Some laughs 1 · Funny 2
Slow burn 0 · Even-paced 6 · Relentless 2
Casual 1 · Engaged 6 · Full focus 1
Easy watch 3 · Affecting 4 · Heavy 1
Resolved 5 · Open-ended 2 · Ambiguous 1
Moods and endings
- Happy3
- Bittersweet3
- Tragic2
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch José Luis Martínez Mollá's films?
As of October 24, 2026, 3 of their 9 MovieCove titles stream on a subscription or free service, most on Tubi (2).
Subscription and free streaming for José Luis Martínez Mollá's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
25 credits, 9 with a MovieCove page.
Midcredits score: 12th percentile of all films
The Brother from Space (not in the MovieCove catalog yet)(1988)
Pulsebeat (not in the MovieCove catalog yet)(1985)
From Hell to Victory(1979)
Midcredits score: 31st percentile of all films
L'anello matrimoniale (not in the MovieCove catalog yet)(1979)
Ernesto (not in the MovieCove catalog yet)(1979)
It's Not Good for a Man to Be Alone (not in the MovieCove catalog yet)(1973)
The Heroes(1973)
Midcredits score: 9th percentile of all films
High Voltage (not in the MovieCove catalog yet)(1972)
Midcredits score: 76th percentile of all films
A Bullet for Sandoval(1969)
Midcredits score: 35th percentile of all films
One on Top of the Other(1969)
Midcredits score: 68th percentile of all films
Eagles Over London(1969)
Midcredits score: 31st percentile of all films
¡Cuidado con las señoras! (not in the MovieCove catalog yet)(1968)
Wrath of God (not in the MovieCove catalog yet)(1968)
Lucky, el intrépido(1967)
Midcredits score: 28th percentile of all films
Master Stroke (not in the MovieCove catalog yet)(1967)
Make Love, Not War (not in the MovieCove catalog yet)(1966)
Ypotron: Final Countdown (not in the MovieCove catalog yet)(1966)
Django Does Not Forgive (not in the MovieCove catalog yet)(1966)
Espionage in Tangiers(1965)
Midcredits score: 9th percentile of all films
Jandro (not in the MovieCove catalog yet)(1965)
The Salary of Crime (not in the MovieCove catalog yet)(1964)
El pecador y la bruja (not in the MovieCove catalog yet)(1964)
Piedra de toque (not in the MovieCove catalog yet)(1963)
Career shape
A full career of 25 titles from 1963 to 2010.
Biggest box office
A Bullet for Sandoval (1969)
Highest rated
A Lizard in a Woman's Skin (1971)
Most popular right now
Eagles Over London (1969)
Film career
- 2010Screen debut· The Valdemar Legacy II: The Forbidden Shadow
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do José Luis Martínez Mollá's films land?
Their typical MovieCove film has a Midcredits score in the 31st percentile, the median of all 9; across their 8 films with reception data, the typical film sits in the 42nd percentile for acclaim.
- 75th and up1
- 50th to 74th1
- 25th to 49th4
- Below 25th3
Shape of the crowd
7 of their 9 titles are Mixed.
- Crowd Pleaser2
- Mixed7
Reviewers score the dialogue 41/100 and the plot and story 47/100 in their films, across 7 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does José Luis Martínez Mollá work with?
People who share at least 2 of José Luis Martínez Mollá's MovieCove titles, grouped by what they did on them; José Frade shares the most, 6.
Directors
- Lucio FulciShared titles: A Lizard in a Woman's Skin (1971), One on Top of the Other (1969)See all 2 shared titles with Lucio Fulci
Writers
- Roberto GianvitiShared titles: A Lizard in a Woman's Skin (1971), One on Top of the Other (1969)See all 2 shared titles with Roberto Gianviti
- Julio BuchsShared titles: A Bullet for Sandoval (1969), Lucky, el intrépido (1967)See all 2 shared titles with Julio Buchs
- Remigio Del GrossoShared titles: Lucky, el intrépido (1967), Espionage in Tangiers (1965)See all 2 shared titles with Remigio Del Grosso
Actors
- Alberto de MendozaShared titles: A Lizard in a Woman's Skin (1971), A Bullet for Sandoval (1969), One on Top of the Other (1969)See all 3 shared titles with Alberto de Mendoza
- Franco BalducciShared titles: A Lizard in a Woman's Skin (1971), One on Top of the Other (1969)See all 2 shared titles with Franco Balducci
- Jean SorelShared titles: A Lizard in a Woman's Skin (1971), One on Top of the Other (1969)See all 2 shared titles with Jean Sorel
- Jorge RigaudShared titles: A Lizard in a Woman's Skin (1971), Eagles Over London (1969)See all 2 shared titles with Jorge Rigaud
Composers, cinematographers and editors
- Riz OrtolaniShared titles: From Hell to Victory (1979), The Heroes (1973), One on Top of the Other (1969)See all 3 shared titles with Riz Ortolani
- Vincenzo TomassiShared titles: From Hell to Victory (1979), A Lizard in a Woman's Skin (1971), Eagles Over London (1969)See all 3 shared titles with Vincenzo Tomassi
- Alejandro UlloaShared titles: Eagles Over London (1969), One on Top of the Other (1969)See all 2 shared titles with Alejandro Ulloa
Producers
- José FradeShared titles: From Hell to Victory (1979), A Lizard in a Woman's Skin (1971), A Bullet for Sandoval (1969), One on Top of the Other (1969), Lucky, el intrépido (1967), Espionage in Tangiers (1965)See all 6 shared titles with José Frade
- Edmondo AmatiShared titles: From Hell to Victory (1979), A Lizard in a Woman's Skin (1971), Eagles Over London (1969), One on Top of the Other (1969)See all 4 shared titles with Edmondo Amati
- Maurizio AmatiShared titles: From Hell to Victory (1979), Eagles Over London (1969), One on Top of the Other (1969)See all 3 shared titles with Maurizio Amati
- Georges RoitfeldShared titles: Eagles Over London (1969), One on Top of the Other (1969)See all 2 shared titles with Georges Roitfeld
Mixed roles
- José Luis Jerez AlozaShared titles: Lucky, el intrépido (1967), Espionage in Tangiers (1965)See all 2 shared titles with José Luis Jerez Aloza