
Avis Bunnage
Actor · Died October 4, 1990, aged 67 · Manchester, England, UK
From Wikipedia, the free encyclopedia. Avis Bunnage (22 April 1923, Manchester, England, UK – 4 October 1990, England) was a British actress of film, stage and television. She attended Manley Park Municipal School and Chorlton Central School in Manchester. She worked as a secretary and a nursery teacher before deciding to become an actress. She gained stage experience in rep and made her first professional appearance at Chorlton Rep Theatre in Manchester in 1947. Most notably, she appeared as Veronica, the wife of Rigsby, in Rising Damp, for one episode. Bunnage was a member of Joan Littlewood's Theatre Workshop company at the Theatre Royal Stratford East. There she created the role of Helen, the mother in A Taste of Honey, her first West End role when the play transferred to Wynndems Theatre, and also a role in Oh, What a Lovely War! at Stratford East, which also transferred to Wyndams Theatre. When Avis was on holiday from this production for two weeks, her role was taken over by Danny La Rue. Among her other roles for Theatre Workshop were Mrs. Lovitt in Christopher Bond's play Sweeny Todd (the basis for the Sondheim musical), and the title role in a play about the music hall legend Marie Lloyd. In the early years of Coronation Street she played Lucile Hewitt's auntie. She was in the musical Billy at the Theatre Royal Drury Lane, playing the mother of 'Billy Liar'. She played Golda in Fiddler on the Roof, opposite Alfie Bass, at Her Majesty's Theatre in London. Married to Derek Orchard, she died in Thorpe Bay, Southend-on-Sea, Essex, aged 67. Description above from the Wikipedia article Avis Bunnage, licensed under CC-BY-SA, full list of contributors on Wikipedia.
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Biography from TMDB.
- April 22, 1923
- October 4, 1990 (aged 67)
- Manchester, England, UK
- Actor
- 14 on MovieCove · 51 credits in all
Known for
What are Avis Bunnage's films like?
Across their 6 MovieCove titles with a thematic analysis, their films lean Power and Society.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 6
Light 1 · Serious 0 · Dark 5
Grounded 5 · Stylized 1 · Heightened 0
A split, not a type: Gentle 1 · Charged 2 · Intense 3
Steady 3 · Shifting 3 · Whiplash 0
Straight-faced 5 · Some laughs 1 · Funny 0
Slow burn 4 · Even-paced 2 · Relentless 0
Casual 0 · Engaged 6 · Full focus 0
Easy watch 1 · Affecting 1 · Heavy 4
Resolved 3 · Open-ended 3 · Ambiguous 0
Roles they play
- Threshold guardianas Bridgie in Sparrows Can't Sing (1963)
Moods and endings
- Bittersweet3
- Tragic1
- Ambiguous2
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Avis Bunnage's films?
As of October 24, 2026, 7 of their 14 MovieCove titles stream on a subscription or free service, most on Tubi (3).
- BritBox
Subscription and free streaming for Avis Bunnage's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
51 credits, 14 with a MovieCove page; 1 appearance as themselves is hidden until asked for.

The Krays(1990)
Midcredits score: 67th percentile of all filmsClose to Home (not in the MovieCove catalog yet)(1989)

No Strings (not in the MovieCove catalog yet)(1989)
Yesterday's Dreams (not in the MovieCove catalog yet)(1987)

Mrs Capper's Birthday (not in the MovieCove catalog yet)(1985)

No Surrender (not in the MovieCove catalog yet)(1985)

Gandhi(1982)
Midcredits score: 97th percentile of all filmsFame Is the Spur (not in the MovieCove catalog yet)(1982)

Virginia Fly is Drowning (not in the MovieCove catalog yet)(1981)

Find Me First (not in the MovieCove catalog yet)(1981)

Jessie (not in the MovieCove catalog yet)(1980)

The Gentle Touch(1980)
Midcredits score: 39th percentile of all shows
The Spoils of War (not in the MovieCove catalog yet)(1980)
Leave it to Charlie (not in the MovieCove catalog yet)(1978)

The Mayor of Casterbridge (not in the MovieCove catalog yet)(1978)

Scully's New Year's Eve (not in the MovieCove catalog yet)(1978)

Panic (not in the MovieCove catalog yet)(1978)

The Fosters (not in the MovieCove catalog yet)(1976)

Rising Damp(1974)
Midcredits score: 80th percentile of all shows
Playhouse (not in the MovieCove catalog yet)(1974)

Seven of One (not in the MovieCove catalog yet)(1973)
The Stumbling Block (not in the MovieCove catalog yet)(1972)

The Disappearing Man (not in the MovieCove catalog yet)(1972)

The Frighteners (not in the MovieCove catalog yet)(1972)

Anne of Green Gables (not in the MovieCove catalog yet)(1972)

Everybody Say Cheese (not in the MovieCove catalog yet)(1971)

In Loving Memory (not in the MovieCove catalog yet)(1969)

Mrs. Brown, You've Got a Lovely Daughter (not in the MovieCove catalog yet)(1968)
Baker's Half-Dozen (not in the MovieCove catalog yet)(1967)

The Whisperers(1967)
Midcredits score: 80th percentile of all films
Half Hour Story (not in the MovieCove catalog yet)(1967)
Out of Town Theatre (not in the MovieCove catalog yet)(1966)

The Wrong Box(1966)
Midcredits score: 69th percentile of all films
Thirty-Minute Theatre (not in the MovieCove catalog yet)(1965)

A Study in Terror(1965)
Midcredits score: 61st percentile of all films
Rotten to the Core (not in the MovieCove catalog yet)(1965)

Gideon's Way (not in the MovieCove catalog yet)(1965)

Theatre 625 (not in the MovieCove catalog yet)(1964)

Espionage (not in the MovieCove catalog yet)(1963)

Tom Jones(1963)
Midcredits score: 56th percentile of all films
What a Crazy World (not in the MovieCove catalog yet)(1963)

The Human Jungle (not in the MovieCove catalog yet)(1963)

Sparrows Can't Sing(1963)
Midcredits score: 49th percentile of all films
The L-Shaped Room(1962)
Midcredits score: 90th percentile of all films
Midcredits score: 93rd percentile of all filmsDrama 61-67 (not in the MovieCove catalog yet)(1961)

No Love for Johnnie(1961)
Midcredits score: 70th percentile of all films
Midcredits score: 92nd percentile of all films
Doctor in Love (not in the MovieCove catalog yet)(1960)

Expresso Bongo(1959)
Midcredits score: 47th percentile of all films
Armchair Theatre (not in the MovieCove catalog yet)(1956)
Career shape
Star power in the 87th percentile of 239,109 people with a billed film role, over a full career of 51 titles from 1956 to 1990; peak year 1962.

Biggest box office
The Krays (1990)

Highest rated
The Loneliness of the Long Distance Runner (1962)

Most popular right now
The L-Shaped Room (1962)
Film career
Peak 1962 · fewer prominent film roles lately. Film roles by billing, audience size and rating; 25+ votes. A show carries a single first-air date, so shows are not on the curve.
- 1960Screen debut· Saturday Night and Sunday Morning
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored. Billing is TMDB cast order for roles with 25+ votes, billed in the top 30.
How do Avis Bunnage's films land?
Their typical MovieCove film has a Midcredits score in the 70th percentile, the median of all 12; across their 6 films with reception data, the typical film sits in the 83rd percentile for acclaim.
- 75th and up6
- 50th to 74th5
- 25th to 49th3
Shape of the crowd
None of their 14 titles divides audiences: 8 are Crowd Pleasers.
- Universally Loved3
- Crowd Pleaser8
- Broadly Agreed1
- Mixed2
Reviewers score the acting 81/100 in their films, across 6 reviewed titles; fans 86, detractors 47. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Avis Bunnage work with?
People who share at least 2 of Avis Bunnage's MovieCove titles, grouped by what they did on them; Bryan Forbes shares the most, 2.
Directors
- Bryan ForbesShared titles: The Whisperers (1967), The L-Shaped Room (1962)See all 2 shared titles with Bryan Forbes

Writers
- Alan SillitoeShared titles: The Loneliness of the Long Distance Runner (1962), Saturday Night and Sunday Morning (1960)See all 2 shared titles with Alan Sillitoe
Actors
- Tom BellShared titles: The Krays (1990), The L-Shaped Room (1962)See all 2 shared titles with Tom Bell

Editors
- Anthony HarveyShared titles: The Whisperers (1967), The L-Shaped Room (1962)See all 2 shared titles with Anthony Harvey

Producers
- Jack RixShared titles: The Whisperers (1967), The L-Shaped Room (1962)See all 2 shared titles with Jack Rix
- Tony RichardsonShared titles: The Loneliness of the Long Distance Runner (1962), Saturday Night and Sunday Morning (1960)See all 2 shared titles with Tony Richardson



