Alan Sillitoe
- Writer
- 3 on MovieCove · 5 credits in all
What are Alan Sillitoe's films like?
Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Power and Morality.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 3
Light 0 · Serious 0 · Dark 3
Grounded 2 · Stylized 1 · Heightened 0
Gentle 0 · Charged 1 · Intense 2
Steady 0 · Shifting 3 · Whiplash 0
Straight-faced 3 · Some laughs 0 · Funny 0
Slow burn 2 · Even-paced 1 · Relentless 0
Casual 0 · Engaged 3 · Full focus 0
Easy watch 0 · Affecting 0 · Heavy 3
Resolved 2 · Open-ended 1 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Alan Sillitoe's films?
As of October 24, 2026, 2 of their 3 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Alan Sillitoe's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
5 credits, 3 with a MovieCove page; 1 appearance as themselves is hidden until asked for.
Pit Strike (not in the MovieCove catalog yet)(1977)
Premiere (not in the MovieCove catalog yet)(1977)
Counterpoint(1967)
Midcredits score: 55th percentile of all films
Midcredits score: 93rd percentile of all films
Midcredits score: 92nd percentile of all films
Career shape
A full career of 5 titles from 1960 to 1977.
How do Alan Sillitoe's films land?
Their typical MovieCove film has a Midcredits score in the 92nd percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 88th percentile for acclaim.
- 75th and up2
- 50th to 74th1
Shape of the crowd
None of their 3 titles divides audiences: 2 are Universally Loved.
- Universally Loved2
- Crowd Pleaser1
Reviewers score the dialogue 62/100 and the plot and story 58/100 in their films, across 3 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Alan Sillitoe work with?
People who share at least 2 of Alan Sillitoe's MovieCove titles; Avis Bunnage shares the most, 2.
- Avis BunnageShared titles: The Loneliness of the Long Distance Runner (1962), Saturday Night and Sunday Morning (1960)See all 2 shared titles with Avis Bunnage
- Tony RichardsonShared titles: The Loneliness of the Long Distance Runner (1962), Saturday Night and Sunday Morning (1960)See all 2 shared titles with Tony Richardson
