
Lando Buzzanca
Actor · Died December 18, 2022, aged 87 · Palermo, Sicily, Italy
From Wikipedia, the free encyclopedia Gerlando Buzzanca (born August 24, 1935 in Palermo) is an Italian comedy actor. He left high school in Palermo when he was 16 years old, and moved to Rome to pursue his dream of becoming an actor. In order to survive, he took many jobs: waiter, furniture mover, and a brief appearance as a slave in the film Ben-Hur. In his long career he often interpreted the role of the average Italian immigrant from southern Italy, who slowly began to enjoy moderate success during the years of the Italian economic miracle. His films showcased all the freshness of the 1960s, the 1970s and the heavier transition to the 1980s, focusing on the common life in several Italian cities such as Rome, Verona or Milan, balanced between personal happiness and professional achievement. Buzzanca often interpreted roles of a subordinate white collar worker, with a heavy vein of machismo, as a frustrated employee who tries to redeem his dull existence with his virility. He became famous for his role in the film Il merlo maschio, (The Male Blackbird), where in a provincial environment of cultural importance, the philharmonic orchestra of the Arena di Verona, he vents out his own frustrations, indulging into candaulism when he induces his bride to expose her naked body in the middle of a bridge in Verona. Some critics, in a lighter vein, have defined Buzzanca as a "Homo eroticus": a human being halfway between Homo erectus and Homo sapiens, who risked extinction in the 1970s because of the harsh struggle with feminism activists. Today, even though much less so, this male type is still found among Italian males. Buzzanca's fame is greater in foreign countries than in his native land, and in countries as France, Japan, Greece, Israel, Spain and Switzerland he is a renowned international stereotype of the Italian provincialotto, elegant, naif, always causing mischief, and not obtaining anything from it. Description above from the Wikipedia article Lando Buzzanca, licensed under CC-BY-SA, full list of contributors on Wikipedia.
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Biography from TMDB.
- August 24, 1935
- December 18, 2022 (aged 87)
- Palermo, Sicily, Italy
- Actor
- 17 on MovieCove · 97 credits in all
What are Lando Buzzanca's films like?
Across their 14 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.
Themes
What they feel like to watch
A split, not a type: Ironic 7 · Wry 2 · Earnest 5
Light 9 · Serious 5 · Dark 0
Grounded 3 · Stylized 9 · Heightened 2
A split, not a type: Gentle 7 · Charged 6 · Intense 1
A split, not a type: Steady 7 · Shifting 4 · Whiplash 3
Straight-faced 1 · Some laughs 2 · Funny 11
Slow burn 3 · Even-paced 11 · Relentless 0
Casual 12 · Engaged 2 · Full focus 0
Easy watch 11 · Affecting 2 · Heavy 1
Resolved 13 · Open-ended 1 · Ambiguous 0
Roles they play
Usually the Hero: 3 of 9 analyzed roles.
Show the 9 rolesHide the roles
- Allyas Antonio Ascalone in Seduced and Abandoned (1964)
- Threshold guardianas Police Chief in After the Fox (1966)
- Heroas Napoleon in Operazione San Pietro (1967)
- Heroas Niccolo Vivaldi in X-Rated Girl (1971)
- Tricksteras Ham in When Women Lost Their Tails (1972)
- Heraldas Ham in When Women Lost Their Tails (1972)
- Heroas Senator Giacinto Puppis in The Eroticist (1972)
- Mentoras Claudio in Who Will Save the Roses? (2017)
- Allyas Claudio in Who Will Save the Roses? (2017)
Moods and endings
- Happy7
- Bittersweet4
- Tragic2
- Ambiguous1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Lando Buzzanca's films?
As of October 24, 2026, 7 of their 17 MovieCove titles stream on a subscription or free service, most on Prime Video (4).
Subscription and free streaming for Lando Buzzanca's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
97 credits, 17 with a MovieCove page; 2 appearances as themselves are hidden until asked for.

W gli sposi (not in the MovieCove catalog yet)(2018)

Who Will Save the Roses?(2017)
Midcredits score: 51st percentile of all films
Deadly Game (not in the MovieCove catalog yet)(2013)

Il restauratore (not in the MovieCove catalog yet)(2012)
Case Chiuse (not in the MovieCove catalog yet)(2011)

Terra ribelle (not in the MovieCove catalog yet)(2010)

Lo scandalo della Banca Romana (not in the MovieCove catalog yet)(2010)

I Vicerè (not in the MovieCove catalog yet)(2007)

The Baroness of Carini (not in the MovieCove catalog yet)(2007)

Chiara e Francesco (not in the MovieCove catalog yet)(2007)

Incidenti (not in the MovieCove catalog yet)(2005)

Io e mio figlio – Nuove storie per il commissario Vivaldi (not in the MovieCove catalog yet)(2005)
Una famiglia per caso (not in the MovieCove catalog yet)(2003)

Quattro passi nel Cinema (not in the MovieCove catalog yet)(2003)

Honey Horn (not in the MovieCove catalog yet)(2000)

Il segreto del giaguaro (not in the MovieCove catalog yet)(2000)

Libero (not in the MovieCove catalog yet)(2000)

The Bird People (not in the MovieCove catalog yet)(1999)

Once a Year, Every Year (not in the MovieCove catalog yet)(1994)
Cinema (not in the MovieCove catalog yet)(1989)

O Diabo na Cama (not in the MovieCove catalog yet)(1988)

According to Pontius Pilate (not in the MovieCove catalog yet)(1988)

I'm Going to Live by Myself (not in the MovieCove catalog yet)(1982)

Los crápulas (not in the MovieCove catalog yet)(1981)

Lend Me Your Wife (not in the MovieCove catalog yet)(1980)

Swept Away by Family Affection (not in the MovieCove catalog yet)(1978)

Una noche embarazosa (not in the MovieCove catalog yet)(1977)

San Pasquale Baylonne, Protector of Women (not in the MovieCove catalog yet)(1976)

Il gatto mammone (not in the MovieCove catalog yet)(1975)

Il cav. Costante Nicosia demoniaco, ovvero Dracula in Brianza (not in the MovieCove catalog yet)(1975)

Il fidanzamento (not in the MovieCove catalog yet)(1975)

The Household (not in the MovieCove catalog yet)(1974)

The Handsome Devil (not in the MovieCove catalog yet)(1974)

Playing the Field (not in the MovieCove catalog yet)(1974)

My Darling Slave (not in the MovieCove catalog yet)(1973)

Io e lui (not in the MovieCove catalog yet)(1973)

Wife for Sale (not in the MovieCove catalog yet)(1973)

La calandria (not in the MovieCove catalog yet)(1972)

Jus primae noctis (not in the MovieCove catalog yet)(1972)

The Migratory Bird (not in the MovieCove catalog yet)(1972)

The Union (not in the MovieCove catalog yet)(1972)

The Eroticist(1972)
Midcredits score: 34th percentile of all films
Midcredits score: 6th percentile of all films
X-Rated Girl(1971)
Midcredits score: 47th percentile of all films
Homo Eroticus (not in the MovieCove catalog yet)(1971)

No One Will Notice You're Naked (not in the MovieCove catalog yet)(1971)

The Beasts (not in the MovieCove catalog yet)(1971)

The Lovemakers (not in the MovieCove catalog yet)(1970)

The Married Priest (not in the MovieCove catalog yet)(1970)

When Women Had Tails(1970)
Midcredits score: 7th percentile of all films
Stop the World... I Want to Get Off! (not in the MovieCove catalog yet)(1970)

The Conjugal Debt (not in the MovieCove catalog yet)(1970)

The Beast (not in the MovieCove catalog yet)(1970)

On the Day of the Lord (not in the MovieCove catalog yet)(1970)

Un caso di coscienza (not in the MovieCove catalog yet)(1970)

Puro siccome un angelo papà mi fece monaco... di Monza (not in the MovieCove catalog yet)(1969)

The Viking Who Became a Bigamist (not in the MovieCove catalog yet)(1969)
Midcredits score: 47th percentile of all films
La donna a una dimensione (not in the MovieCove catalog yet)(1969)
Midcredits score: 7th percentile of all films
Criminal Affair (not in the MovieCove catalog yet)(1968)

Better a Widow (not in the MovieCove catalog yet)(1968)

Sunstroke (not in the MovieCove catalog yet)(1968)

Operazione San Pietro(1967)
Midcredits score: 10th percentile of all films
Anyone Can Play (not in the MovieCove catalog yet)(1967)

Spia spione (not in the MovieCove catalog yet)(1967)

Don Juan in Sicily (not in the MovieCove catalog yet)(1967)

A Rose for Everyone(1967)
Midcredits score: 38th percentile of all films
After the Fox(1966)
Midcredits score: 58th percentile of all films
Our Husbands (not in the MovieCove catalog yet)(1966)

Ringo and Gringo Against All (not in the MovieCove catalog yet)(1966)

For a Few Dollars Less (not in the MovieCove catalog yet)(1966)

James Tont Operation T.W.O. (not in the MovieCove catalog yet)(1966)

Io, Gigliola (not in the MovieCove catalog yet)(1966)

Made in Italy (not in the MovieCove catalog yet)(1965)

James Tont Operation U.N.O. (not in the MovieCove catalog yet)(1965)

The Double Bed (not in the MovieCove catalog yet)(1965)

Su e giù (not in the MovieCove catalog yet)(1965)

Wrong Beds (not in the MovieCove catalog yet)(1965)

The Sucker(1965)
Midcredits score: 92nd percentile of all films
Extraconiugale (not in the MovieCove catalog yet)(1964)

The Magnificent Cuckold(1964)
Midcredits score: 77th percentile of all films
Love and Marriage (not in the MovieCove catalog yet)(1964)

Corpse for the Lady (not in the MovieCove catalog yet)(1964)
Midcredits score: 11th percentile of all films
Love in Four Dimensions (not in the MovieCove catalog yet)(1964)

La paura numero uno (not in the MovieCove catalog yet)(1964)

Seduced and Abandoned(1964)
Midcredits score: 97th percentile of all films
Senza sole nè luna (not in the MovieCove catalog yet)(1964)

The Monsters(1963)
Midcredits score: 92nd percentile of all films
The Eye of the Needle (not in the MovieCove catalog yet)(1963)

The Little Nuns (not in the MovieCove catalog yet)(1963)

The Girl from Parma (not in the MovieCove catalog yet)(1963)

His Days Are Numbered (not in the MovieCove catalog yet)(1962)

Divorce Italian Style(1961)
Midcredits score: 97th percentile of all films
La trincea (not in the MovieCove catalog yet)(1961)

Ben-Hur(1959)
Midcredits score: 98th percentile of all films
Career shape
Star power in the 96th percentile of 239,109 people with a billed film role, over a full career of 97 titles from 1959 to 2018; peak year 1971.

Biggest box office
Divorce Italian Style (1961)

Highest rated
Divorce Italian Style (1961)

Most popular right now
The Sucker (1965)
Film career
Peak 1971 · steadily prominent in film for years. Top draw in 1 MovieCove title. Film roles by billing, audience size and rating; 25+ votes. A show carries a single first-air date, so shows are not on the curve.
- 1959Screen debut· Ben-Hur
- 1971First top-billed film· Secret Fantasy
- 1971Career best· Secret Fantasy
Billing
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored. Billing is TMDB cast order for roles with 25+ votes, billed in the top 30; the columns are the share of top-billed roles in each era, 5-year spans from the year on the label, merged until each holds at least 5 roles.
How do Lando Buzzanca's films land?
Their typical MovieCove film has a Midcredits score in the 47th percentile, the median of all 17; across their 14 films with reception data, the typical film sits in the 49th percentile for acclaim.
- 75th and up6
- 50th to 74th2
- 25th to 49th4
- Below 25th5
Shape of the crowd
9 of their 17 titles are Mixed.
- Universally Loved3
- Crowd Pleaser5
- Mixed9
Reviewers score the acting 67/100 in their films, across 11 reviewed titles; fans 81, detractors 49. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Lando Buzzanca work with?
People who share at least 2 of Lando Buzzanca's MovieCove titles, grouped by what they did on them; Pasquale Festa Campanile shares the most, 3.
Directors
- Pasquale Festa CampanileShared titles: When Women Lost Their Tails (1972), X-Rated Girl (1971), When Women Had Tails (1970)See all 3 shared titles with Pasquale Festa Campanile

- Lucio FulciShared titles: The Eroticist (1972), Operazione San Pietro (1967)See all 2 shared titles with Lucio Fulci

- Pietro GermiShared titles: Seduced and Abandoned (1964), Divorce Italian Style (1961)See all 2 shared titles with Pietro Germi

Writers
- Ottavio JemmaShared titles: The Eroticist (1972), When Women Lost Their Tails (1972), When Women Had Tails (1970)See all 3 shared titles with Ottavio Jemma
- Ennio De ConciniShared titles: A Rose for Everyone (1967), Operazione San Pietro (1967), Divorce Italian Style (1961)See all 3 shared titles with Ennio De Concini

- Agenore IncrocciShared titles: Seduced and Abandoned (1964), The Monsters (1963), Divorce Italian Style (1961)See all 3 shared titles with Agenore Incrocci

- Lina WertmüllerShared titles: When Women Lost Their Tails (1972), When Women Had Tails (1970)See all 2 shared titles with Lina Wertmüller

Actors
- Aldo PuglisiShared titles: When Women Lost Their Tails (1972), X-Rated Girl (1971), Seduced and Abandoned (1964)See all 3 shared titles with Aldo Puglisi

- Lino ToffoloShared titles: When Women Lost Their Tails (1972), X-Rated Girl (1971), When Women Had Tails (1970)See all 3 shared titles with Lino Toffolo

- Francesco MulèShared titles: When Women Lost Their Tails (1972), When Women Had Tails (1970)See all 2 shared titles with Francesco Mulè

- Frank WolffShared titles: When Women Lost Their Tails (1972), When Women Had Tails (1970)See all 2 shared titles with Frank Wolff

Composers, cinematographers and editors
- Alfio ContiniShared titles: A Rose for Everyone (1967), Operazione San Pietro (1967), The Monsters (1963)See all 3 shared titles with Alfio Contini

- Ennio MorriconeShared titles: When Women Lost Their Tails (1972), When Women Had Tails (1970)See all 2 shared titles with Ennio Morricone

- Silvano IppolitiShared titles: When Women Lost Their Tails (1972), X-Rated Girl (1971)See all 2 shared titles with Silvano Ippoliti
- Sergio MontanariShared titles: X-Rated Girl (1971), When Women Had Tails (1970)See all 2 shared titles with Sergio Montanari
Producers
- Silvio ClementelliShared titles: When Women Lost Their Tails (1972), X-Rated Girl (1971), When Women Had Tails (1970)See all 3 shared titles with Silvio Clementelli
- Franco CristaldiShared titles: A Rose for Everyone (1967), Seduced and Abandoned (1964), Divorce Italian Style (1961)See all 3 shared titles with Franco Cristaldi



