Axel Bär
- Producer
- 3 on MovieCove
What are Axel Bär's films like?
Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 3
Light 2 · Serious 1 · Dark 0
Grounded 1 · Stylized 2 · Heightened 0
Gentle 1 · Charged 1 · Intense 1
Steady 0 · Shifting 3 · Whiplash 0
A split, not a type: Straight-faced 2 · Some laughs 0 · Funny 1
Slow burn 0 · Even-paced 2 · Relentless 1
Casual 3 · Engaged 0 · Full focus 0
Easy watch 3 · Affecting 0 · Heavy 0
Resolved 3 · Open-ended 0 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Axel Bär's films?
As of October 28, 2026, none of Axel Bär's 3 MovieCove titles is streaming on a subscription or free service.
Subscription and free streaming for Axel Bär's titles on MovieCove; rent and buy are not counted.
Filmography
3 credits, 3 with a MovieCove page.
Midcredits score: 33rd percentile of all films
Good Girl, Bad Girl(2006)
Midcredits score: 7th percentile of all films
Death Train(2005)
Midcredits score: 9th percentile of all films
Career shape
Across a limited sample of 3 MovieCove titles from 2005 to 2006.
Biggest box office
Final Contract: Death on Delivery (2006)
Most popular right now
Good Girl, Bad Girl (2006)
Counts over their MovieCove titles; a title counts in every role they held on it.
How do Axel Bär's films land?
Their typical MovieCove film has a Midcredits score in the 9th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 11th percentile for acclaim.
- 25th to 49th1
- Below 25th2
Shape of the crowd
2 of their 3 titles are Mixed.
- Cult Classic1
- Mixed2
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Axel Bär work with?
People who share at least 2 of Axel Bär's MovieCove titles, grouped by what they did on them; Hermann Joha shares the most, 3.
Writers
- Andreas BruneShared titles: Final Contract: Death on Delivery (2006), Good Girl, Bad Girl (2006)See all 2 shared titles with Andreas Brune
- Christoph SchlewinskiShared titles: Final Contract: Death on Delivery (2006), Good Girl, Bad Girl (2006)See all 2 shared titles with Christoph Schlewinski
- Julia NeumannShared titles: Final Contract: Death on Delivery (2006), Good Girl, Bad Girl (2006)See all 2 shared titles with Julia Neumann
- Sabine LeipertShared titles: Final Contract: Death on Delivery (2006), Good Girl, Bad Girl (2006)See all 2 shared titles with Sabine Leipert
Actors
- Ken BonesShared titles: Final Contract: Death on Delivery (2006), Death Train (2005)See all 2 shared titles with Ken Bones
Composers
- Kay SkerraShared titles: Good Girl, Bad Girl (2006), Death Train (2005)See all 2 shared titles with Kay Skerra
Producers
- Hermann JohaShared titles: Final Contract: Death on Delivery (2006), Good Girl, Bad Girl (2006), Death Train (2005)See all 3 shared titles with Hermann Joha
- Rolant HergertShared titles: Final Contract: Death on Delivery (2006), Good Girl, Bad Girl (2006), Death Train (2005)See all 3 shared titles with Rolant Hergert