- Actor, editor, director and writer
- 14 on MovieCove · 53 credits in all
What are Maria Lease's films like?
Across their 6 MovieCove titles with a thematic analysis, their films lean Survival and Morality.
Themes
What they feel like to watch
Ironic 0 · Wry 1 · Earnest 5
Light 1 · Serious 1 · Dark 4
Grounded 3 · Stylized 3 · Heightened 0
Gentle 2 · Charged 2 · Intense 2
Steady 2 · Shifting 3 · Whiplash 1
A split, not a type: Straight-faced 5 · Some laughs 0 · Funny 1
Slow burn 4 · Even-paced 2 · Relentless 0
Casual 4 · Engaged 2 · Full focus 0
Easy watch 2 · Affecting 2 · Heavy 2
A split, not a type: Resolved 4 · Open-ended 0 · Ambiguous 2
Roles they play
- Heroas WAC Lt. Linda Harman in Love Camp 7 (1969)
Moods and endings
- Happy2
- Bittersweet2
- Ambiguous2
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Maria Lease's films?
As of October 24, 2026, 7 of their 14 MovieCove titles stream on a subscription or free service, most on Tubi (5).
Subscription and free streaming for Maria Lease's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
53 credits, 14 with a MovieCove page.

Midnight Flight (not in the MovieCove catalog yet)(1998)

Hollywood Confidential (not in the MovieCove catalog yet)(1997)

Co-ed Call Girl(1996)
Midcredits score: 18th percentile of all films
Abandoned and Deceived (not in the MovieCove catalog yet)(1995)

Silk Stalkings(1991)
Midcredits score: 29th percentile of all shows
Dolly Dearest(1991)
Midcredits score: 13th percentile of all films
MacGyver (not in the MovieCove catalog yet)(1985)

Better Off Dead(1985)
Midcredits score: 81st percentile of all films
Silence of the Heart(1984)
Midcredits score: 55th percentile of all films
Little Girls Blue 2 (not in the MovieCove catalog yet)(1983)

Chop Stix (not in the MovieCove catalog yet)(1979)

Little Girls Blue (not in the MovieCove catalog yet)(1979)

Expensive Tastes (not in the MovieCove catalog yet)(1978)

Soft Places (not in the MovieCove catalog yet)(1978)

Sweater Girls(1978)
Midcredits score: 5th percentile of all films
Planet of Dinosaurs(1977)
Midcredits score: 4th percentile of all films
Reflections (not in the MovieCove catalog yet)(1977)

Three Shades of Flesh (not in the MovieCove catalog yet)(1976)

Kiss of the Tarantula(1975)
Midcredits score: 8th percentile of all films
Night Pleasures (not in the MovieCove catalog yet)(1976)

Fantasy in Blue (not in the MovieCove catalog yet)(1975)
Midcredits score: 21st percentile of all films
The Young Secretaries (not in the MovieCove catalog yet)(1974)

Teen-Age Jail Bait (not in the MovieCove catalog yet)(1973)

The Dirty Dolls (not in the MovieCove catalog yet)(1973)

The Hard Road (not in the MovieCove catalog yet)(1973)

Schoolgirls in Chains (not in the MovieCove catalog yet)(1973)

Sex and the Office Girl (not in the MovieCove catalog yet)(1972)

Street of a Thousand Pleasures (not in the MovieCove catalog yet)(1972)

Hollywood Babylon (not in the MovieCove catalog yet)(1972)

Dracula vs. Frankenstein(1971)
Midcredits score: 3rd percentile of all films
Midcredits score: 5th percentile of all films
Sandra: The Making of a Woman (not in the MovieCove catalog yet)(1970)

Excited (not in the MovieCove catalog yet)(1970)
Midcredits score: 3rd percentile of all films
Love Camp 7(1969)
Midcredits score: 5th percentile of all films
One Million AC/DC (not in the MovieCove catalog yet)(1969)
Monique, My Love (not in the MovieCove catalog yet)(1969)

Hedonistic Pleasures (not in the MovieCove catalog yet)(1969)

The Fabulous Bastard from Chicago (not in the MovieCove catalog yet)(1969)

The Scavengers (not in the MovieCove catalog yet)(1969)

Vibrations (not in the MovieCove catalog yet)(1969)

I Want You! (not in the MovieCove catalog yet)(1969)

Mnasidika (not in the MovieCove catalog yet)(1969)

The Pick-Up(1968)
Midcredits score: 44th percentile of all films
You (not in the MovieCove catalog yet)(1968)

The Wall of Flesh (not in the MovieCove catalog yet)(1968)

All the Sins of Sodom (not in the MovieCove catalog yet)(1968)

Seven Days Too Long (not in the MovieCove catalog yet)(1968)

Angelique in Black Leather (not in the MovieCove catalog yet)(1968)

Return of the Secret Society (not in the MovieCove catalog yet)(1968)

The Kiss-Off (not in the MovieCove catalog yet)(1968)

To Mount Lowe with Love (not in the MovieCove catalog yet)
Career shape
A full career of 53 titles, 52 of them dated from 1968 to 1998.
Film career
- 1969Screen debut· Love Camp 7
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Maria Lease's films land?
Their typical MovieCove film has a Midcredits score in the 8th percentile, the median of all 13; across their 6 films with reception data, the typical film sits in the 10th percentile for acclaim.
- 75th and up1
- 50th to 74th1
- 25th to 49th2
- Below 25th10
Shape of the crowd
12 of their 14 titles are Mixed.
- Universally Panned1
- Crowd Pleaser1
- Mixed12
Reviewers score the acting 27/100 in their films, across 6 reviewed titles; fans 43, detractors 18. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Maria Lease work with?
People who share at least 2 of Maria Lease's MovieCove titles, grouped by what they did on them; Lee Frost shares the most, 2.
Directors
- Lee FrostShared titles: Love Camp 7 (1969), The Pick-Up (1968)See all 2 shared titles with Lee Frost
Writers
- Wes BishopShared titles: Love Camp 7 (1969), The Pick-Up (1968)See all 2 shared titles with Wes Bishop
Actors
- John AndrewsShared titles: Horror of the Blood Monsters (1970), Sinthia: The Devil's Doll (1970)See all 2 shared titles with John Andrews
- Bob CresseShared titles: Love Camp 7 (1969), The Pick-Up (1968)See all 2 shared titles with Bob Cresse

- David F. FriedmanShared titles: Love Camp 7 (1969), The Pick-Up (1968)See all 2 shared titles with David F. Friedman
- John AldermanShared titles: Love Camp 7 (1969), The Pick-Up (1968)See all 2 shared titles with John Alderman



