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Pier A. Caminneci

Producer, actor and writer · Born July 25, 1941 (85) · Dresden, Germany

Pier A. Caminneci was born on 25 July 1941 in Dresden, Germany. He was a producer and actor, known for Death on a Rainy Day (1967), Der Mörder mit dem Seidenschal (1966) and Succubus (1968). He was married to Pia Degermark. He died on 30 December 2013 in Silvaplana, Switzerland.

Biography from IMDb.

Born
July 25, 1941 (85)
From
Dresden, Germany
Works as
Producer, actor and writer
Titles
5 on MovieCove · 7 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 38 days to Oct 27Up 52% in 30 days

What are Pier A. Caminneci's films like?

Across their 5 MovieCove titles with a thematic analysis, their films lean Morality and Self.

Genres

Comedy2 titlesTypical Midcredits score: 16th percentile
: browse their Comedy movies
Horror2 titlesTypical Midcredits score: 18th percentile, at or above their average across these genres
: browse their Horror movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Morality
29%
Self
28%
Survival
26%
Bonds
12%
Ideas
6%
Identity3 titles, browse their movies with this theme

What they feel like to watch

their average across 5 films
ToneFeelDemandtheir average · filled zone: the category
Wry: How sincerely it treats its story and characters, from ironic to earnest. Browse their wry movies.
Tone · Sincerity
ironicearnest

A split, not a type: Ironic 3 · Wry 0 · Earnest 2

Light: How heavy the subject matter and outlook get. Browse their light movies.
Tone · Weight
lightdark

Light 3 · Serious 1 · Dark 1

Heightened: How far its world departs from everyday reality. Browse their heightened movies.
Tone · Style
naturalisticheightened

Grounded 0 · Stylized 2 · Heightened 3

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

A split, not a type: Gentle 3 · Charged 1 · Intense 1

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

A split, not a type: Steady 1 · Shifting 1 · Whiplash 3

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

A split, not a type: Straight-faced 2 · Some laughs 0 · Funny 3

Slow burn: How fast it moves from scene to scene. Browse their slow burn movies.
Demand · Pace
slowrelentless

A split, not a type: Slow burn 2 · Even-paced 3 · Relentless 0

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

Casual 4 · Engaged 1 · Full focus 0

Open-ended: How much is left for you to interpret. Browse their open-ended movies.
Demand · Resolution
resolvedambiguous

A split, not a type: Resolved 2 · Open-ended 0 · Ambiguous 3

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Absurd
3
Tense
3
Dread
2
Joyful
2
Contemplative
1
Other
3

How their films linger

Fun3 titles, browse their movies with this aftertasteUnsettling2 titles, browse their movies with this aftertasteFeel-good2 titles, browse their movies with this aftertaste

How their films end · 3 with a twist

  • Happy3
  • Ambiguous2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Pier A. Caminneci's films?

As of October 24, 2026, 4 of their 5 MovieCove titles stream on a subscription or free service.

Also on these channels

Subscription and free streaming for Pier A. Caminneci's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

7 credits, 5 with a MovieCove page.

  • The Vampire Happening(1971)

    Producer

    Midcredits score: 13th percentile of all films

  • Kiss Me Monster(1969)

    Associate Producer

    Midcredits score: 8th percentile of all films

  • Two Undercover Angels(1969)

    Associate Producer

    Midcredits score: 19th percentile of all films

  • Castle of the Creeping Flesh(1968)

    Producer · as Roger de la Valiere (uncredited)

    Midcredits score: 6th percentile of all films

  • Succubus(1968)

    Producer · Writer · as Hermann

    Midcredits score: 29th percentile of all films

  • The Murderer with the Silk Scarf (not in the MovieCove catalog yet)(1966)

    Producer

  • Jesse James' Kid (not in the MovieCove catalog yet)(1965)

    Actor

Career shape

A full career of 7 titles from 1965 to 1971.

Highest rated

Succubus (1968)

Midcredits 29th

Most popular right now

Kiss Me Monster (1969)

Film career

By role

only this rolewith another role
Acting3 of 7: 1 only acting, 2 with another roleWriting1 of 7: 0 only writing, 1 with another roleProducing6 of 7: 4 only producing, 2 with another role · typical Midcredits score13th

By decade

1960s6 · 3 acting · 5 crew1970s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Pier A. Caminneci's films land?

Their typical MovieCove film has a Midcredits score in the 13th percentile, the median of all 5; across their 5 films with reception data, the typical film sits in the 18th percentile for acclaim.

Acclaim · how much people like their films

18thpercentile
Typical film, the median of 5

Approval · how many liked their films

11thpercentile
Typical film, the median of 5

Reach · how many have seen their films

60thpercentile
Typical film, the median of 5

Midcredits score across 5 titles, by percentile

  • 25th to 49th1
  • Below 25th4

Shape of the crowd

2 of their 5 titles are Universally Panned.

  • Universally Panned2
  • Cult Classic1
  • Mixed2

Most divisive · actor, writer, producer

Succubus (1968)

70th percentile spread · 34% rated it 4 or lower

Most loved · actor, writer, producer

Succubus (1968)

Midcredits 29th · 35% liked

Reviewers score the acting 43/100 in their films, across 5 reviewed titles; fans 60, detractors 27. The element that speaks to their work as an actor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Pier A. Caminneci work with?

People who share at least 2 of Pier A. Caminneci's MovieCove titles, grouped by what they did on them; Jerry van Rooyen shares the most, 5.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers