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Jorge Herrero

Cinematographer

Works as
Cinematographer
Titles
7 on MovieCove · 37 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 39 days to Oct 28Up 18% in 30 days

What are Jorge Herrero's films like?

Across their 5 MovieCove titles with a thematic analysis, their films lean Morality and Survival.

Themes

share of theme weight
Morality
29%
Survival
24%
Ideas
16%
Self
15%
Bonds
11%
Power
4%
Justice2 titles, browse their movies with this themeIdentity2 titles, browse their movies with this theme

What they feel like to watch

their average across 5 films
ToneFeelDemandtheir average · filled zone: the category
Wry: How sincerely it treats its story and characters, from ironic to earnest. Browse their wry movies.
Tone · Sincerity
ironicearnest

A split, not a type: Ironic 2 · Wry 0 · Earnest 3

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

A split, not a type: Grounded 1 · Stylized 1 · Heightened 3

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 2 · Charged 2 · Intense 1

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

A split, not a type: Steady 2 · Shifting 1 · Whiplash 2

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

A split, not a type: Straight-faced 3 · Some laughs 0 · Funny 2

Slow burn: How fast it moves from scene to scene. Browse their slow burn movies.
Demand · Pace
slowrelentless

Slow burn 3 · Even-paced 2 · Relentless 0

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

A split, not a type: Casual 3 · Engaged 1 · Full focus 1

Easy watch: How much it costs you emotionally; whether you need recovery time. Browse their easy watch movies.
Demand · Emotional cost
easyheavy

A split, not a type: Easy watch 2 · Affecting 3 · Heavy 0

Ambiguous: How much is left for you to interpret. Browse their ambiguous movies.
Demand · Resolution
resolvedambiguous

Resolved 2 · Open-ended 0 · Ambiguous 3

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
4
Absurd
2
Dread
2
Contemplative
2
Joyful
1
Other
3

How their films linger

Fun2 titles, browse their movies with this aftertasteThought-provoking2 titles, browse their movies with this aftertasteUnsettling2 titles, browse their movies with this aftertasteFeel-good2 titles, browse their movies with this aftertaste

How their films end · 2 with a twist

  • Happy2
  • Tragic1
  • Ambiguous2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Jorge Herrero's films?

As of October 24, 2026, 6 of their 7 MovieCove titles stream on a subscription or free service, most on Tubi (4).

Also on these channels

Subscription and free streaming for Jorge Herrero's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

37 credits, 7 with a MovieCove page.

  • The Cross of Iberia (not in the MovieCove catalog yet)(1990)

    Cinematographer

  • Pulsebeat (not in the MovieCove catalog yet)(1985)

    Cinematographer

  • ¡¡¡A tope!!! (not in the MovieCove catalog yet)(1984)

    Cinematographer

  • Ragdolls (not in the MovieCove catalog yet)(1984)

    Cinematographer

  • Revenge of the Black Wolf (not in the MovieCove catalog yet)(1981)

    Cinematographer

  • The Black Wolf (not in the MovieCove catalog yet)(1981)

    Cinematographer

  • Despido improcedente (not in the MovieCove catalog yet)(1980)

    Cinematographer

  • ¡Mi adúltero esposo! ('In Situ') (not in the MovieCove catalog yet)(1979)

    Cinematographer

  • Curro Jiménez (not in the MovieCove catalog yet)(1976)

    Show 1 episode · Cinematographer

  • La menor (not in the MovieCove catalog yet)(1976)

    Cinematographer

  • Señoritas de uniforme (not in the MovieCove catalog yet)(1976)

    Cinematographer

  • The Adolescents (not in the MovieCove catalog yet)(1975)

    Cinematographer

  • El libro del buen amor (not in the MovieCove catalog yet)(1974)

    Cinematographer

  • Historia de España: La noche de los tiempos (not in the MovieCove catalog yet)(1972)

    Show 23 episodes · Camera Operator

  • Socrates(1970)

    Cinematographer

    Midcredits score: 82nd percentile of all films

  • El gran crucero (not in the MovieCove catalog yet)(1970)

    Cinematographer

  • Osaka Show 1970 (not in the MovieCove catalog yet)(1970)

    Cinematographer

  • The First Charge of the Machete (not in the MovieCove catalog yet)(1969)

    Cinematographer · Writer

  • Kiss Me Monster(1969)

    Cinematographer

    Midcredits score: 8th percentile of all films

  • Two Undercover Angels(1969)

    Cinematographer

    Midcredits score: 19th percentile of all films

  • Lucía (not in the MovieCove catalog yet)(1968)

    Cinematographer

  • Castle of the Creeping Flesh(1968)

    Cinematographer

    Midcredits score: 6th percentile of all films

  • Succubus(1968)

    Cinematographer

    Midcredits score: 29th percentile of all films

  • The Hellbenders(1967)

    Camera Operator

    Midcredits score: 71st percentile of all films

  • Manuela (not in the MovieCove catalog yet)(1966)

    Cinematographer

  • Lone and Angry Man (not in the MovieCove catalog yet)(1965)

    Camera Operator

  • The Girl in Mourning (not in the MovieCove catalog yet)(1964)

    Camera Operator

  • Trampa para Catalina (not in the MovieCove catalog yet)(1963)

    Assistant Camera

  • Girl from La Mancha (not in the MovieCove catalog yet)(1963)

    Assistant Camera

  • The Shadow of Zorro (not in the MovieCove catalog yet)(1962)

    Camera Operator

  • The Carpet of Horror(1962)

    Camera Operator

    Midcredits score: 14th percentile of all films

  • Martes y trece (not in the MovieCove catalog yet)(1962)

    Assistant Camera

  • ¡Aquí están las vicetiples! (not in the MovieCove catalog yet)(1961)

    Assistant Camera

  • ¡Ahí va otro recluta! (not in the MovieCove catalog yet)(1960)

    Assistant Camera

  • El hombre que perdió el tren (not in the MovieCove catalog yet)(1960)

    Assistant Camera

  • Historias de Madrid (not in the MovieCove catalog yet)(1958)

    Assistant Camera

  • El hombre que viajaba despacito (not in the MovieCove catalog yet)(1957)

    Assistant Camera

Career shape

A full career of 37 titles from 1957 to 1990.

Highest rated

Socrates (1970)

Midcredits 82nd

Most popular right now

Kiss Me Monster (1969)

By role

only this rolewith another role
Writing1 of 37: 0 only writing, 1 with another roleCinematography23 of 37: 22 only cinematography, 1 with another role · typical Midcredits score19thOther crew14 of 37: 14 only other crew, 0 with another role

By decade

1950s2 · crew1960s18 · crew1970s10 · crew1980s6 · crew1990s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Jorge Herrero's films land?

Their typical MovieCove film has a Midcredits score in the 19th percentile, the median of all 7; across their 5 films with reception data, the typical film sits in the 27th percentile for acclaim.

Acclaim · how much people like their films

27thpercentile
Typical film, the median of 5

Approval · how many liked their films

14thpercentile
Typical film, the median of 5

Reach · how many have seen their films

59thpercentile
Typical film, the median of 5

Midcredits score across 7 titles, by percentile

  • 75th and up1
  • 50th to 74th1
  • 25th to 49th1
  • Below 25th4

Shape of the crowd

2 of their 7 titles are Universally Panned.

  • Universally Panned2
  • Cult Classic1
  • Crowd Pleaser2
  • Broadly Agreed1
  • Mixed1

Most divisive · cinematographer

Succubus (1968)

70th percentile spread · 34% rated it 4 or lower

Most loved · cinematographer

Socrates (1970)

Midcredits 82nd · 73% liked

Reviewers score the cinematography 62/100 in their films, across 5 reviewed titles; fans 73, detractors 42. The element that speaks to their work as a cinematographer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Jorge Herrero work with?

People who share at least 2 of Jorge Herrero's MovieCove titles, grouped by what they did on them; Jesús Franco shares the most, 4.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers