- July 8, 1957 (69)
- Varese, Italy
- Director and writer
- 8 on MovieCove · 29 credits in all
Known for
What are Giacomo Campiotti's films like?
Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 3
Light 0 · Serious 3 · Dark 0
Grounded 3 · Stylized 0 · Heightened 0
Gentle 2 · Charged 1 · Intense 0
Steady 2 · Shifting 1 · Whiplash 0
Straight-faced 2 · Some laughs 1 · Funny 0
Slow burn 3 · Even-paced 0 · Relentless 0
Casual 2 · Engaged 1 · Full focus 0
Easy watch 0 · Affecting 3 · Heavy 0
Resolved 3 · Open-ended 0 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Giacomo Campiotti's films?
As of October 24, 2026, 2 of their 8 MovieCove titles stream on a subscription or free service, most on Tubi (2).
- BritBox
Subscription and free streaming for Giacomo Campiotti's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
29 credits, 8 with a MovieCove page.

Il mio nome è Carlo (not in the MovieCove catalog yet)(2026)

La ricetta della felicità (not in the MovieCove catalog yet)(2025)

Ennio Doris - C'è anche domani (not in the MovieCove catalog yet)(2024)

La lunga notte - La caduta del Duce (not in the MovieCove catalog yet)(2024)

La Sposa (not in the MovieCove catalog yet)(2022)

Chiara Lubich - L'amore vince tutto (not in the MovieCove catalog yet)(2021)

Ognuno è perfetto (not in the MovieCove catalog yet)(2019)

Sons of 'Ndrangheta (not in the MovieCove catalog yet)(2019)

Non è mai troppo tardi (not in the MovieCove catalog yet)(2014)
Midcredits score: 48th percentile of all films
Mary of Nazareth(2012)
Midcredits score: 71st percentile of all films
Mary of Nazareth (not in the MovieCove catalog yet)(2012)

Drawn for Jury Duty (not in the MovieCove catalog yet)(2010)

Saint Philip Neri: I Prefer Heaven (not in the MovieCove catalog yet)(2010)

Saint Philip Neri: I Prefer Heaven (not in the MovieCove catalog yet)(2010)

Bakhita (not in the MovieCove catalog yet)(2009)
Midcredits score: 96th percentile of all films
St. Giuseppe Moscati: Doctor to the Poor (not in the MovieCove catalog yet)(2007)

L'amore e la guerra (not in the MovieCove catalog yet)(2007)

Never Again as Before (not in the MovieCove catalog yet)(2005)

Doctor Zhivago(2002)
Midcredits score: 59th percentile of all shows
A Time to Love (not in the MovieCove catalog yet)(1999)

Like Two Crocodiles (not in the MovieCove catalog yet)(1995)

Corsa di primavera (not in the MovieCove catalog yet)(1989)

The Rogues(1987)
Midcredits score: 50th percentile of all films
Let's Hope It's a Girl(1986)
Midcredits score: 68th percentile of all filmsTre donne (not in the MovieCove catalog yet)(1983)

Grog(1982)
Midcredits score: 44th percentile of all films (provisional, few ratings)
The Marquis of Grillo(1981)
Midcredits score: 97th percentile of all films
Career shape
A full career of 29 titles from 1981 to 2026.
How do Giacomo Campiotti's films land?
Their typical MovieCove film has a Midcredits score in the 68th percentile, the median of all 7; across a limited sample of 3 films with reception data, the typical film sits in the 73rd percentile for acclaim.
- 75th and up2
- 50th to 74th4
- 25th to 49th2
Shape of the crowd
3 of their 8 titles are Crowd Pleasers.
- Universally Loved2
- Cult Classic2
- Crowd Pleaser3
- Mixed1
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Giacomo Campiotti work with?
People who share at least 2 of Giacomo Campiotti's MovieCove titles, grouped by what they did on them; Alessio Doglione shares the most, 2.
Editors
- Alessio DoglioneShared titles: White as Milk, Red as Blood (2013), Mary of Nazareth (2012)See all 2 shared titles with Alessio Doglione
Producers
- Daniele PassaniShared titles: White as Milk, Red as Blood (2013), Mary of Nazareth (2012)See all 2 shared titles with Daniele Passani
- Luca BernabeiShared titles: White as Milk, Red as Blood (2013), Mary of Nazareth (2012)See all 2 shared titles with Luca Bernabei

- Matilde BernabeiShared titles: White as Milk, Red as Blood (2013), Mary of Nazareth (2012)See all 2 shared titles with Matilde Bernabei
