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Daniele Passani

Producer

Daniele believes in teamwork and knows how to build strong relationships between all team members, from directors to runners. He started out in Italian and international cinema with directors such as Ermanno Olmi, Marco Bellocchio, Gianni Amelio and Damiano Damiani. In the nineties, he moved to television production, working on products including La Piovra, Marshal Rocca and Commesse. Fifteen years ago, he joined Lux Vide, where he is responsible of the conception, supervision and management of productions and co-productions. His approach has reshaped how series are developed optimizing and innovating the whole production process. The focus on organization and the choice of an in-studio approach have enabled Daniele to streamline the production process. As Lux Vide Head of Production, he has been instrumental in successes such as Don Matteo, Coco Chanel, Augustine, Anna Karenina, Mary of Nazareth, The Boss Hunt, War and Peace, One step from Heaven and Come Dio Ci Aiuti.

Read more

Biography from IMDb.

Works as
Producer
Titles
14 on MovieCove · 34 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)

Known for

TMDB popularity, last 156 days to Oct 27Down 24% in 30 days

What are Daniele Passani's films like?

Across their 11 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

Genres

Biography2 titlesTypical Midcredits score: 73rd percentile, at or above their average across these genres
: browse their Biography movies
Comedy2 titlesTypical Midcredits score: 34th percentile
: browse their Comedy movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Bonds
35%
Self
24%
Morality
15%
Power
12%
Society
9%
Survival
3%
Ideas
2%
Romantic love6 titles, browse their movies with this themeFamily bonds3 titles, browse their movies with this themeIdentity3 titles, browse their movies with this themeRedemption2 titles, browse their movies with this themeClass2 titles, browse their movies with this themeFaith2 titles, browse their movies with this themeDeception2 titles, browse their movies with this themeSelf-worth2 titles, browse their movies with this theme

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category
Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

A split, not a type: Grounded 2 · Stylized 1 · Heightened 1

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

A split, not a type: Gentle 2 · Charged 1 · Intense 1

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 1 · Shifting 2 · Whiplash 1

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 2 · Some laughs 2 · Funny 0

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

A split, not a type: Slow burn 3 · Even-paced 1 · Relentless 0

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

Casual 2 · Engaged 2 · Full focus 0

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 3 · Open-ended 0 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Romantic
8
Tense
5
Melancholic
5
Hopeful
4
Warm
3
Other
7

How their films linger

Hopeful5 titles, browse their movies with this aftertasteFeel-good5 titles, browse their movies with this aftertasteBittersweet4 titles, browse their movies with this aftertasteRousing3 titles, browse their movies with this aftertaste

How their films end · 1 with a twist

  • Happy4
  • Bittersweet6
  • Tragic1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Daniele Passani's films?

As of October 24, 2026, 9 of their 14 MovieCove titles stream on a subscription or free service, most on Prime Video (3).

Also on these channels

Subscription and free streaming for Daniele Passani's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

34 credits, 14 with a MovieCove page.

  • Sandokan(2025)

    Show 8 episodes · Executive Producer

    Midcredits score: 67th percentile of all shows

  • Hotel Costiera(2025)

    Show Producer

    Midcredits score: 25th percentile of all shows

  • I Hate Christmas(2022)

    Show 6 episodes · Executive Producer

    Midcredits score: 31st percentile of all shows

  • Blanca(2021)

    Show 6 episodes · Executive Producer

    Midcredits score: 72nd percentile of all shows

  • Leonardo (not in the MovieCove catalog yet)(2021)

    Show 8 episodes · Executive Producer

  • The Lady with the Black Veil(2015)

    Show Producer

    Midcredits score: 44th percentile of all shows

  • Beauty and the Beast(2014)

    Show Producer

    Midcredits score: 52nd percentile of all shows

  • White as Milk, Red as Blood(2013)

    Executive Producer

    Midcredits score: 48th percentile of all films

  • Anna Karenina(2013)

    Show Producer

    Midcredits score: 64th percentile of all shows

  • Mary of Nazareth (not in the MovieCove catalog yet)(2012)

    Show 2 episodes · Executive Producer

  • Mary of Nazareth(2012)

    Producer

    Midcredits score: 71st percentile of all films

  • One Thousand and One Nights(2012)

    Show Producer

    Midcredits score: 43rd percentile of all shows

  • Che Dio Ci Aiuti (not in the MovieCove catalog yet)(2011)

    Show 16 episodes · Executive Producer

  • One Step from Heaven(2011)

    Show 30 episodes · Executive Producer

    Midcredits score: 34th percentile of all shows

  • Saint Philip Neri: I Prefer Heaven (not in the MovieCove catalog yet)(2010)

    Executive Producer

  • Saint Philip Neri: I Prefer Heaven (not in the MovieCove catalog yet)(2010)

    Show 2 episodes · Executive Producer

  • Augustine: The Decline of the Roman Empire (not in the MovieCove catalog yet)(2010)

    Show 2 episodes · Executive Producer

  • Pinocchio (not in the MovieCove catalog yet)(2009)

    Executive Producer

  • Pinocchio (not in the MovieCove catalog yet)(2009)

    Show 2 episodes · Production Office Assistant

  • Coco Chanel(2008)

    Executive Producer

    Midcredits score: 74th percentile of all films

  • War and Peace (not in the MovieCove catalog yet)(2007)

    Show 4 episodes · Executive Producer

  • Chiara e Francesco (not in the MovieCove catalog yet)(2007)

    Executive Producer

  • Maternity Ward (not in the MovieCove catalog yet)(2006)

    Show 26 episodes · Executive Producer

  • Singing Behind Screens (not in the MovieCove catalog yet)(2003)

    Executive Producer

  • Don Matteo(2000)

    Show 217 episodes · Executive Producer

    Midcredits score: 33rd percentile of all shows

  • Il viaggio della sposa (not in the MovieCove catalog yet)(1997)

    Production Manager

  • Il toro (not in the MovieCove catalog yet)(1994)

    Production Manager

  • Here Comes the Storm (not in the MovieCove catalog yet)(1993)

    Executive Producer

  • Via Panisperna Boys (not in the MovieCove catalog yet)(1989)

    Production Manager

  • The Gamble (not in the MovieCove catalog yet)(1988)

    Executive Producer

  • Il burbero (not in the MovieCove catalog yet)(1986)

    Unit Manager

  • Department Store (not in the MovieCove catalog yet)(1986)

    Production Secretary

  • Pizza Connection (not in the MovieCove catalog yet)(1985)

    Unit Manager

  • Joan Lui: Ma un giorno nel paese arrivo io di lunedì(1985)

    Producer

    Midcredits score: 20th percentile of all films

Career shape

A full career of 27 titles from 1985 to 2025.

Biggest box office

White as Milk, Red as Blood (2013)

$4.2M worldwide

Highest rated

Coco Chanel (2008)

Midcredits 74th

Most popular right now

Sandokan (2025)

By role

only this rolewith another role
Producing20 of 27: 20 only producing, 0 with another role · typical Midcredits score48thOther crew7 of 27: 7 only other crew, 0 with another role

By decade

1980s5 · crew1990s3 · crew2000s8 · crew2010s7 · crew2020s4 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Daniele Passani's films land?

Their typical MovieCove film has a Midcredits score in the 60th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 59th percentile for acclaim.

Acclaim · how much people like their films

59thpercentile
Typical film, the median of 4

Approval · how many liked their films

58thpercentile
Typical film, the median of 4

Reach · how many have seen their films

56thpercentile
Typical film, the median of 4

Midcredits score across 14 titles, by percentile

  • 50th to 74th6
  • 25th to 49th7
  • Below 25th1

Shape of the crowd

8 of their 14 titles are Mixed.

  • Cult Classic2
  • Crowd Pleaser4
  • Mixed8

Most divisive · producer

Mary of Nazareth (2012)

80th percentile spread · 18% rated it 4 or lower

Most loved · producer

Coco Chanel (2008)

Midcredits 74th · 68% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Daniele Passani work with?

People who share at least 2 of Daniele Passani's MovieCove titles, grouped by what they did on them; Luca Bernabei shares the most, 10.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers