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Tatiana Casini Morigi

Editor · Died August 5, 2015, aged 86

Born
March 3, 1929
Died
August 5, 2015 (aged 86)
Works as
Editor
Titles
19 on MovieCove · 56 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 38 days to Oct 27Down 6% in 30 days

What are Tatiana Casini Morigi's films like?

Across their 17 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.

Genres

Comedy11 titlesTypical Midcredits score: 49th percentile
: browse their Comedy movies
Drama3 titlesTypical Midcredits score: 51st percentile
: browse their Drama movies
Adventure2 titlesTypical Midcredits score: 74th percentile, at or above their average across these genres
: browse their Adventure movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Morality
27%
Bonds
26%
Power
22%
Society
16%
Self
5%
Survival
3%
Romantic love4 titles, browse their movies with this themeGreed3 titles, browse their movies with this themeDeception6 titles, browse their movies with this themeTradition vs change3 titles, browse their movies with this themeCorruption3 titles, browse their movies with this themeFamily bonds3 titles, browse their movies with this themeRevenge2 titles, browse their movies with this themeFaith2 titles, browse their movies with this theme

What they feel like to watch

their average across 17 films
ToneFeelDemandtheir average · filled zone: the category
Wry: How sincerely it treats its story and characters, from ironic to earnest. Browse their wry movies.
Tone · Sincerity
ironicearnest

A split, not a type: Ironic 6 · Wry 2 · Earnest 7

Light: How heavy the subject matter and outlook get. Browse their light movies.
Tone · Weight
lightdark

Light 10 · Serious 4 · Dark 3

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

A split, not a type: Grounded 9 · Stylized 4 · Heightened 4

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 5 · Charged 10 · Intense 2

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 6 · Shifting 11 · Whiplash 0

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

A split, not a type: Straight-faced 2 · Some laughs 6 · Funny 9

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 4 · Even-paced 12 · Relentless 1

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

Casual 10 · Engaged 7 · Full focus 0

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 14 · Open-ended 2 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Joyful
7
Absurd
8
Warm
6
Tense
5
Thrilling
4
Other
9

How their films linger

Fun8 titles, browse their movies with this aftertasteFeel-good7 titles, browse their movies with this aftertasteThought-provoking5 titles, browse their movies with this aftertasteBittersweet5 titles, browse their movies with this aftertasteCathartic3 titles, browse their movies with this aftertasteRousing2 titles, browse their movies with this aftertaste

How their films end · 3 with a twist

  • Happy7
  • Bittersweet7
  • Ambiguous3

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Tatiana Casini Morigi's films?

As of October 24, 2026, 8 of their 19 MovieCove titles stream on a subscription or free service, most on Tubi (7).

Also on these channels

Subscription and free streaming for Tatiana Casini Morigi's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

56 credits, 19 with a MovieCove page.

  • Incontri proibiti(1998)

    Editor

    Midcredits score: 10th percentile of all films

  • Nestore, l'ultima corsa (not in the MovieCove catalog yet)(1994)

    Editor

  • Assolto per aver commesso il fatto (not in the MovieCove catalog yet)(1992)

    Editor

  • Il prato delle volpi (not in the MovieCove catalog yet)(1990)

    Show 2 episodes · Editor

  • A Taxi Driver in New York (not in the MovieCove catalog yet)(1987)

    Editor

  • Portami la luna (not in the MovieCove catalog yet)(1987)

    Editor

  • Rimini Rimini(1987)

    Editor

    Midcredits score: 10th percentile of all films

  • I Am an ESP (not in the MovieCove catalog yet)(1985)

    Editor

  • All for the Moral Majority! (not in the MovieCove catalog yet)(1984)

    Editor

  • Il tassinaro (not in the MovieCove catalog yet)(1983)

    Editor

  • In viaggio con papà(1982)

    Editor

    Midcredits score: 56th percentile of all films

  • I Know That You Know That I Know (not in the MovieCove catalog yet)(1982)

    Editor

  • Catherine and I (not in the MovieCove catalog yet)(1980)

    Editor

  • Where Are You Going on Holiday?(1978)

    Editor

    Midcredits score: 50th percentile of all films

  • Il comune senso del pudore(1976)

    Editor

    Midcredits score: 32nd percentile of all films

  • Arabian Nights(1974)

    Editor

    Midcredits score: 71st percentile of all films

  • The Walls of Sana'a (not in the MovieCove catalog yet)(1974)

    Editor

  • Paolo the Cool (not in the MovieCove catalog yet)(1974)

    Editor

  • The Mighty Anselmo and His Squire (not in the MovieCove catalog yet)(1972)

    Editor

  • The Terror with Cross-Eyes (not in the MovieCove catalog yet)(1972)

    Editor

  • Don Camillo e i giovani d'oggi(1972)

    Editor

    Midcredits score: 17th percentile of all films

  • The Sicilian Checkmate (not in the MovieCove catalog yet)(1972)

    Editor

  • The Decameron(1971)

    Editor

    Midcredits score: 81st percentile of all films

  • Il furto è l'anima del commercio!?... (not in the MovieCove catalog yet)(1971)

    Editor

  • The Feast of Satan (not in the MovieCove catalog yet)(1971)

    Editor

  • I Don't See, You Don't Speak, He Doesn't Hear (not in the MovieCove catalog yet)(1971)

    Editor

  • Io non spezzo... rompo (not in the MovieCove catalog yet)(1971)

    Editor

  • Shadow of Illusion (not in the MovieCove catalog yet)(1970)

    Editor

  • Boot Hill(1969)

    Editor

    Midcredits score: 27th percentile of all films

  • Playgirl 70 (not in the MovieCove catalog yet)(1969)

    Editor

  • Police Chief Pepe (not in the MovieCove catalog yet)(1969)

    Editor

  • Simón Bolívar (not in the MovieCove catalog yet)(1969)

    Editor

  • Kill Them All and Come Back Alone(1968)

    Editor

    Midcredits score: 51st percentile of all films

  • Run, Man, Run(1968)

    Editor

    Midcredits score: 73rd percentile of all films

  • One Dollar Too Many (not in the MovieCove catalog yet)(1968)

    Editor

  • Johnny Hamlet(1968)

    Editor

    Midcredits score: 59th percentile of all films

  • Any Gun Can Play(1967)

    Editor

    Midcredits score: 39th percentile of all films

  • Soldier's Girl (not in the MovieCove catalog yet)(1967)

    Editor

  • The Devil in Love (not in the MovieCove catalog yet)(1966)

    Editor

  • Rojo(1966)

    Editor

    Midcredits score: 14th percentile of all films

  • Almost Perfect Crime (not in the MovieCove catalog yet)(1966)

    Editor

  • Ischia operazione amore (not in the MovieCove catalog yet)(1966)

    Editor

  • Me, Me, Me... and the Others(1966)

    Editor

    Midcredits score: 49th percentile of all films

  • The Flying Saucer (not in the MovieCove catalog yet)(1964)

    Editor

  • To Bed or Not to Bed (not in the MovieCove catalog yet)(1963)

    Editor

  • La banda Casaroli (not in the MovieCove catalog yet)(1962)

    Editor

  • I Love, You Love (not in the MovieCove catalog yet)(1962)

    Editor

  • A Difficult Life(1961)

    Editor

    Midcredits score: 98th percentile of all films

  • The Best of Enemies(1961)

    Editor

    Midcredits score: 74th percentile of all films

  • La moglie di mio marito (not in the MovieCove catalog yet)(1961)

    Editor

  • Ti aspetterò all'inferno (not in the MovieCove catalog yet)(1960)

    Editor

  • Adventure in Capri (not in the MovieCove catalog yet)(1959)

    Editor

  • Sanremo canta (not in the MovieCove catalog yet)(1956)

    Editor

  • Woman of the River(1954)

    Assistant Editor

    Midcredits score: 48th percentile of all films

  • Ulysses(1954)

    Assistant Editor

    Midcredits score: 70th percentile of all films

  • Women Without Names (not in the MovieCove catalog yet)(1950)

    Editor

Career shape

A full career of 56 titles from 1950 to 1998.

Biggest box office

A Difficult Life (1961)

$72K worldwide

Highest rated

A Difficult Life (1961)

Midcredits 98th

Most popular right now

The Decameron (1971)

By role

only this rolewith another role
Editing54 of 56: 54 only editing, 0 with another role · typical Midcredits score50thOther crew2 of 56: 2 only other crew, 0 with another role

By decade

1950s5 · crew1960s23 · crew1970s15 · crew1980s9 · crew1990s4 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Tatiana Casini Morigi's films land?

Their typical MovieCove film has a Midcredits score in the 50th percentile, the median of all 19; across their 17 films with reception data, the typical film sits in the 54th percentile for acclaim.

Acclaim · how much people like their films

54thpercentile
Typical film, the median of 17

Approval · how many liked their films

46thpercentile
Typical film, the median of 17

Reach · how many have seen their films

54thpercentile
Typical film, the median of 17

Midcredits score across 19 titles, by percentile

  • 75th and up2
  • 50th to 74th8
  • 25th to 49th5
  • Below 25th4

Shape of the crowd

None of their 19 titles divides audiences: 8 are Crowd Pleasers.

  • Universally Loved1
  • Crowd Pleaser8
  • Broadly Agreed6
  • Mixed4

Most loved · editor

A Difficult Life (1961)

Midcredits 98th · 89% liked

Reviewers score the pacing 51/100 in their films, across 10 reviewed titles; fans 59, detractors 30. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Tatiana Casini Morigi's work okay for kids?

Across a limited sample of up to 3 MovieCove titles with content scores.

Their medianMedian of all films
Sex & Nudity3 titlesmedian 77 · intenseMedian of all films: 32

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Tatiana Casini Morigi work with?

People who share at least 2 of Tatiana Casini Morigi's MovieCove titles, grouped by what they did on them; Alberto Sordi shares the most, 6.

Directors

Writers

Actors

Composers and editors

Producers