Paul Cayatte

Editor

Works as: Editor
Titles: 12 on MovieCove · 33 credits in all
Links: IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 38 days to Oct 27Down 38% in 30 days

What are Paul Cayatte's films like?

Across their 12 MovieCove titles with a thematic analysis, their films lean Morality and Self.

Genres

Crime6 titles79^th

Comedy3 titles64^th

Drama2 titles58^th

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight

Morality

44%

Self

16%

Power

14%

Bonds

11%

Survival

9%

Society

4%

Ideas

3%

Justice5 Deception3 Betrayal3 Greed2 Identity2 Guilt2

What they feel like to watch

their average across 12 films

ToneFeelDemandtheir average · filled zone: the category

Earnest

Tone · Sincerity

ironicearnest

Ironic 1 · Wry 1 · Earnest 10

Serious

Tone · Weight

lightdark

A split, not a type: Light 3 · Serious 3 · Dark 6

Stylized

Tone · Style

naturalisticheightened

Grounded 5 · Stylized 7 · Heightened 0

Charged

Feel · Intensity

gentleintense

A split, not a type: Gentle 2 · Charged 4 · Intense 6

Shifting

Feel · Swings

steadyswings

Steady 5 · Shifting 6 · Whiplash 1

Straight-faced

Feel · Humor

noneconstant

Straight-faced 7 · Some laughs 3 · Funny 2

Even-paced

Demand · Pace

slowrelentless

Slow burn 3 · Even-paced 9 · Relentless 0

Engaged

Demand · Attention

casualfull focus

Casual 4 · Engaged 6 · Full focus 2

Affecting

Demand · Emotional cost

easyheavy

A split, not a type: Easy watch 2 · Affecting 4 · Heavy 6

Open-ended

Demand · Resolution

resolvedambiguous

A split, not a type: Resolved 9 · Open-ended 2 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense

8

Dread

6

Melancholic

3

Joyful

2

Absurd

3

Other

7

How their films linger

Unsettling5 Thought-provoking4 Haunting4 Fun3 Bittersweet3 Devastating2

How their films end · 2 with a twist

Happy2
Bittersweet2
Tragic5
Ambiguous2
Cyclical1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Paul Cayatte's films?

As of October 24, 2026, 2 of their 12 MovieCove titles stream on a subscription or free service.

Also on these channels

Cohen Media Channel1 title, show their title on Cohen Media Channel

Subscription and free streaming for Paul Cayatte's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

33 credits, 12 with a MovieCove page.

Question of Love (not in the MovieCove catalog yet)(1978)
Editor
La raison d'État(1978)
Editor
Midcredits score: 35th percentile of all films
The Teasers Go to Paris (not in the MovieCove catalog yet)(1977)
Editor
À chacun son enfer(1977)
Editor
Midcredits score: 80th percentile of all films
Love School (not in the MovieCove catalog yet)(1973)
Editor
Malpertuis (not in the MovieCove catalog yet)(1972)
Sound Editor
The Sensuous Teenager (not in the MovieCove catalog yet)(1971)
Production Manager
The Hideout(1971)
Editor
Midcredits score: 3rd percentile of all films (provisional, few ratings)
Borsalino(1970)
Editor
Midcredits score: 78th percentile of all films
Her and She and Him (not in the MovieCove catalog yet)(1970)
Production Manager
Safety Catch (not in the MovieCove catalog yet)(1970)
Editor
The Swimming Pool(1969)
Editor
Midcredits score: 87th percentile of all films
Diabolically Yours(1967)
Editor
Midcredits score: 42nd percentile of all films
A Trap for Cinderella (not in the MovieCove catalog yet)(1965)
Editor
The Uninhibited (not in the MovieCove catalog yet)(1965)
Editor
A Funny Boss(1964)
Editor
Midcredits score: 35th percentile of all films
Anatomy of a Marriage: My Days with Françoise (not in the MovieCove catalog yet)(1964)
Editor
Anatomy of a Marriage: My Days with Jean-Marc (not in the MovieCove catalog yet)(1964)
Editor
Symphony for a Massacre(1963)
Editor
Midcredits score: 87th percentile of all films
The Devil and the Ten Commandments(1962)
Editor
Midcredits score: 64th percentile of all films
Cross of the Living (not in the MovieCove catalog yet)(1962)
Editor
The Burning Court (not in the MovieCove catalog yet)(1962)
Editor
Sweet Ecstasy (not in the MovieCove catalog yet)(1962)
Editor
Two Are Guilty(1962)
Editor
Midcredits score: 76th percentile of all films
The Old Guard (not in the MovieCove catalog yet)(1960)
Editor
Le Cercle vicieux (not in the MovieCove catalog yet)(1960)
Editor
Boulevard(1960)
Editor
Midcredits score: 64th percentile of all films
An Eye for an Eye (not in the MovieCove catalog yet)(1957)
Editor
Blood to the Head (not in the MovieCove catalog yet)(1956)
Editor
Black Dossier (not in the MovieCove catalog yet)(1955)
Editor
Before the Deluge (not in the MovieCove catalog yet)(1954)
Editor
Rhine Virgin (not in the MovieCove catalog yet)(1953)
Editor
We Are All Murderers(1952)
Editor
Midcredits score: 79th percentile of all films

Career shape

A full career of 28 titles from 1952 to 1978.

Biggest box office

The Swimming Pool (1969)

$346K worldwide

Highest rated

The Swimming Pool (1969)

Midcredits 87^th

By role

only this rolewith another role

Editing25 of 28 · 78^thOther crew3 of 28

By decade

1950s6 · crew1960s14 · crew1970s8 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Paul Cayatte's films land?

Their typical MovieCove film has a Midcredits score in the 70^th percentile, the median of all 12; across their 12 films with reception data, the typical film sits in the 68^th percentile for acclaim.

Acclaim · how much people like their films

68^thpercentile

Typical film, the median of 12

Approval · how many liked their films

67^thpercentile

Typical film, the median of 12

Reach · how many have seen their films

43^rdpercentile

Typical film, the median of 12

Midcredits score across 12 titles, by percentile

75^th and up6
50^th to 74^th2
25^th to 49^th3
Below 25^th1

Shape of the crowd

8 of their 12 titles are Crowd Pleasers.

Crowd Pleaser8
Broadly Agreed3
Mixed1

Most divisive · editor

The Hideout (1971)

76^th percentile spread · 55% rated it 4 or lower

Most loved · editor

The Swimming Pool (1969)

Midcredits 87^th · 75% liked

Reviewers score the pacing 45/100 in their films, across 8 reviewed titles; fans 55, detractors 26. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.