Claude Jaeger
- Producer
- 11 on MovieCove · 18 credits in all
What are Claude Jaeger's films like?
Across their 7 MovieCove titles with a thematic analysis, their films lean Morality and Self.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 2 · Wry 1 · Earnest 4
A split, not a type: Light 2 · Serious 2 · Dark 3
Grounded 1 · Stylized 3 · Heightened 3
A split, not a type: Gentle 2 · Charged 2 · Intense 3
Steady 2 · Shifting 4 · Whiplash 1
Straight-faced 2 · Some laughs 3 · Funny 2
A split, not a type: Slow burn 3 · Even-paced 4 · Relentless 0
Casual 2 · Engaged 4 · Full focus 1
A split, not a type: Easy watch 3 · Affecting 1 · Heavy 3
A split, not a type: Resolved 4 · Open-ended 0 · Ambiguous 3
Moods and endings
- Happy2
- Bittersweet1
- Ambiguous3
- Cyclical1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Claude Jaeger's films?
As of October 24, 2026, 2 of their 11 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Claude Jaeger's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
18 credits, 11 with a MovieCove page; 1 appearance as themselves is hidden until asked for.
The Two of Us (not in the MovieCove catalog yet)(1992)
Perceval le Gallois(1978)
Midcredits score: 79th percentile of all films
Shadow of the Castles (not in the MovieCove catalog yet)(1977)
The Woman with Red Boots (not in the MovieCove catalog yet)(1974)
Midcredits score: 95th percentile of all films
Kill! Kill! Kill! Kill!(1971)
Midcredits score: 17th percentile of all films
The Wall (not in the MovieCove catalog yet)(1967)
La Voleuse (not in the MovieCove catalog yet)(1966)
Mademoiselle(1966)
Midcredits score: 80th percentile of all filmsLa jeune morte (not in the MovieCove catalog yet)(1965)
Les Pieds nickelés (not in the MovieCove catalog yet)(1964)
A Funny Boss(1964)
Midcredits score: 35th percentile of all films
Diary of a Chambermaid(1964)
Midcredits score: 90th percentile of all films
Male Hunt(1964)
Midcredits score: 46th percentile of all films
Midcredits score: 64th percentile of all films
Man Called Rocca(1961)
Midcredits score: 55th percentile of all films
The Long Absence(1961)
Midcredits score: 78th percentile of all films
This is Called Dawn(1956)
Midcredits score: 72nd percentile of all films
Career shape
A full career of 16 titles from 1956 to 1992.
Film career
- 1964Screen debut· Diary of a Chambermaid
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Claude Jaeger's films land?
Their typical MovieCove film has a Midcredits score in the 72nd percentile, the median of all 11; across their 7 films with reception data, the typical film sits in the 62nd percentile for acclaim.
- 75th and up5
- 50th to 74th3
- 25th to 49th2
- Below 25th1
Shape of the crowd
7 of their 11 titles are Crowd Pleasers.
- Universally Loved1
- Crowd Pleaser7
- Broadly Agreed2
- Mixed1
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Claude Jaeger work with?
People who share at least 2 of Claude Jaeger's MovieCove titles, grouped by what they did on them; Michel Audiard shares the most, 3.
Writers
- Michel AudiardShared titles: A Funny Boss (1964), Male Hunt (1964), The Devil and the Ten Commandments (1962)See all 3 shared titles with Michel Audiard
- Albert SimoninShared titles: A Funny Boss (1964), Male Hunt (1964)See all 2 shared titles with Albert Simonin
Actors
- Claude RichShared titles: Male Hunt (1964), The Devil and the Ten Commandments (1962)See all 2 shared titles with Claude Rich
- Jean-Claude BrialyShared titles: Male Hunt (1964), The Devil and the Ten Commandments (1962)See all 2 shared titles with Jean-Claude Brialy
Composers and editors
- Michel MagneShared titles: Male Hunt (1964), The Devil and the Ten Commandments (1962)See all 2 shared titles with Michel Magne
- Paul CayatteShared titles: A Funny Boss (1964), The Devil and the Ten Commandments (1962)See all 2 shared titles with Paul Cayatte
Producers
- Robert AmonShared titles: A Funny Boss (1964), Male Hunt (1964), The Devil and the Ten Commandments (1962)See all 3 shared titles with Robert Amon
- Almos MezoShared titles: Kill! Kill! Kill! Kill! (1971), The Devil and the Ten Commandments (1962)See all 2 shared titles with Almos Mezo