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Hing-Ka Chan

Hing-Ka Chan

Writer, producer and director · Born January 21, 1959 (67) · Hong Kong, British Crown Colony [now China]

Chan Hing-kai is a writer-director and producer from Hong Kong. His screenwriting works include Heart to Hearts (1988), A Better Tomorrow (1986), Beast Cops (1998); and he directed and wrote La Brasserie (2001). In recent years, he has also served as a producer for First Feature Film Initiative projects such as Weeds on Fire (2016) and My Prince Edward (2019). He is also a part-time lecturer at The Chinese University of Hong Kong and Baptist University, teaching courses on screenwriting and production.

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Biography from TMDB.

Born
January 21, 1959 (67)
From
Hong Kong, British Crown Colony [now China]
Works as
Writer, producer and director
Titles
22 on MovieCove · 62 credits in all
TMDB popularity, last 65 days to Oct 28Up 9% in 30 days

What are Hing-Ka Chan's films like?

Across their 19 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.

Genres

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

What they feel like to watch

their average across 19 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 9 · Serious 3 · Dark 7

Grounded 6 · Stylized 11 · Heightened 2

A split, not a type: Gentle 3 · Charged 5 · Intense 11

Steady 4 · Shifting 10 · Whiplash 5

A split, not a type: Straight-faced 8 · Some laughs 4 · Funny 7

Slow burn 4 · Even-paced 12 · Relentless 3

Casual 5 · Engaged 13 · Full focus 1

A split, not a type: Easy watch 9 · Affecting 5 · Heavy 5

Resolved 17 · Open-ended 2 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
12
Joyful
6
Melancholic
7
Thrilling
5
Romantic
4
Other
12

How their films end · 1 with a twist

  • Happy6
  • Bittersweet7
  • Tragic4
  • Ambiguous2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Hing-Ka Chan's films?

As of October 24, 2026, 9 of their 22 MovieCove titles stream on a subscription or free service, most on The Roku Channel (4).

Subscription and free streaming for Hing-Ka Chan's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

62 credits, 22 with a MovieCove page.

  • Spare Queens (not in the MovieCove catalog yet)(2026)

    Executive Producer

  • Night King Director’s Cut (not in the MovieCove catalog yet)(2026)

    Script Consultant

  • Night King(2026)

    Script Consultant

    Midcredits score: 74th percentile of all films
  • Love Lies (not in the MovieCove catalog yet)(2024)

    Producer · Writer

  • Midcredits score: 92nd percentile of all films
  • My Prince Edward (not in the MovieCove catalog yet)(2020)

    Producer

  • Manhunt(2017)

    Producer

    Midcredits score: 25th percentile of all films
  • Meow (not in the MovieCove catalog yet)(2017)

    Screenplay

  • God of War(2017)

    Producer

    Midcredits score: 55th percentile of all films
  • Weeds on Fire (not in the MovieCove catalog yet)(2016)

    Producer

  • The Mermaid(2016)

    Co-Writer

    Midcredits score: 55th percentile of all films
  • Naked Ambition 3D (not in the MovieCove catalog yet)(2014)

    Producer · Story · Writer

  • The Midas Touch (not in the MovieCove catalog yet)(2013)

    Original Story · Producer · Writer · Actor

  • The Flaneur (not in the MovieCove catalog yet)(2012)

    Thanks

  • God Bless All Parents (not in the MovieCove catalog yet)(2012)

    Thanks

  • All's Well, Ends Well 2012(2012)

    Director · Writer

    Midcredits score: 11th percentile of all films
  • Not Now But When (not in the MovieCove catalog yet)(2011)

    Thanks

  • All's Well, Ends Well 2011(2011)

    Director · Writer

    Midcredits score: 14th percentile of all films
  • A Better Tomorrow(2010)

    Screenplay

    Midcredits score: 40th percentile of all films
  • The Jade and the Pearl (not in the MovieCove catalog yet)(2010)

    Producer · Writer

  • La comédie humaine (not in the MovieCove catalog yet)(2010)

    Director · Producer · Writer

  • Poker King (not in the MovieCove catalog yet)(2009)

    Director · Writer

  • Newsmakers (not in the MovieCove catalog yet)(2009)

    Writer

  • La Lingerie (not in the MovieCove catalog yet)(2008)

    Director · Screenplay · Story

  • Simply Actors (not in the MovieCove catalog yet)(2007)

    Director · Producer · Script

  • Heat Team (not in the MovieCove catalog yet)(2004)

    Writer

  • Breaking News(2004)

    Writer

    Midcredits score: 74th percentile of all films
  • Love on the Rocks (not in the MovieCove catalog yet)(2004)

    Director · Writer

  • Anna in Kungfu-land (not in the MovieCove catalog yet)(2003)

    Writer

  • Love Under the Sun (not in the MovieCove catalog yet)(2003)

    Writer

  • Naked Ambition (not in the MovieCove catalog yet)(2003)

    Director · Executive Producer · Writer

  • Good Times, Bed Times (not in the MovieCove catalog yet)(2003)

    Director · Writer

  • My Dream Girl (not in the MovieCove catalog yet)(2003)

    Writer

  • The Twins Effect(2003)

    Writer · Actor

    Midcredits score: 30th percentile of all films
  • My Wife Is 18 (not in the MovieCove catalog yet)(2002)

    Producer · Writer

  • Mighty Baby (not in the MovieCove catalog yet)(2002)

    Director · Producer · Writer

  • La Brassiere (not in the MovieCove catalog yet)(2001)

    Director · Producer · Screenplay

  • Born Wild (not in the MovieCove catalog yet)(2001)

    Producer · Writer

  • Jiang Hu: The Triad Zone (not in the MovieCove catalog yet)(2000)

    Executive Producer · Screenplay

  • Okinawa Rendez-vous (not in the MovieCove catalog yet)(2000)

    Writer

  • When I Look Upon the Stars (not in the MovieCove catalog yet)(1999)

    Producer · Writer

  • Beast Cops(1998)

    Idea · Screenplay · Script · Story · Writer

    Midcredits score: 74th percentile of all films
  • Hitman(1998)

    Writer

    Midcredits score: 52nd percentile of all films
  • Option Zero (not in the MovieCove catalog yet)(1997)

    Writer

  • Task Force (not in the MovieCove catalog yet)(1997)

    Writer

  • First Option(1996)

    Writer

    Midcredits score: 39th percentile of all films
  • Somebody Up There Likes Me (not in the MovieCove catalog yet)(1996)

    Writer

  • Thunderbolt(1995)

    Writer

    Midcredits score: 55th percentile of all films
  • Midcredits score: 22nd percentile of all films
  • Long and Winding Road (not in the MovieCove catalog yet)(1994)

    Writer

  • Finale in Blood(1992)

    Writer

    Midcredits score: 35th percentile of all films
  • Midcredits score: 61st percentile of all films
  • The Cat(1991)

    Screenplay

    Midcredits score: 66th percentile of all films
  • Never Ending Summer (not in the MovieCove catalog yet)(1992)

    Writer

  • Pretty Ghost (not in the MovieCove catalog yet)(1991)

    Producer · Writer

  • Heart to Hearts (not in the MovieCove catalog yet)(1988)

    Writer

  • Gunmen(1988)

    Writer

    Midcredits score: 41st percentile of all films
  • A Better Tomorrow II(1987)

    Co-Writer

    Midcredits score: 86th percentile of all films
  • Vampire's Breakfast (not in the MovieCove catalog yet)(1987)

    Writer

  • A Better Tomorrow(1986)

    Writer · Writers' Assistant

    Midcredits score: 94th percentile of all films
  • Behind the Yellow Line(1984)

    Co-Writer

    Midcredits score: 42nd percentile of all films
  • Better Tomorrow (not in the MovieCove catalog yet)

    Original Film Writer

Career shape

A full career of 60 titles, 59 of them dated from 1984 to 2026.

By role

only this rolewith another role
Acting2 of 60: 0 only acting, 2 with another roleDirecting11 of 60: 0 only directing, 11 with another roleWriting51 of 60: 30 only writing, 21 with another role · typical Midcredits score54thProducing18 of 60: 4 only producing, 14 with another roleOther crew6 of 60: 4 only other crew, 2 with another role

60 titles, 22 with more than one role — writing and producing overlap on 13 of them.

By decade

1980s5 · crew1990s15 · crew2000s19 · 1 acting · 19 crew2010s14 · 1 acting · 14 crew2020s6 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Hing-Ka Chan's films land?

Their typical MovieCove film has a Midcredits score in the 54th percentile, the median of all 22; across their 19 films with reception data, the typical film sits in the 52nd percentile for acclaim.

Acclaim · how much people like their films

52ndpercentile
Typical film, the median of 19

Approval · how many liked their films

44thpercentile
Typical film, the median of 19

Reach · how many have seen their films

55thpercentile
Typical film, the median of 19

Midcredits score across 22 titles, by percentile

  • 75th and up3
  • 50th to 74th9
  • 25th to 49th7
  • Below 25th3

Reviewers score the dialogue 45/100 and the plot and story 42/100 in their films, across 16 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Hing-Ka Chan work with?

People who share at least 2 of Hing-Ka Chan's MovieCove titles, grouped by what they did on them; Gordon Chan shares the most, 8.

Directors

Writers

Actors

Cinematographers and editors

Producers

Mixed roles