Ki-Hop Chan

Editor · Hong Kong, China

From: Hong Kong, China
Works as: Editor
Titles: 36 on MovieCove · 64 credits in all
Links: IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 38 days to Oct 27Up 27% in 30 days

What are Ki-Hop Chan's films like?

Across their 33 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.

Genres

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight

Morality

36%

Bonds

33%

Self

14%

Power

7%

Survival

5%

Ideas

3%

Society

2%

Romantic love9 Justice9 Family bonds6 Identity5 Betrayal5 Friendship5 Redemption4 Guilt4

What they feel like to watch

their average across 33 films

ToneFeelDemandtheir average · filled zone: the category

Earnest

Tone · Sincerity

ironicearnest

Ironic 0 · Wry 5 · Earnest 28

Serious

Tone · Weight

lightdark

Light 11 · Serious 12 · Dark 10

Stylized

Tone · Style

naturalisticheightened

Grounded 5 · Stylized 22 · Heightened 6

Charged

Feel · Intensity

gentleintense

Gentle 2 · Charged 16 · Intense 15

Shifting

Feel · Swings

steadyswings

Steady 8 · Shifting 19 · Whiplash 6

Some laughs

Feel · Humor

noneconstant

A split, not a type: Straight-faced 18 · Some laughs 6 · Funny 9

Even-paced

Demand · Pace

slowrelentless

Slow burn 8 · Even-paced 19 · Relentless 6

Engaged

Demand · Attention

casualfull focus

Casual 14 · Engaged 16 · Full focus 3

Affecting

Demand · Emotional cost

easyheavy

A split, not a type: Easy watch 14 · Affecting 11 · Heavy 8

Resolved

Demand · Resolution

resolvedambiguous

Resolved 26 · Open-ended 5 · Ambiguous 2

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense

22

Thrilling

13

Joyful

9

Melancholic

9

Dread

6

Other

25

How their films linger

Fun11 Feel-good10 Thought-provoking8 Rousing8 Bittersweet7 Unsettling6

How their films end · 4 with a twist

Happy12
Bittersweet15
Tragic3
Ambiguous3

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Ki-Hop Chan's films?

As of October 24, 2026, 12 of their 36 MovieCove titles stream on a subscription or free service, most on Tubi (7).

Also on these channels

Hi-YAH!5 titles, show their 5 titles on Hi-YAH!
ViX2 titles, show their 2 titles on ViX
Howdy1 title, show their title on Howdy
Midnight Pulp1 title, show their title on Midnight Pulp
Shout! TV1 title, show their title on Shout! TV

Subscription and free streaming for Ki-Hop Chan's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

64 credits, 36 with a MovieCove page.

A Guilty Conscience(2023)
Editor
Midcredits score: 85th percentile of all films
The Grand Grandmaster (not in the MovieCove catalog yet)(2020)
Editor
God of War(2017)
Editor
Midcredits score: 55th percentile of all films
To the Fore(2015)
Editor
Midcredits score: 54th percentile of all films
Two Thumbs Up(2015)
Editor
Midcredits score: 47th percentile of all films
Tales from the Dark Part 2(2013)
Editor
Midcredits score: 30th percentile of all films
The Four(2012)
Editor
Midcredits score: 39th percentile of all films
The Stool Pigeon(2010)
Editor
Midcredits score: 67th percentile of all films
Fire of Conscience(2010)
Editor
Midcredits score: 50th percentile of all films
The King of Fighters(2009)
Editor
Midcredits score: 1st percentile of all films
Beast Stalker(2008)
Editor · as Policeman
Midcredits score: 72nd percentile of all films
An Empress and the Warriors(2008)
Editor
Midcredits score: 38th percentile of all films
Painted Skin(2008)
Editor
Midcredits score: 53rd percentile of all films
Three... Extremes(2004)
Editor
Midcredits score: 79th percentile of all films
Dumplings(2004)
Editor
Midcredits score: 72nd percentile of all films
Papa Loves You (not in the MovieCove catalog yet)(2004)
Editor
Naked Ambition (not in the MovieCove catalog yet)(2003)
Editor
The Medallion(2003)
Editor
Midcredits score: 15th percentile of all films
The Twins Effect(2003)
Editor
Midcredits score: 30th percentile of all films
Tiramisu (not in the MovieCove catalog yet)(2002)
Editor
From the Queen to the Chief Executive (not in the MovieCove catalog yet)(2001)
Editor
Old Master Q 2001(2001)
Editor
Midcredits score: 7th percentile of all films
In the Mood for Love(2000)
Editor
Midcredits score: 98th percentile of all films
Jiang Hu: The Triad Zone (not in the MovieCove catalog yet)(2000)
Editor
Okinawa Rendez-vous (not in the MovieCove catalog yet)(2000)
Editor
2000 AD(2000)
Editor
Midcredits score: 39th percentile of all films
Beast Cops(1998)
Editor
Midcredits score: 74th percentile of all films
First Love: Litter on the Breeze(1997)
Editor
Midcredits score: 75th percentile of all films
Troublesome Night 2 (not in the MovieCove catalog yet)(1997)
Editor
Walk In (not in the MovieCove catalog yet)(1997)
Editor
Armageddon (not in the MovieCove catalog yet)(1997)
Editor
Comrades: Almost a Love Story(1996)
Editor
Midcredits score: 99th percentile of all films
4 Faces of Eve (not in the MovieCove catalog yet)(1996)
Editor
All of a Sudden (not in the MovieCove catalog yet)(1996)
Editor
Tri-Star(1996)
Editor
Midcredits score: 49th percentile of all films
First Option(1996)
Editor
Midcredits score: 39th percentile of all films
Out of the Blue (not in the MovieCove catalog yet)(1995)
Editor
Legendary Couple (not in the MovieCove catalog yet)(1995)
Editor
Thunderbolt(1995)
Editor
Midcredits score: 55th percentile of all films
Just Married (not in the MovieCove catalog yet)(1995)
Editor
Fist of Legend(1994)
Editor
Midcredits score: 93rd percentile of all films
The Other Side of the Sea (not in the MovieCove catalog yet)(1994)
Editor
He's a Woman, She's a Man(1994)
Editor
Midcredits score: 88th percentile of all films
Fatal Obsession (not in the MovieCove catalog yet)(1994)
Editor
Hero Beyond the Boundary of Time(1993)
Editor
Midcredits score: 20th percentile of all films
Don't Stop My Crazy Love for You(1993)
Editor
Midcredits score: 42nd percentile of all films
Tom, Dick and Hairy(1993)
Editor
Midcredits score: 61st percentile of all films
Rose (not in the MovieCove catalog yet)(1992)
Editor
She Starts the Fire(1992)
Editor
Midcredits score: 15th percentile of all films
The Days of Being Dumb (not in the MovieCove catalog yet)(1992)
Editor
Inspector Pink Dragon (not in the MovieCove catalog yet)(1991)
Editor
My Flying Wife (not in the MovieCove catalog yet)(1991)
Editor
Fight Back to School(1991)
Editor
Midcredits score: 85th percentile of all films
The Ultimate Vampire (not in the MovieCove catalog yet)(1991)
Editor
Against All (not in the MovieCove catalog yet)(1990)
Editor
Slaughter in Xian (not in the MovieCove catalog yet)(1990)
Editor
Dragon in Jail(1990)
Editor
Midcredits score: 45th percentile of all films
Curry and Pepper(1990)
Editor
Midcredits score: 63rd percentile of all films
Tiger on the Beat 2(1990)
Editor
Midcredits score: 33rd percentile of all films
Heart to Hearts (not in the MovieCove catalog yet)(1988)
Editor
Tiger Cage(1988)
Editor
Midcredits score: 72nd percentile of all films
Carry On Dancing (not in the MovieCove catalog yet)(1988)
Editor
Fury (not in the MovieCove catalog yet)(1988)
Assistant Editor
Passion (not in the MovieCove catalog yet)(1986)
Assistant Editor

Career shape

A full career of 55 titles from 1986 to 2023.

Biggest box office

Painted Skin (2008)

$38M worldwide

Highest rated

Comrades: Almost a Love Story (1996)

Midcredits 99^th

By role

only this rolewith another role

Acting1 of 55Editing53 of 55 · 63^rdOther crew2 of 55

By decade

1980s5 · crew1990s30 · crew2000s13 · 1 acting · 13 crew2010s5 · crew2020s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Ki-Hop Chan's films land?

Their typical MovieCove film has a Midcredits score in the 54^th percentile, the median of all 36; across their 33 films with reception data, the typical film sits in the 53^rd percentile for acclaim.

Acclaim · how much people like their films

53^rdpercentile

Typical film, the median of 33

Approval · how many liked their films

49^thpercentile

Typical film, the median of 33

Reach · how many have seen their films

71^stpercentile

Typical film, the median of 33

Midcredits score across 36 titles, by percentile

75^th and up8
50^th to 74^th12
25^th to 49^th11
Below 25^th5

Shape of the crowd

17 of their 36 titles are Crowd Pleasers.

Universally Loved3
Crowd Pleaser17
Broadly Agreed8
Mixed8

Most divisive · editor

The King of Fighters (2009)

64^th percentile spread · 75% rated it 4 or lower

Most loved · editor

Comrades: Almost a Love Story (1996)

Midcredits 99^th · 90% liked

Reviewers score the pacing 50/100 in their films, across 29 reviewed titles; fans 60, detractors 32. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.