Anne Morrison Chapin
Writer · Died April 7, 1967, aged 75 · Indiana, USA
- January 5, 1892
- April 7, 1967 (aged 75)
- Indiana, USA
- Writer
- 9 on MovieCove · 16 credits in all
What are Anne Morrison Chapin's films like?
Across their 9 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 9
Light 6 · Serious 2 · Dark 1
Grounded 7 · Stylized 2 · Heightened 0
Gentle 6 · Charged 3 · Intense 0
Steady 6 · Shifting 3 · Whiplash 0
Straight-faced 2 · Some laughs 5 · Funny 2
A split, not a type: Slow burn 4 · Even-paced 5 · Relentless 0
Casual 8 · Engaged 1 · Full focus 0
Easy watch 7 · Affecting 1 · Heavy 1
Resolved 8 · Open-ended 1 · Ambiguous 0
Moods and endings
- Happy7
- Bittersweet1
- Ambiguous1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Anne Morrison Chapin's films?
As of October 24, 2026, 3 of their 9 MovieCove titles stream on a subscription or free service, most on Tubi (2).
Subscription and free streaming for Anne Morrison Chapin's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
16 credits, 9 with a MovieCove page.
Big City(1948)
Midcredits score: 65th percentile of all films
High Barbaree(1947)
Midcredits score: 56th percentile of all films
The Secret Heart(1946)
Midcredits score: 61st percentile of all films
The Sailor Takes a Wife (not in the MovieCove catalog yet)(1945)
Sunset in Wyoming(1941)
Midcredits score: 65th percentile of all films (provisional, few ratings)
Dancing on a Dime (not in the MovieCove catalog yet)(1940)
Listen, Darling(1938)
Midcredits score: 65th percentile of all films
Romance in the Dark (not in the MovieCove catalog yet)(1938)
Vivacious Lady(1938)
Midcredits score: 87th percentile of all films
Love Takes Flight(1937)
Midcredits score: 34th percentile of all films (provisional, few ratings)
The Soldier and the Lady(1937)
Midcredits score: 40th percentile of all films
Shall We Dance(1937)
Midcredits score: 92nd percentile of all films
Dangerous Corner (not in the MovieCove catalog yet)(1934)
This Man Is Mine (not in the MovieCove catalog yet)(1934)
Reno or Bust (not in the MovieCove catalog yet)(1930)
The Midnight Kiss (not in the MovieCove catalog yet)(1926)
Career shape
A full career of 13 titles from 1926 to 1948.
Biggest box office
Shall We Dance (1937)
Highest rated
Shall We Dance (1937)
Most popular right now
Vivacious Lady (1938)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Anne Morrison Chapin's films land?
Their typical MovieCove film has a Midcredits score in the 65th percentile, the median of all 9; across their 9 films with reception data, the typical film sits in the 62nd percentile for acclaim.
- 75th and up2
- 50th to 74th5
- 25th to 49th2
Shape of the crowd
None of their 9 titles divides audiences: 6 are Crowd Pleasers.
- Universally Loved1
- Crowd Pleaser6
- Broadly Agreed2
Reviewers score the dialogue 51/100 and the plot and story 43/100 in their films, across 9 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Anne Morrison Chapin work with?
People who share at least 2 of Anne Morrison Chapin's MovieCove titles, grouped by what they did on them; Whitfield Cook shares the most, 3.
Writers
- Whitfield CookShared titles: Big City (1948), High Barbaree (1947), The Secret Heart (1946)See all 3 shared titles with Whitfield Cook
- Ernest PaganoShared titles: Vivacious Lady (1938), Shall We Dance (1937)See all 2 shared titles with Ernest Pagano
- P.J. WolfsonShared titles: Vivacious Lady (1938), Shall We Dance (1937)See all 2 shared titles with P.J. Wolfson
Actors
- June AllysonShared titles: High Barbaree (1947), The Secret Heart (1946)See all 2 shared titles with June Allyson
- Paul HarveyShared titles: High Barbaree (1947), The Soldier and the Lady (1937)See all 2 shared titles with Paul Harvey
- Walter PidgeonShared titles: The Secret Heart (1946), Listen, Darling (1938)See all 2 shared titles with Walter Pidgeon
- Ginger RogersShared titles: Vivacious Lady (1938), Shall We Dance (1937)See all 2 shared titles with Ginger Rogers
Editors
- Tony MartinelliShared titles: Sunset in Wyoming (1941), Love Takes Flight (1937)See all 2 shared titles with Tony Martinelli
Producers
- Pandro S. BermanShared titles: Shall We Dance (1937), The Soldier and the Lady (1937)See all 2 shared titles with Pandro S. Berman
