P.J. Wolfson

What are P.J. Wolfson's films like?

Across their 18 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch P.J. Wolfson's films?

As of October 24, 2026, 1 of their 19 MovieCove titles stream on a subscription or free service, on Tubi (1).

• Tubi1 title, browse their movies on this service
  • The Perils of Pauline (1947) · writer · free

Subscription and free streaming for P.J. Wolfson's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

34 credits, 19 with a MovieCove page.

• 

  That's Entertainment, Part II(1976)

  Thanks

  Midcredits score: 86th percentile of all films86^th
• 

  The Twinkle in God's Eye(1955)

  Screenplay · Story

  Midcredits score: 31st percentile of all films31^st
• 

  Dream Girl (not in the MovieCove catalog yet)(1948)

  Producer
• 

  Saigon (not in the MovieCove catalog yet)(1947)

  Producer · Screenplay
• 

  The Perils of Pauline(1947)

  Screenplay · Story

  Midcredits score: 59th percentile of all films59^th
• 

  Suddenly It's Spring (not in the MovieCove catalog yet)(1947)

  Screenplay · Story
• 

  They All Kissed the Bride(1942)

  Screenplay

  Midcredits score: 55th percentile of all films55^th
• 

  Pacific Rendezvous (not in the MovieCove catalog yet)(1942)

  Screenplay
• 

  Our Wife(1941)

  Screenplay

  Midcredits score: 46th percentile of all films46^th
• 

  Bullets for O'Hara (not in the MovieCove catalog yet)(1941)

  Story
• 

  He Stayed for Breakfast (not in the MovieCove catalog yet)(1940)

  Screenplay
• 

  Escape to Glory (not in the MovieCove catalog yet)(1940)

  Writer
• 

  Vigil in the Night (not in the MovieCove catalog yet)(1940)

  Screenplay
• 

  This Thing Called Love(1940)

  Writer

  Midcredits score: 58th percentile of all films58^th
• 

  Allegheny Uprising(1939)

  Producer · Screenplay

  Midcredits score: 54th percentile of all films54^th
• 

  Boy Slaves(1939)

  Director · Producer

  Midcredits score: 49th percentile of all films49^th
• 

  The Mad Miss Manton(1938)

  Associate Producer

  Midcredits score: 71st percentile of all films71^st
• 

  Vivacious Lady(1938)

  Screenplay

  Midcredits score: 87th percentile of all films87^th
• 

  Shall We Dance(1937)

  Adaptation

  Midcredits score: 92nd percentile of all films92^nd
• 

  Sea Devils (not in the MovieCove catalog yet)(1937)

  Screenplay
• 

  A Damsel in Distress(1937)

  Writer

  Midcredits score: 73rd percentile of all films73^rd
• 

  That Girl from Paris (not in the MovieCove catalog yet)(1936)

  Screenplay
• 

  The Bride Walks Out(1936)

  Screenplay

  Midcredits score: 29th percentile of all films29^th
• 

  Love on a Bet(1936)

  Screenplay

  Midcredits score: 75th percentile of all films75^th
• 

  Rendezvous(1935)

  Screenplay

  Midcredits score: 62nd percentile of all films62^nd
• 

  Mad Love(1935)

  Screenplay

  Midcredits score: 86th percentile of all films86^th
• 

  Reckless(1935)

  Screenplay

  Midcredits score: 57th percentile of all films57^th
• 

  Dancing Lady(1933)

  Screenplay

  Midcredits score: 73rd percentile of all films73^rd
• 

  Meet the Baron (not in the MovieCove catalog yet)(1933)

  Screenplay
• 

  Picture Snatcher(1933)

  Adaptation

  Midcredits score: 82nd percentile of all films82^nd
• 

  The Devil Is Driving (not in the MovieCove catalog yet)(1932)

  Screenplay
• 

  Madison Square Garden (not in the MovieCove catalog yet)(1932)

  Writer
• 

  70,000 Witnesses (not in the MovieCove catalog yet)(1932)

  Additional Dialogue
• 

  Night World (not in the MovieCove catalog yet)(1932)

  Story

Career shape

A full career of 32 titles from 1932 to 1976.

Biggest box office

Shall We Dance (1937)

$6.7K worldwide

Highest rated

Shall We Dance (1937)

Midcredits 92^nd

Most popular right now

Vivacious Lady (1938)

How do P.J. Wolfson's films land?

Their typical MovieCove film has a Midcredits score in the 62^nd percentile, the median of all 19; across their 18 films with reception data, the typical film sits in the 64^th percentile for acclaim.

Shape of the crowd

13 of their 19 titles are Crowd Pleasers.

133

• Universally Loved1
• Cult Classic1
• Crowd Pleaser13
• Broadly Agreed1
• Mixed3

Most divisive · writer

They All Kissed the Bride (1942)

77^th percentile spread · 24% rated it 4 or lower

Most loved · writer

Shall We Dance (1937)

Midcredits 92^nd · 82% liked

Reviewers score the dialogue 61/100 and the plot and story 42/100 in their films, across 18 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does P.J. Wolfson work with?

People who share at least 2 of P.J. Wolfson's MovieCove titles, grouped by what they did on them; Leigh Jason shares the most, 3.