Skip to content
MovieCove
Chang-hwa Jeong

Chang-hwa Jeong

Director and writer · Born November 2, 1928 (97) · Jincheon-gun, South Korea

Chang-Wha Chung (born November 1, 1928) is a South Korean film director, producer and screenwriter. Chung made his directorial debut with The Final Temptation (1953) and gained attention only when he released A Sunny Field in 1960. During the 1960s he started collaborating with the Hong Kong film industry. In 1968, he joined Shaw Brothers and directed martial arts classics such as King Boxer (1972) (the first Hong Kong movie to reach No. 1 on the U.S. box office in 1973). He moved to Golden Harvest in 1973, where he directed numerous productions until he returned to South Korea in 1977 to continue his career. Wikipedia contributors. "Jeong Chang-hwa." Wikipedia, The Free Encyclopedia. Wikipedia, The Free Encyclopedia, 13 Mar. 2021. Web. 26 May. 2021.

Read more

Biography from TMDB.

Born
November 2, 1928 (97)
From
Jincheon-gun, South Korea
Works as
Director and writer
Titles
6 on MovieCove · 36 credits in all
TMDB popularity, last 38 days to Oct 27Up 19% in 30 days

What are Chang-hwa Jeong's films like?

Across their 6 MovieCove titles with a thematic analysis, their films lean Morality and Self.

Themes

share of theme weight
Morality
54%
Self
16%
Bonds
15%
Power
10%
Survival
4%

What they feel like to watch

their average across 6 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 2 · Serious 1 · Dark 3

Grounded 0 · Stylized 4 · Heightened 2

Gentle 0 · Charged 1 · Intense 5

Steady 0 · Shifting 6 · Whiplash 0

Straight-faced 4 · Some laughs 2 · Funny 0

Slow burn 2 · Even-paced 2 · Relentless 2

Casual 5 · Engaged 1 · Full focus 0

Resolved 6 · Open-ended 0 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
5
Thrilling
4
Absurd
2
Dread
1
Cathartic
1
Other
2

How their films end · 1 with a twist

  • Happy4
  • Bittersweet2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Chang-hwa Jeong's films?

As of October 24, 2026, 3 of their 6 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Chang-hwa Jeong's titles on MovieCove; rent and buy are not counted.

Filmography

36 credits, 6 with a MovieCove page.

  • My Daughter Saved from Den of Evil 2 (not in the MovieCove catalog yet)(1986)

    Producer

  • The Lover of a Friend (not in the MovieCove catalog yet)(1983)

    Producer

  • Woman and Rain (not in the MovieCove catalog yet)(1982)

    Producer

  • Red Rattlesnake (not in the MovieCove catalog yet)(1982)

    Producer

  • Grotesque Master (not in the MovieCove catalog yet)(1981)

    Producer

  • The Happiness of an Unhappy Woman (not in the MovieCove catalog yet)(1979)

    Producer

  • Broken Oath(1977)

    Director

    Midcredits score: 80th percentile of all films
  • The Double Crossers (not in the MovieCove catalog yet)(1976)

    Director · Screenplay

  • The Association(1974)

    Director · Screenplay

    Midcredits score: 27th percentile of all films (provisional, few ratings)
  • The Skyhawk (not in the MovieCove catalog yet)(1974)

    Director

  • The Devil's Treasure (not in the MovieCove catalog yet)(1973)

    Director · Writer

  • Five Fingers of Death(1972)

    Director

    Midcredits score: 85th percentile of all films
  • The Swift Knight (not in the MovieCove catalog yet)(1971)

    Director · Screenplay

  • Six Assassins(1971)

    Director · Writer

    Midcredits score: 57th percentile of all films
  • Valley of the Fangs(1970)

    Director

    Midcredits score: 38th percentile of all films
  • Nü xia mai ren tou(1970)

    Director

    Midcredits score: 45th percentile of all films
  • Empty Heart (not in the MovieCove catalog yet)(1969)

    Director

  • Temptress of a Thousand Faces (not in the MovieCove catalog yet)(1969)

    Director

  • A Wandering Swordsman and 108 Bars of Gold (not in the MovieCove catalog yet)(1968)

    Director

  • Deep in My Heart (not in the MovieCove catalog yet)(1967)

    Director

  • A Swordsman in the Twilight (not in the MovieCove catalog yet)(1967)

    Director

  • A Full Danger (not in the MovieCove catalog yet)(1967)

    Director

  • Special Agent X-7 (not in the MovieCove catalog yet)(1966)

    Director

  • Forlorn Hope (not in the MovieCove catalog yet)(1966)

    Director

  • Dangerous Youth (not in the MovieCove catalog yet)(1966)

    Director

  • Yeraishang (not in the MovieCove catalog yet)(1966)

    Director

  • The Great Plain (not in the MovieCove catalog yet)(1963)

    Director

  • Rulers of the Land (not in the MovieCove catalog yet)(1963)

    Director

  • The Great Story of Jang-hwa and Hong-ryeon (not in the MovieCove catalog yet)(1962)

    Director

  • Lady Jang (not in the MovieCove catalog yet)(1961)

    Director

  • Bonanza (not in the MovieCove catalog yet)(1961)

    Director

  • Horizon (not in the MovieCove catalog yet)(1961)

    Director

  • Palace of Ambition (not in the MovieCove catalog yet)(1957)

    Director · Editor

  • The Story of Jang-hwa and Heung-ryeon (not in the MovieCove catalog yet)(1956)

    Director · Editor

  • Independence Night (not in the MovieCove catalog yet)(1948)

    Assistant Director

  • 죄없는 죄인 (not in the MovieCove catalog yet)(1948)

    Assistant Director

Career shape

A full career of 36 titles from 1948 to 1986.

By role

only this rolewith another role
Directing28 of 36: 21 only directing, 7 with another role · typical Midcredits score51stWriting5 of 36: 0 only writing, 5 with another roleProducing6 of 36: 6 only producing, 0 with another roleEditing2 of 36: 0 only editing, 2 with another roleOther crew2 of 36: 2 only other crew, 0 with another role

36 titles, 7 with more than one role.

By decade

1940s2 · crew1950s2 · crew1960s16 · crew1970s11 · crew1980s5 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Chang-hwa Jeong's films land?

Their typical MovieCove film has a Midcredits score in the 51st percentile, the median of all 6; across their 6 films with reception data, the typical film sits in the 45th percentile for acclaim.

Acclaim · how much people like their films

45thpercentile
Typical film, the median of 6

Approval · how many liked their films

59thpercentile
Typical film, the median of 6

Reach · how many have seen their films

19thpercentile
Typical film, the median of 6

Midcredits score across 6 titles, by percentile

  • 75th and up2
  • 50th to 74th1
  • 25th to 49th3

Shape of the crowd

None of their 6 titles divides audiences: 3 are Crowd Pleasers.

  • Crowd Pleaser3
  • Broadly Agreed2
  • Mixed1

Reviewers score the atmosphere 66/100 and the pacing 54/100 in their films, across 6 reviewed titles. The element that speaks to their work as a director.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Chang-hwa Jeong work with?

People who share at least 2 of Chang-hwa Jeong's MovieCove titles, grouped by what they did on them; Hsing-Lung Chiang shares the most, 4.

Actors

Composers, cinematographers and editors

Producers