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What are Yung-Lung Wang's films like?

Across their 5 MovieCove titles with a thematic analysis, their films lean Morality and Self.

What they feel like to watch

their average across 5 films
ToneFeelDemandtheir average · filled zone: the category

Grounded 0 · Stylized 4 · Heightened 1

Gentle 0 · Charged 0 · Intense 5

Steady 2 · Shifting 3 · Whiplash 0

Straight-faced 4 · Some laughs 1 · Funny 0

Slow burn 1 · Even-paced 3 · Relentless 1

Casual 3 · Engaged 2 · Full focus 0

Resolved 5 · Open-ended 0 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
5
Thrilling
4
Dread
1
Cathartic
1
Melancholic
1
Other
1

How their films end · 1 with a twist

  • Happy1
  • Bittersweet4

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Yung-Lung Wang's films?

As of October 24, 2026, 4 of their 5 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Yung-Lung Wang's titles on MovieCove; rent and buy are not counted.

Filmography

5 credits, 5 with a MovieCove page.

  • Broken Oath(1977)

    Cinematographer

    Midcredits score: 80th percentile of all films
  • Five Fingers of Death(1972)

    Cinematographer

    Midcredits score: 85th percentile of all films
  • Six Assassins(1971)

    Cinematographer

    Midcredits score: 57th percentile of all films
  • Twelve Deadly Coins(1969)

    Cinematographer

    Midcredits score: 46th percentile of all films
  • The Magnificent Trio(1966)

    Cinematographer

    Midcredits score: 56th percentile of all films

Career shape

Across their 5 MovieCove titles from 1966 to 1977.

By role

only this rolewith another role
Cinematography5 of 5: 5 only cinematography, 0 with another role · typical Midcredits score57th

By decade

1960s2 · crew1970s3 · crew

Counts over their MovieCove titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.

How do Yung-Lung Wang's films land?

Their typical MovieCove film has a Midcredits score in the 57th percentile, the median of all 5; across their 5 films with reception data, the typical film sits in the 63rd percentile for acclaim.

Acclaim · how much people like their films

63rdpercentile
Typical film, the median of 5

Approval · how many liked their films

62ndpercentile
Typical film, the median of 5

Reach · how many have seen their films

32ndpercentile
Typical film, the median of 5

Midcredits score across 5 titles, by percentile

  • 75th and up2
  • 50th to 74th2
  • 25th to 49th1

Shape of the crowd

None of their 5 titles divides audiences: 4 are Crowd Pleasers.

  • Crowd Pleaser4
  • Broadly Agreed1

Reviewers score the cinematography 68/100 in their films, across 3 reviewed titles; fans 74, detractors 50. The element that speaks to their work as a cinematographer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Yung-Lung Wang work with?

People who share at least 2 of Yung-Lung Wang's MovieCove titles, grouped by what they did on them; Hsing-Lung Chiang shares the most, 4.

Directors

Actors

Composers and editors

Producers