- July 11, 1926
- April 8, 1983 (aged 56)
- London, England, UK
- Editor, also producer
- 9 on MovieCove · 22 credits in all
What are Roger Cherrill's films like?
Across their 7 MovieCove titles with a thematic analysis, their films lean Survival and Bonds.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 7
A split, not a type: Light 3 · Serious 1 · Dark 3
Grounded 5 · Stylized 2 · Heightened 0
A split, not a type: Gentle 3 · Charged 2 · Intense 2
Steady 5 · Shifting 2 · Whiplash 0
Straight-faced 3 · Some laughs 3 · Funny 1
A split, not a type: Slow burn 4 · Even-paced 3 · Relentless 0
Casual 4 · Engaged 3 · Full focus 0
A split, not a type: Easy watch 2 · Affecting 2 · Heavy 3
Resolved 6 · Open-ended 1 · Ambiguous 0
Moods and endings
- Happy2
- Bittersweet3
- Tragic1
- Ambiguous1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Roger Cherrill's films?
As of October 24, 2026, 5 of their 9 MovieCove titles stream on a subscription or free service, most on Tubi (3).
Subscription and free streaming for Roger Cherrill's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
22 credits, 9 with a MovieCove page.
The Making of an Epic: Mohammad, Messenger of God (not in the MovieCove catalog yet)(1976)
Midcredits score: 28th percentile of all films
What's a Girl Like You? (not in the MovieCove catalog yet)(1969)
The Naked Prey(1965)
Midcredits score: 83rd percentile of all films
This Is My Street (not in the MovieCove catalog yet)(1964)
Billy Liar(1963)
Midcredits score: 88th percentile of all films
The Human Jungle (not in the MovieCove catalog yet)(1963)
Live Now - Pay Later (not in the MovieCove catalog yet)(1962)
In the Doghouse (not in the MovieCove catalog yet)(1962)
A Kind of Loving(1962)
Midcredits score: 88th percentile of all films
Flame in the Streets(1961)
Midcredits score: 62nd percentile of all films
The Singer Not the Song(1961)
Midcredits score: 56th percentile of all films
Make Mine Mink (not in the MovieCove catalog yet)(1960)
Interpol Calling (not in the MovieCove catalog yet)(1959)
Rooney (not in the MovieCove catalog yet)(1958)
The Square Peg(1958)
Midcredits score: 74th percentile of all films
The Iron Petticoat(1956)
Midcredits score: 20th percentile of all films
Lost (not in the MovieCove catalog yet)(1956)
As Long as They're Happy(1955)
Midcredits score: 21st percentile of all films
The Young Lovers (not in the MovieCove catalog yet)(1954)
Fast and Loose (not in the MovieCove catalog yet)(1954)
Always a Bride (not in the MovieCove catalog yet)(1953)
Career shape
A full career of 20 titles from 1953 to 1976.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Roger Cherrill's films land?
Their typical MovieCove film has a Midcredits score in the 62nd percentile, the median of all 9; across their 7 films with reception data, the typical film sits in the 71st percentile for acclaim.
- 75th and up3
- 50th to 74th3
- 25th to 49th1
- Below 25th2
Shape of the crowd
None of their 9 titles divides audiences: 6 are Crowd Pleasers.
- Crowd Pleaser6
- Mixed3
Reviewers score the pacing 55/100 in their films, across 7 reviewed titles; fans 64, detractors 38. The element that speaks to their work as an editor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Roger Cherrill work with?
People who share at least 2 of Roger Cherrill's MovieCove titles, grouped by what they did on them; Philip Green shares the most, 3.
Directors
- John SchlesingerShared titles: Billy Liar (1963), A Kind of Loving (1962)See all 2 shared titles with John Schlesinger
- Roy Ward BakerShared titles: Flame in the Streets (1961), The Singer Not the Song (1961)See all 2 shared titles with Roy Ward Baker
Writers
- Keith WaterhouseShared titles: Billy Liar (1963), A Kind of Loving (1962)See all 2 shared titles with Keith Waterhouse
- Willis HallShared titles: Billy Liar (1963), A Kind of Loving (1962)See all 2 shared titles with Willis Hall
Actors
- Brian WorthShared titles: The Boy Who Turned Yellow (1972), The Square Peg (1958)See all 2 shared titles with Brian Worth
- Leonard RossiterShared titles: Billy Liar (1963), A Kind of Loving (1962)See all 2 shared titles with Leonard Rossiter
- John MillsShared titles: Flame in the Streets (1961), The Singer Not the Song (1961)See all 2 shared titles with John Mills
Composers and cinematographers
- Philip GreenShared titles: Flame in the Streets (1961), The Singer Not the Song (1961), The Square Peg (1958)See all 3 shared titles with Philip Green
- Christopher ChallisShared titles: The Boy Who Turned Yellow (1972), Flame in the Streets (1961)See all 2 shared titles with Christopher Challis
- Denys N. CoopShared titles: Billy Liar (1963), A Kind of Loving (1962)See all 2 shared titles with Denys N. Coop
Producers
- Jack HanburyShared titles: A Kind of Loving (1962), Flame in the Streets (1961), The Singer Not the Song (1961)See all 3 shared titles with Jack Hanbury
- Earl St. JohnShared titles: Flame in the Streets (1961), The Singer Not the Song (1961), The Square Peg (1958)See all 3 shared titles with Earl St. John
- Joseph JanniShared titles: Billy Liar (1963), A Kind of Loving (1962)See all 2 shared titles with Joseph Janni