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Philip Green

Composer · Died October 6, 1982, aged 71 · Whitechapel, London, England, UK

Born
July 19, 1911
Died
October 6, 1982 (aged 71)
From
Whitechapel, London, England, UK
Works as
Composer
Titles
24 on MovieCove · 63 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 38 days to Oct 27Down 18% in 30 days

What are Philip Green's films like?

Across their 24 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.

Genres

Drama9 titlesTypical Midcredits score: 62nd percentile, at or above their average across these genres
: browse their Drama movies
Comedy8 titlesTypical Midcredits score: 54th percentile, at or above their average across these genres
: browse their Comedy movies
Crime4 titlesTypical Midcredits score: 57th percentile, at or above their average across these genres
: browse their Crime movies
Adventure2 titlesTypical Midcredits score: 20th percentile
: browse their Adventure movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Bonds
25%
Morality
24%
Self
17%
Society
12%
Power
11%
Ideas
6%
Survival
5%
Romantic love5 titles, browse their movies with this themeFriendship3 titles, browse their movies with this themeJustice3 titles, browse their movies with this themePrejudice3 titles, browse their movies with this themeBetrayal4 titles, browse their movies with this themeRedemption3 titles, browse their movies with this themeDeception3 titles, browse their movies with this themeTruth2 titles, browse their movies with this theme

What they feel like to watch

their average across 24 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 12 · Serious 3 · Dark 9

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

A split, not a type: Grounded 12 · Stylized 10 · Heightened 2

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 9 · Charged 11 · Intense 4

Steady: How much it swings between very different feelings. Browse their steady movies.
Feel · Swings
steadyswings

Steady 14 · Shifting 9 · Whiplash 1

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

A split, not a type: Straight-faced 13 · Some laughs 4 · Funny 7

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

A split, not a type: Slow burn 12 · Even-paced 11 · Relentless 1

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 10 · Engaged 13 · Full focus 1

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 20 · Open-ended 3 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
14
Warm
9
Melancholic
12
Joyful
7
Absurd
4
Other
16

How their films linger

Thought-provoking10 titles, browse their movies with this aftertasteFeel-good8 titles, browse their movies with this aftertasteBittersweet9 titles, browse their movies with this aftertasteFun8 titles, browse their movies with this aftertasteUnsettling4 titles, browse their movies with this aftertasteWistful3 titles, browse their movies with this aftertaste

How their films end · 4 with a twist

  • Happy9
  • Bittersweet10
  • Tragic3
  • Ambiguous2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Philip Green's films?

As of October 24, 2026, 13 of their 24 MovieCove titles stream on a subscription or free service, most on Tubi (8).

Also on these channels

Subscription and free streaming for Philip Green's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

63 credits, 24 with a MovieCove page.

  • Pork n' Bones (not in the MovieCove catalog yet)(2010)

    Composer

  • The Yellow Hat (not in the MovieCove catalog yet)(1966)

    Composer · Conductor

  • Masquerade(1965)

    Composer

    Midcredits score: 27th percentile of all films

  • A Stitch in Time(1963)

    Composer

    Midcredits score: 77th percentile of all films

  • The Man Who Finally Died(1963)

    Composer

    Midcredits score: 45th percentile of all films

  • It's All Happening (not in the MovieCove catalog yet)(1963)

    Composer

  • The Girl Hunters(1963)

    Composer

    Midcredits score: 38th percentile of all films

  • The Devil's Agent(1962)

    Composer

    Midcredits score: 37th percentile of all films

  • In the Doghouse (not in the MovieCove catalog yet)(1962)

    Composer

  • She'll Have to Go (not in the MovieCove catalog yet)(1962)

    Composer · Conductor

  • All Night Long(1962)

    Composer

    Midcredits score: 81st percentile of all films

  • Tiara Tahiti(1962)

    Composer

    Midcredits score: 31st percentile of all films

  • Victim(1961)

    Composer · Conductor

    Midcredits score: 97th percentile of all films

  • Flame in the Streets(1961)

    Composer

    Midcredits score: 62nd percentile of all films

  • The Secret Partner (not in the MovieCove catalog yet)(1961)

    Composer

  • The Singer Not the Song(1961)

    Composer

    Midcredits score: 56th percentile of all films

  • Man in the Moon(1960)

    Composer

    Midcredits score: 45th percentile of all films

  • Make Mine Mink (not in the MovieCove catalog yet)(1960)

    Composer

  • The League of Gentlemen(1960)

    Composer

    Midcredits score: 89th percentile of all films

  • Your Money or Your Wife (not in the MovieCove catalog yet)(1960)

    Composer

  • Life Is a Circus (not in the MovieCove catalog yet)(1960)

    Composer

  • A Touch of Larceny(1960)

    Composer

    Midcredits score: 63rd percentile of all films

  • And the Same to You (not in the MovieCove catalog yet)(1960)

    Composer

  • Inn for Trouble (not in the MovieCove catalog yet)(1960)

    Composer

  • And Women Shall Weep (not in the MovieCove catalog yet)(1960)

    Composer

  • Witness in the Dark (not in the MovieCove catalog yet)(1959)

    Composer · Music Director

  • Sapphire(1959)

    Composer

    Midcredits score: 85th percentile of all films

  • Upstairs and Downstairs (not in the MovieCove catalog yet)(1959)

    Composer

  • Don't Panic Chaps(1959)

    Composer

    Midcredits score: 15th percentile of all films

  • Bobbikins (not in the MovieCove catalog yet)(1959)

    Composer

  • Alive and Kicking (not in the MovieCove catalog yet)(1959)

    Composer

  • Life In Emergency Ward 10 (not in the MovieCove catalog yet)(1959)

    Composer

  • The Alphabet Conspiracy(1959)

    Composer

    Midcredits score: 75th percentile of all films

  • Operation Amsterdam(1959)

    Composer

    Midcredits score: 57th percentile of all films

  • A Question of Adultery (not in the MovieCove catalog yet)(1958)

    Composer

  • Violent Playground(1958)

    Composer

    Midcredits score: 68th percentile of all films

  • Innocent Sinners(1958)

    Composer

    Midcredits score: 75th percentile of all films

  • The Square Peg(1958)

    Composer

    Midcredits score: 74th percentile of all films

  • Carry On Admiral (not in the MovieCove catalog yet)(1957)

    Composer

  • Woman and the Hunter(1957)

    Composer

    Midcredits score: 13th percentile of all films (provisional, few ratings)

  • Escape in the Sun (not in the MovieCove catalog yet)(1956)

    Composer · Conductor

  • Who Done It? (not in the MovieCove catalog yet)(1956)

    Composer

  • The Extra Day (not in the MovieCove catalog yet)(1956)

    Composer

  • The March Hare (not in the MovieCove catalog yet)(1956)

    Composer

  • John and Julie (not in the MovieCove catalog yet)(1955)

    Composer

  • The Stolen Airliner (not in the MovieCove catalog yet)(1955)

    Composer

  • Golden Ivory (not in the MovieCove catalog yet)(1954)

    Composer

  • Fast and Loose (not in the MovieCove catalog yet)(1954)

    Composer

  • Uncle Willie's Bicycle Shop(1953)

    Composer

    Midcredits score: 32nd percentile of all films

  • Park Plaza 605 (not in the MovieCove catalog yet)(1953)

    Composer · Music Director

  • The Yellow Balloon (not in the MovieCove catalog yet)(1953)

    Composer

  • 24 Hours of a Woman's Life (not in the MovieCove catalog yet)(1952)

    Composer

  • Father's Doing Fine (not in the MovieCove catalog yet)(1952)

    Composer

  • Girdle of Gold (not in the MovieCove catalog yet)(1952)

    Composer

  • Young Wives' Tale(1951)

    Composer

    Midcredits score: 29th percentile of all films

  • The Franchise Affair (not in the MovieCove catalog yet)(1951)

    Composer

  • Ha'penny Breeze (not in the MovieCove catalog yet)(1950)

    Composer

  • Murder Without Crime (not in the MovieCove catalog yet)(1950)

    Composer

  • Landfall (not in the MovieCove catalog yet)(1949)

    Composer

  • Saints and Sinners (not in the MovieCove catalog yet)(1949)

    Composer

  • Man on the Run(1949)

    Composer

    Midcredits score: 68th percentile of all films

  • For Them That Trespass (not in the MovieCove catalog yet)(1949)

    Composer

  • The Turners of Prospect Road (not in the MovieCove catalog yet)(1947)

    Conductor

Career shape

A full career of 59 titles from 1947 to 2010.

Biggest box office

Victim (1961)

$26K worldwide

Highest rated

Victim (1961)

Midcredits 97th

Most popular right now

Sapphire (1959)

By role

only this rolewith another role
Music58 of 59: 52 only music, 6 with another role · typical Midcredits score60thOther crew7 of 59: 1 only other crew, 6 with another role

59 titles, 6 with more than one role — music and other crew overlap on 6 of them.

By decade

1940s5 · crew1950s30 · crew1960s23 · crew2010s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Philip Green's films land?

Their typical MovieCove film has a Midcredits score in the 60th percentile, the median of all 24; across their 24 films with reception data, the typical film sits in the 57th percentile for acclaim.

Acclaim · how much people like their films

57thpercentile
Typical film, the median of 24

Approval · how many liked their films

59thpercentile
Typical film, the median of 24

Reach · how many have seen their films

38thpercentile
Typical film, the median of 24

Midcredits score across 24 titles, by percentile

  • 75th and up7
  • 50th to 74th7
  • 25th to 49th8
  • Below 25th2

Shape of the crowd

13 of their 24 titles are Crowd Pleasers.

  • Universally Loved1
  • Crowd Pleaser13
  • Broadly Agreed3
  • Mixed7

Most divisive · composer

The Devil's Agent (1962)

54th percentile spread · 19% rated it 4 or lower

Most loved · composer

Victim (1961)

Midcredits 97th · 86% liked

Reviewers score the sound and music 52/100 in their films, across 16 reviewed titles; fans 57, detractors 32. The element that speaks to their work as a composer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Philip Green work with?

People who share at least 2 of Philip Green's MovieCove titles, grouped by what they did on them; Earl St. John shares the most, 9.

Directors

Writers

Actors

Cinematographers and editors

Producers